While the 16-bit-RPG-throwback genre is certainly not lacking for participants, Cosmic Star Heroine stands near the head of the class in terms of accurately capturing the audiovisual essence of the era. It falls short on invoking the character and captivating allure of the worlds imagined by the forebearers it aims to honor, however. It's a solid game in its own right, but going in understanding it's more homage than classic will temper expectations and enable you to appreciate it for what it is rather than what it is not. After all, even the best cover bands aren't able to completely emulate the enduring magic of their source material.

Prey is satisfying for anyone looking for a deeply immersive gaming experience, and it might just make you think a bit more than the surface-level tension would lead you to believe. Prey is not only smart enough to let you figure out how to get into a locked room, but it also lets you decide what the point of that locked room is. That may frustrate some, but Prey is a very special game with guts to treat you like an intelligent human being.

I loved Hakuoki: Kyoto Winds. I already adored the game's previous iteration as Hakuoki: Demon of the Fleeting Blossom on the PSP in 2012, but Kyoto Winds brings it to the next level. I simply cannot say no to a hard-boiled, politically charged epic with visceral and bloody katana-wielding action, along with romances that feel robust, deep, and meaningful. Hakuoki: Kyoto Winds is my benchmark by which all otome games shall be judged and I recommend that you leave any and all pretenses behind and give this game a look.

Trails in the Sky the 3rd is one for the fans; it's for those of us who are in deep, who devour every morsel of lore and character development because we can't get enough of this world. It's also notably inaccessible, requiring easily upwards of 100 hours of investment in previous titles to fully appreciate. But isn't worrying about that sort of missing the point? The 3rd is a heartfelt goodbye to a trilogy that has become dear to my heart, and I am deeply grateful that more adventures exist in this world, because I don't know if I'll ever be ready for the Trails magic to end.

Persona 5 is not nearly as subversive nor as smart as it wishes it was, but it's stylish as hell and a gripping ride. Worth the wait, and worth your time.

Star Story: The Horizon Escape possesses an indescribable "cool factor," but I didn't love it as much as I wanted to. I felt like the variety of gameplay styles and creative ideas should have kept progression fresh, but instead the game was a more casually paced affair that I couldn't play for more than 5-7 minutes at a time. Perhaps it's just my personal taste, but when I'm playing a graphic adventure, I want to be engrossed to play a marathon session like I'd be engrossed in a book that keeps me up past my bedtime because it's such an incredible page-turner; unfortunately, the thin narrative of this game lacked the punch to keep me coming back for more. Star Story: The Horizon Escape is not a bad little game and it has some good ideas, but I want to see Evil Corporation's future projects take this game's concepts to the next level.

We should be enjoying multiple hour episodes capable of sustaining our attention, marrying a few possible paths. After earning our trust and business, I was hopeful Telltale would move on to legendary kinds of storytelling catered to player choices and capable of handling several outcomes. Unfortunately, Episode 4 feels like we're being coasted along.

Dragon Quest Heroes II is one of the most flexible Warriors games on the market, full of nods to its dual lineage for better and for worse.

In the end, The Silver Case oozes style yet completely fails to deliver in substance. It has the bones of an interesting story with an intriguing setting that's never fully explored, but it trips over itself through disjointed narrative that is more tell than show. It may be tempting to attribute this to some deliberate attempt at abstract absurdism, but in truth it's simply a poorly written and executed script. Fans of Suda51 may very well find something to love in The Silver Case's erratic weirdness, but those with a passing interest or who are in search of an engaging visual novel would be better served looking elsewhere.

I must say, I enjoyed MajorMinor far more than I thought I would. The game is an undoubtedly acquired taste and I can see some players potentially getting turned off before even completing the first couple of chapters. The game's pacing is deliberate and characters aren't immediately likable, but if you can get past that, the game definitely opens up and blooms. For those who have enough open-mindedness, patience, and suspension of disbelief to give MajorMinor a chance, hopefully the game will grow on you as it did on me.

What French developer Enigami has managed to achieve with Shiness is admirable considering its humble beginnings. It's clear that a lot of blood, sweat, and tears went into making this adventure a reality. It's also clear that the developers fell victim to the same bogeymen that typically hinder most ambitious indie projects: time and money. Albeit flawed, Shiness is an indie gem that doesn't quite live up to its potential, yet still puts many big budget games to shame.

Battle Brothers knows what it is and doesn't try to be more than it should be, and that makes it so much better than other titles that strive for an epic or storied feel. What's accomplished here is a solid, honest package of thrills and strategic depth, though not oppressively so. In truth, the world can get monotonous and drags at times, but I also found myself losing track of time on several occasions as I told myself, "Just one more job." I dabbled in Veteran a bit before writing this review and couldn't get back into it — I just couldn't find the heart to jump right back in after I had developed such an incredible group of fighters who I got to know by name. One day I will likely pick the banner back up and I may just fall on the battlefield twenty hours in. And that's okay.

