Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. Dramatic, massive in scale, at times very moving. And yet, somehow, it comes up short in terms of essential poetry.
  2. Too conventional to capture Kaufman's insanity and too haphazard, too shapeless, to recapture Kaufman's energy in any meaningful way.
  3. Always worth watching when Angelina Jolie steps to the fore. Somehow, she takes a thuddingly ill-conceived role and turns it into gold
  4. Highly amusing for grown-ups, too.
  5. Warchus seems as at ease with the complexity of the style as he is with directing actors.
  6. None of the characters in Magnolia feel as vividly imagined as the porn stars and filmmakers and hangers-on of "Boogie Nights."
  7. Obviously influenced by the style of Robert Altman's multi-character extravaganzas, Robbins has seized on this incident as the centerpiece in a carnival about the conflicts among art, politics and commerce.
  8. Above all a cracking good yarn that earns its laughter, its wonder and its tears.
    • 65 Metascore
    • 80 Critic Score
    I'd put The End of the Affair just beneath the top rung of Jordan movies or Greene-based films (it's no "The Fallen Idol" or "The Third Man"), with Moore the critical element that makes it necessary viewing.
  9. Kate Winslet is a mesmerizing force in her own right, but too much of Holy Smoke turns out to be hot air.
  10. Undeniably pleasant, but British actress Samantha Morton quietly explodes it: Her performance is like nothing I've seen in recent years.
  11. A deeply and disappointingly conventional picture masquerading as a free-spirited one.
  12. Ang Lee's dark and sober fable might be the most interesting and least dogmatic view of the Civil War to wend its way into the multiplexes.
  13. For the most part it's a blast.
    • 88 Metascore
    • 90 Critic Score
    Just as good as the original. In fact, it might even be better. Not only is it just as visually stunning and witty as the first, but it's funnier, more thoughtful and more grown-up.
  14. You need a pair of huge, hairy ones to make a picture this bad and call it Flawless.
  15. If Bond long ago became part of your fantasy life or your pop iconography, then the anticipation of a good Bond movie would probably survive even if The World Is Not Enough were worse than it is.
  16. The look of Burton's Gothic dream landscape, both lulling and energizing, is vested with so much power that it could almost substitute for narrative drive.
  17. So intrinsically rich that it doesn't need any metaphors.
  18. Kevin Smith's comic-religious fantasy turns out to be the sweetest hot-potato movie imaginable.
  19. As is typical with Egoyan, the structure is complicated and the layers of cinematic technique and texture are even more so.
  20. Despite its stellar leading ladies, Anywhere But Here is still a predictable generation-gap drama.
  21. A truly vulgar movie.
  22. The only thing more disappointing than a truly awful film is a merely weak one that has some really fun moments.
  23. Truly is an ensemble comedy.
  24. There's only one good reason to see The Bone Collector, and her name is Angelina Jolie.
  25. A marvelous ensemble cast and all the visceral impact and moment-to-moment tension of a fine thriller, together with the distinctive visual style of an art film.
  26. Extraordinary.
    • 58 Metascore
    • 40 Critic Score
    But it tries to be (many) things -- and fails at them all.
  27. Along with Sheryl Lee, Morton is probably the best actress to have emerged in this decade.

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