Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. A leaden exercise in what can go wrong when movies attempt to explore mysterious forces with dated special effects and easy symbolism...a soggy mess.
  2. Wonderful...It's funny and offbeat, sometimes raucous, but it still manages to come at you in gentle layers.
  3. A movie that wants to be "Speed" so badly that it runs roughshod over the essentials, including a decent script.
  4. Far from unwatchable. It's not a good movie but at least, on its own schlocky terms, the story makes sense (which is a lot more than you can say for "The Sixth Sense").
  5. As The Muse chugs along, it becomes more apparent how tired and pointless it is.
  6. Enough flickers of Jay Ward's gloriously subversive sensibility to make it watchable, but it also has enough lengthy stretches of pure triteness to make it easy to skip altogether.
  7. A wildly uneven and sloppily directed movie, full of clashing tones and undigested bits of superior films.
  8. An uninspired, recycled Mafia gags caper.
  9. The penalties for drug trafficking in Thailand are very, very stiff. If there were any justice in the world, the penalties for saddling fine actors with terrible dialogue would be even stiffer.
  10. Mechanical plot that seems dull even before it laboriously clanks and screeches into motion.
  11. It's not a full-on go-for-broke love letter to rock 'n' roll or a broad, joyous spoof, but something stuck awkwardly in between.
  12. It's a deluxe vacation for adults with all frills included: glamorous settings, glamorous clothes, glamorous sex.
  13. Mystery Men is supposed to be an action comedy, but there isn't nearly enough of either.
  14. A masterful accomplishment...teems with its own sense of life, crackles with daring, walks the tightrope between satire and pathos with a rare assuredness.
  15. Surprising as it sounds, as far as examinations of trust, loyalty and identity go, the big metal dude's story winds up far more satisfying than the plodding Kubrick opus any day of the week.
  16. Because the movie never fully engages us, it never quite manages to allay our queasiness about watching the boy's distress.
  17. A flinty and deeply enjoyable little comedy. There's genius in its absurdity.
  18. You would never have predicted it from the breakout success of "Pretty Woman" nearly a decade ago, but it turns out that the pairing of Richard Gere and Julia Roberts has ripened over the years into something resembling month-old brie.
  19. So genuinely, viciously funny you can't help laughing -- even when you feel really bad about yourself for doing so.
  20. Kubrick's much-anticipated final film boils down to the most elaborate monogamy lecture ever.
  21. The most inventive and genuinely frightening horror movie to appear in years.
  22. As irritating as Lake Placid sometimes is, it also has an easygoing sense of fun, along with one of the more memorable movie monsters of recent years. The mismatched ingredients blend into a blissfully, stupidly surreal summer cocktail.
  23. A movie where style and craft are fatally confused with substance, and where almost no effort is made to make the characters seem like believable people.
  24. I'd appreciate toilet humor more if it weren't so often so unimaginative.
  25. Assayas' triumph here is in making sense of confusion and emotional drift -- bringing his characters gently forward into life, and making the film feel full and rounded while still resisting easy resolution.
    • 67 Metascore
    • 80 Critic Score
    An urban epic, a noisy, swirling, flawed, hilarious, witty, tender, violent, questionable train wreck.
  26. A movie that's dazzling as you watch it and immediately unsatisfying afterward.
  27. Beneath the veneer of fake dicks and fart jokes, it's really a righteous paean to saying whatever the hell you want.
  28. It's a concept not without its sweet appeal -- if only it were a little wittier, I might actually be convinced.
  29. Isn't the worst film in the world, but its vision of reality seems so stylized, so fake, that I came out of it wondering whether it has the slightest idea what it's talking about.

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