Indecision and hasty writing is what ultimately brings down Angels with Scaly Wings. Although the game starts off promisingly enough, the quality of its opening is definitely not reflected in the rest of the writing, least of all the romance scenes, which mars the overall journey despite the very interactive nature of the story. The novelty of a setting can only carry a story so far, and without a solid cast of characters or a well-developed plot, Angels with Scaly Wings is, unfortunately, quite a mundane experience.

Ys Origin is a great place to start if you're new to the series like I am. It offers some replayability and the chance to explore the world of Ys, tempting you to delve into the rest of the series. If you already own the PC version, there's not really any reason to pick up this port, as there are hardly any changes. However, I can safely say this is the perfect time to get into Ys; with Ys VIII releasing sometime this year, and the easy accessibility of the rest of the series both on Steam and PSN, you'd be doing yourself a disservice passing up this solid series.

This episode flew by at the swiftness of a baseball bat or bullet. While I hesitate to say that this was worth the wait because I do not want to encourage Telltale's practice of delayed releases, the fact of the matter is that I love this new season as much as I have seasons 1 and 2, albeit in slightly different ways. The series has matured nicely alongside Clementine — I just wish Telltale's release schedule would do the same.

An enjoyable experience with a disappointing final act. There's still plenty of potential left, if Season 2 ever comes along.

An enjoyable experience with a disappointing final act. There's still plenty of potential left, if Season 2 ever comes along.

A new direction for the franchise that is as brilliantly successful as it is bold, Breath of the Wild raises the bar for a series that has already set a phenomenally high standard.

Lieve Oma won't be for everyone. Not a lot happens over its short duration, but not a lot needs to. It's a brief, relaxing moment in time for our protagonist, and ostensibly it is meant to be the same to the player. In that sense, Lieve Oma is a successful experience, and one that made me fondly remember the time I spent with my own grandmother.

Mass Effect: Andromeda presents plenty of great ideas, but these tend to be either aped too closely from its predecessors or buried under issues that are surmountable, yet frustrating all the same. It excels most keenly at crafting environments that drip with atmosphere, suffused with rich color and ambient, spacey sound. Though this new setting lacks the depth and texture of BioWare's Milky Way, would-be explorers and romantics will find their odyssey to Andromeda sufficiently enjoyable.

Even though it's not without its issues, Horizon is an excellent title and a must have for all PS4 owners. It offers a refreshing open world environment, a compelling and mysterious story, a fantastic main character, and innovative gameplay. Not only is it one of the best action RPGs I've played in a while, it's also one of the best games I've played in a while. Even now, after the credits have rolled, I'm still having a great time trying to fully complete the game. Horizon is a truly special experience, and it's one that even non-RPG lovers need to have.

Torment is a niche title for those who want to left click between pages of a book.

Dragon Quest VIII is a JRPG-lover's JRPG that holds up fantastically more than a decade after its original release on the PlayStation 2. It may do nothing to change your mind if you're not a fan of the genre's tried and true formula, but every JRPG fan owes it to themselves to check out this classic.

Shadows of Adam is clearly inspired by the classics but falls short of being a classic itself. The lovely gameplay, with its exceptional balance and enjoyable exploration, kept me engaged, despite the flaccid story and characters.

The clumsiest Atelier title since Rorona, Atelier Firis lacks the heart, soul, and polish of its predecessors.

I'd been looking forward to Night in the Woods since its announcement and crowdfunding campaign way back in 2013, and I still ended up being surprised at just how much it affected me. It's a bittersweet tribute to slackerdom: a tale of existential crisis and failure, and the odd sense of comfort that failure may result in. Even when your world is crumbling, there's solace in family taco night or the predictable evening talk show hosts, who spout the same catchphrases night after night. We've all had our own personal nights in the woods, but in the words of Possum Springs' welcome sign, "You're not lost, you're here."

It has all but perfected the farming mechanics, and its cast is colorful and cheerful; but ultimately, there's not enough innovation to make it stand out against recent entries in the series.

NieR: Automata is everything I could have wanted from a sequel to NieR, to the point that I almost feel spoiled here. It keeps the same off-the-wall plot and well-written characters from the original while discarding the clunky combat and movement for a system that has the sheen of any one of Platinum's greatest titles. It really is the best of both worlds. If you've been a fan of NieR since day one, but have been burnt by its clumsiness before, you're in for a fantastic treat. And if you're new to the craziness that is a Yoko Taro game, know that this is the absolute best time to jump in.