Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. Falls flat for its skittish reluctance to bear any resemblance to an actual Wes Craven film.
    • 28 Metascore
    • 0 Critic Score
    I would rather feed Jesse Helms a rancid peanut butter sandwich, and then have him slowly lick my face off, than sit through House on Haunted Hill again.
  2. A big movie for the ages, full to the brim with sympathy, imagination and sheer visual delight.
  3. It's a gleeful, nitrous-oxide high.
  4. A grim, sour view of single life.
  5. Disappoints with its simplistic, hollow narrative and characters.
  6. Curiously and disappointingly lethargic.
  7. Isn't a good movie. It's drab, visually ugly and a little pokey...but the two heroines are so recognizable as real girls, and the young actresses who play them are so appealing, that you keep rooting for these kids.
  8. Fragmented and contrived, like a badly mapped-out scrapbook.
    • 54 Metascore
    • 40 Critic Score
    The filmmaker brings the audience to a precipice of discomfort, implying that the discomfort is itself the point.
  9. And now in The Straight Story, no director has been so buzzingly alert to the emotional lives of those people or to the beauty of the world they inhabit as David Lynch.
  10. But imagination and energy are often not enough. On balance, this is the dumbest of the entries in Hollywood's anti-consumerist new wave.
  11. Marginally romantic and only the tiniest bit thrilling.
  12. An art noir that courts pretension but just manages to keep from succumbing to it.
  13. You'd have thought, in his infinite wisdom, the Lord would at least send stinkers like this direct to video.
  14. Gripping, and it's moving, but it isn't particularly subtle. There's a strong thread of tabloid drama running through its core -- but at least it's sensationalistic storytelling with a heart.
  15. So full of winning performances and so disarmingly uncynical in its affection for its characters, it manages to leave you with a Texas-size grin on your face anyway.
    • 49 Metascore
    • 50 Critic Score
    There's no buildup, just emotional peak after emotional peak.
  16. One of the most exciting Hollywood action films in years, and the best Vietnam movie since "Apocalypse Now."
  17. An intermittently engaging thriller.
  18. Walking out of the theater, I felt so bereft that I couldn't speak. And it doesn't hurt any less thinking about the movie now, as I write this.
    • 62 Metascore
    • 60 Critic Score
    Features one of the rare complex portraits of a therapist.
  19. It doesn't take Rea long to decide that he's more interested in extending his record for Longest Acting Career Sustained on One Expression, and he's back to his baggy-eyed, hangdog look.
  20. By no means a great movie...the movie is most liable to rekindle warm gratitude for all the pleasure he gave us.
    • 62 Metascore
    • 70 Critic Score
    Isn't profound, but it is perceptive...it's a pile of fun.
    • 49 Metascore
    • 80 Critic Score
    A landmark -- the first movie to give a convincing, feature-length account of sex from a woman's point of view.
  21. A dreary, humorless affair, with no real feeling for the rhythms of either baseball or love.
  22. It remains a puzzling dream, vivid in detail and overly obvious in symbolism, fueled by half-digested lumps of malice and wonder.
    • 56 Metascore
    • 30 Critic Score
    If you're dragged to the theater to be someone's not-dumb date, pack a crossword and a light pen. It'll be the only puzzle worth solving.
  23. It's thrilling to see something this profane, mythic and, most of all, not bored with life, love and the possibilities of cinema.

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