In the end, Elsweyr is a worthy addition to the legacy of the Elder Scrolls Online world. The new necromancer class, the Sunspire trial, and the dragon hunts all have kept me playing for months after completing the main questline.

Silent Hope is a charming, adorable game with pitch-perfect sound design, from its limited voice work (the Princess and the King), suitably adventurous and mysterious music, and dopamine-inducing sound effects. It gets repetitive but has a well-oiled gameplay loop that keeps you on the rails. The limited character builds result in a lack of depth, but the fun of combining the right weapons, runestones, and skills to make huge numbers appear and enemies disappear is always present. Silent Hope is simple in almost all respects, and yet it brings me joy to play it and likely would do even more so for the children in your life.

Episode 2 affirms my confidence in Telltale's ability to respect the source material.

I recommend Trinity Trigger to fans of old-school action RPGs; the combat is fun, the visuals are a delight, and its ambiance is unique. Unfortunately, other areas were either lacking or led to frustration, and I’m not sure if all the design decisions complement each other. My biggest ire is the pacing and delivery of the story; what’s there is fine, but it felt mediocre because I’d lost engagement. However, combat and exploration are the main selling points of this game, so many of you will be able to look past its flaws to enjoy what’s on offer. I wouldn’t go so far as to say it’s a diamond in the rough, but I’ve had less fun with more polished games. It’s a short game, roughly 20 hours, and with more and more people looking for something that isn’t an 80-hour investment, Trinity Trigger is a quick play. I’ll praise it for crafting its own identity and not relying too much on the tropes and gameplay elements from its source inspiration, but don’t expect a modern classic.

With simple, yet strategic gameplay, excellent voice acting, cute graphics, and decent dialogue, all improved from its GBA counterpart, it's definitely worth the pickup.

There is an audience for One Piece Odyssey. Sometimes, in the middle of an exciting battle or while revisiting some of my favorite locations from the original series, I think I could be part of that audience. I’ve been a fan of the property for over 20 years and still read the manga every week. I’m not the world’s biggest One Piece fan, but I’m certainly an enduring one. But the repetition made the game a struggle to complete. As amazing as the game feels to start, it trudges across the finish line. A more patient player, or one whose love for One Piece is far more enthusiastic than mine, might be able to see past the repetition for the loving nostalgia underneath. For non-fans, or those of us looking for something meatier, One Piece Odyssey is more filler than killer.

Even though Luminous Arc 2 is a pretty extensive handheld title (40 hours, multiple endings) with a bonus OST, I cannot recommend it to you. If it was March or April and you were dying for a new game, I would say to buy it cautiously. But we're in the middle of the Christmas season and there are so many games out there.

A most triumphant and excellent adventure.

Despite my complaints, Outriders makes for a solid, if slightly underwhelming, experience. Several elements left me scratching my head, and there are some bizarre glitches. But going god-mode with your abilities is good fun, even if battles can feel repetitive. Your enjoyment of the game will stretch further if you have a buddy or two to bring along with you for the (out)ride. People Can Fly threw a lot at the wall, and some of it definitely stuck. With DLC and updates surely to come, the Outriders crew will hopefully hone its focus on the parts that work. There is a solid core already, but I hope Square Enix and People Can Fly will take steps to freshen up the gameplay and story so the momentum doesn’t die out the way humans did back on Earth so long ago.

An enjoyable experience with a disappointing final act. There's still plenty of potential left, if Season 2 ever comes along.

Much like Elena in the throes of disfiguration, Pandora's Tower is imperfect, but begging to be loved.

Though Death end’s engaging narrative pushes me to reconsider my skepticism of games whose titles include semicolons, this Switch port’s monotonous combat system, cookie-cutter progression mechanics, and serious technical failings keep me from dumping this aversion altogether. For fans of top-notch visual novels willing to tuck in for the hours of tedium much the rest of the game amounts to, I can wholeheartedly recommend Death end re;Quest — just not on Switch. To all others: steer clear of this one or, if you can’t resist experiencing this odd series for yourself, nab this on PS4 or PC and dodge this technical travesty.

Fairy Fencer F: Refrain Chord, despite being a different animal than Fairy Fencer F: Advent Dark Force, is not the standalone game it wants to be. Refrain Chord is for existing Fairy Fencer F fans only, because it does nothing to ease newcomers into the Fairy Fencer F universe. My overall feelings about Refrain Chord echo my thoughts about Advent Dark Force. The visual-novel-style cutscenes were great, but the game’s progression often dragged. Fairy Fencer F: Refrain Chord is worth a look, but only if you’re patient and already invested in the Fairy Fencer F mythos.

