Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. A surprisingly wise and funny meditation on the nature of what it truly means to be a man.
  2. A lugubrious sub-"Exorcist" demonic possession film that's absolutely no fun at all.
  3. A large part of the movie's problem is that both the characters and the actors who portray them serve as vehicles for Ramsay's stylistic flourishes.
  4. The most gutless and naive political drama of recent memory.
  5. Stallone returns in a gangster remake that wears itself (and the audience) out trying to be cutting-edge stylish.
  6. The epitome of the small, character-driven film that the indie movement was supposed to champion before it became a hip mirror of the Hollywood star system.
  7. Quietly overwhelming.
  8. Spike Lee's explosive, near-masterpiece media satire balances between brilliance and incoherence.
  9. De Niro's performance works because it isn't exactly likable -- he's totally at ease with his own jokes, but he's not out to make us feel relaxed.
  10. The tremendous power of Aronofsky's filmmaking -- its omnivorous omnipotence, if that makes any sense -- has the curious effect of diluting its emotional impact.
  11. A little more flair and polish could have made Girlfight a terrific movie instead of just the decent one it is.
  12. Herman Boone was no doubt a terrific football coach, but the lessons to be drawn from his success in Alexandria are ambiguous, and Remember the Titans is too wrapped up in its weepy macho sentimentality to address them clearly.
  13. Guest revels in the eccentricities of dog lovers everywhere, but there's kindness at his core. He's a mensch among mutts.
  14. Predictable, gratuitous and just self-referential enough to believe itself hip and knowing.
  15. Just a string of cute gags and pouting on Isabella's part that's supposed to signify soul-searching.
  16. Lars von Trier is a mechanic, not an artist. And his movies are meat grinders he feeds his characters through.
  17. An engrossing, gem-hard little popcorn-cruncher.
  18. Even dressed up in tabloid lighting and cut with jagged edits, this pulp nihilism never goes beyond daytime TV banality.
  19. It's long. Long movies almost always mean the audience member has time to think, and in this context that's not a good thing.
  20. A simple entertainment that's by and large carried on the backs of its actors, some who are wonderful and others who are merely likable.
  21. Like rock 'n' roll itself, the movie's really all about girls. Even when -- no, especially when -- it's pretending not to be.
  22. The directorial debut of the writer of "The Usual Suspects" keeps tossing the genre hand grenades one might expect, but they all wind up duds.
  23. LaBute is some kind of find: an auteur for people who don't like movies.
  24. It stinks pretty bad, but not so bad you'd go out of your way to avoid it.
  25. This awkward fable of ghetto redemption mixes painfully earnest message-delivery with occasional scenes of brutal violence.
  26. In some ways it's not a very good movie... tries to mix comedy and tragedy...but the movie has an exciting subject -- a true story.
  27. This is a movie full of now-you-see-it, now-you-don't plot points.
  28. Grade-B blockbuster.
  29. Unexpected late-summer treat.
  30. It's sharply chiseled but not cynical, and that's a delicate line to walk.

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