I’m glad I finally played I Have No Mouth, and I Must Scream. Its concept very easily draws players in, and to an extent, I even enjoyed banging my head against its opaque puzzles, knowing that each subsequent episodic level would bring a refreshing protagonist and style. Besides an underwhelming finale and some questionable puzzle design, the game is not as misanthropic or depressing as it would seem. Instead, it will always be narratively remarkable as the sole video game in Harlan Ellison’s expansive body of stories, scripts, comics, and teleplays. Ellison passed away in 2018 at the age of 84 but may his morbid and gleeful performance as AM live on for at least another hundred and nine years.

Life is Strange: Double Exposure is a game that fails to capitalize on its premise. Although the soundtrack and occasional moments of intrigue are commendable, they are overshadowed by poor character development, confusing plot choices, and a lack of polish. The technical issues, combined with the short length and unresolved storylines, make this entry feel rushed and incomplete. Longtime fans of the series might find themselves disheartened, as they may genuinely dislike the narrative choices that diverge from what they loved about the original. While some may find enjoyment in revisiting the world of Life is Strange, for many, this game could feel like a disappointing misstep.

I had a blast playing Regalia: Of Men and Monarchs despite some of its shortcomings. With amusing characters, a relatable story, solid combat, fantastic music and voice acting, and meaningful choices, it's definitely worth checking out. I look forward to seeing Pixelated Milk's next project!

Despite the gameplay not being the best, the game is charming enough with its music and music videos to still be a fun time.

Fans of comic fantasy and action RPGs will be comforted by Driftmoon's cheerful atmosphere and delightful exploration.

It’s a little bit tough to discern where Teenage Mutant Ninja Turtles: Splintered Fate lands. It delivers on replicating much of the Hades experience game in the TMNT universe, to the point where it’d be surprising if Marvel? Disney? Star Wars? other huge IPs aren’t looking into producing their own. But it also feels like Splintered Fate falls short, teasing so much that it doesn’t follow through on.

I picked up WILL: A Wonderful World at the recommendation of a friend, and I don’t regret doing so. It’s an incredible title in many respects, with characters and storylines that stay with you and a surprisingly heartfelt twist in the overall plot late in the game. I wouldn’t say it is for everyone, given the topics it covers, but those willing to move past that will discover a VN that makes them pause, feel things, and honestly think about the state of the world around them. Seeing how all the characters’ stories connect in such big and small ways to one another, and just how it all comes together in the end, is a truly memorable gaming experience. At its core, WILL: A Wonderful World is a story about potential and continuing hope, even in the face of horrible and traumatic adversity. That is a message we could all use.

All told, to a T maintains the illustrious creative bounty of its director Keita Takahashi and his team at uvula, crafting a lovingly told, fun, wacky, and relentlessly cheeky ode to disabled kids who are in search of their place in the world. It’s clear that it’s a subject that means a lot to the developers, and it’s handled with genuine care, affection, and a wry sense of humour, never punching down or sugarcoating anything to betray its central message: There’s no such thing as “perfect,” and that’s okay. Our imperfections make us who we are.

A very promising start to a series with an intriguing story, interesting setting, and a unique spin on choice-based narratives.

Luckily, for every moment you dread another repetitive mission, you find three where you discover a new series, find a cool new mobile suit, or find a hidden conversation to delight longtime fans. There is a competent core game and an amazing celebration of the entire Gundam series here. You just have to survive a lot of grinding, frustrating bosses, and poor AI to find it. Take our advice: this is a ride you want to take with a friend.

Players new to the series, or looking for a more cerebral RPG, should stay away from WA:ACF. The battle system is rather simplistic and the plot rather too cliché to derive much fun from if you're not looking for something quite that barebones.

Yes, the cast is so charming and the worldbuilding so intriguing that it’s hard not to wish each route had a few extra full chapters and not just bite-sized unlockable post-game skits. But Paradigm Paradox is very much a complete package—one that knows when to be serious yet is still adorable enough that you may need to call up a dentist once you’re done. As flawed as its world’s systems may be, it’s one location that is definitely worth a visit.

Yakuza Kiwami 3 and Dark Ties left me deeply concerned about the future direction of the Like a Dragon franchise. Since the very first time I played Yakuza Kiwami, this series held a special place in my heart. But if there is one thing that Kiwami 3 lacks, it’s heart. If you’re craving some modern Yakuza action, play any of the recent Dragon Engine brawlers. But if you really want to play Yakuza 3, my suggestion is to go play Yakuza 3 and leave Yakuza Kiwami 3 alone.

If you enjoy action RPGs and seeing the different ways a story can play out based on your experience, Stories: The Path of Destinies is an easy choice.

Like its prequel, the game does not even try to convince the player it would be anything else but a classic, heavily story-driven RPG with a traditional turn-based battle engine. The visuals are currently among the best in the genre and at least the songs composed by Yuki Kajiura are solid.