Dragon’s Dogma 2 shouldn’t be surprising. It builds on what made the original game a cult classic and doesn’t flinch away from different approaches than the critical darlings. And yet, I find myself constantly delighted and shocked with each play session, feelings that grew more common, not less, further into the game. I suspect despite finishing the main story, I have many more nights uncovering secrets and battling fierce beasts in the world of Dragon’s Dogma 2 ahead of me, and I hope the same for you.

Open Roads is a brief, affecting tale that isn’t going to change lives or revolutionize gaming, but it is undeniably charming and comfortable despite its difficult themes. By this point, you’ll know if you’re the kind of gamer for this, but if you’re still on the fence about the quality, rest assured that Open Roads feels lovingly crafted and has a distinctly human story to tell. If you were at Tess’ age, like me, in 2003, you may get even more out of it, though your mileage may vary.

Ultimately, Vestaria Saga II, much like the first game, is a collection of cool, innovative, smart concepts and well-developed characters strung together haphazardly by a largely incomprehensible story. The brutal difficulty is in no way for everybody, but if you want an intense tactical challenge, this is still a good vehicle for it. If you’ve had your fill of Fire Emblem and want more, the Vestaria Saga series is an appropriate next step. But hurry up, Zade has towns on the other side of the world to save!

Overall, Garden of Seif: Chronicles of an Assassin is a solid fantasy VN with darker undertones intended for those who don’t mind exciting angles on the “enemies to lovers” trope. It’s a visual feast for the eyes, though the slight narrative imbalance between the two character routes and lack of a story map can be hindrances. I enjoyed the solid worldbuilding and realistically flawed characters enough that I’m glad I picked this title up following Curse of Gravehollow Peaks. Iris’ quest in Garden of Seif is intriguing, with plenty of exciting twists and turns for VN fans.

When divorced from that context, the mechanics of Super Mario RPG just aren’t engaging enough on their own to carry an entire game. If Another Crusade had the creative worldbuilding and lovable characters of a game like Bug Fables, it could get away with copying familiar gameplay mechanics. Unfortunately, Another Crusade‘s world is bland and the characters don’t have enough time to shine amidst all the hackneyed attempts at humor that undercut any opportunity for narrative intrigue or personal pathos. There is a solid foundation here to build a truly great RPG, but Another Crusade fails to realize that potential.

Bandle Tale: A League of Legends Story has lovely visuals and some solid ideas, but felt like an overlong rough draft in need of editing before going to print. I needed to call upon all my patience and perseverance to get through Bandle Tale. There were even times when I had to step away from the game for a night or two and return to it with a fresh mind. Spurts of fun were flanked by lengthy stretches that dragged, making playtime feel artificially padded. If Bandle Tale were shorter and more tightly focused, it would have been a more pleasurable experience with fewer lulls and more cohesive storytelling. Bandle Tale may not be perfect, but Bandle City and the Yordles are a wellspring of good multimedia material, so I hope to see more Yordle-centered League of Legends material in the future.

I cannot overstate how much I enjoy Unicorn Overlord, but it is not a game that everyone will enjoy. Even with accessible difficulty options, there are still several systems to manage. If you enjoy Fire Emblem, make sure you give Unicorn Overlord a chance—try the demo. Personally, I believe this is one of the best strategy games released in a generation. You can play Fire Emblem, Triangle Strategy, and Tactics Ogre, and each one will give you a great strategic experience, but no modern games play like Unicorn Overlord. The experience is unique for everyone who plays it, every time they play it. The replay value of Unicorn Overlord cannot be overstated; there are multiple difficulties, multiple story paths, and more items, characters, and classes than you could ever properly appreciate in a single playthrough. In short, Vanillaware has created the spiritual successor to Ogre Battle and surpassed its inspiration in almost every way.

Overall, Zoria: Age of Shattering is an engaging tactical RPG with a few drawbacks involving its presentation and graphics. It offers a wide range of player choice and class synergies, and the survival mechanics add to this. I had to genuinely think hard about prioritizing party survival, creating new weapons/armor, or upgrading my fort. Tiny Trinket Games is a small indie team working in a complex genre, and I hope to see them accomplish more in the same vein; their passion is palpable. Zoria won’t shatter your expectations, but it will meet them if you relish the clever interplay of turn-based combat, survival, and crafting systems.

Apollo Justice: Ace Attorney Trilogy’s celebratory nature may draw attention to the second trilogy’s flaws, but it also showcases its assets, from the visual to the auditory and, yes, even the narrative. For all its pros and cons, Apollo Justice: Ace Attorney Trilogy is the best way to play these great, albeit sometimes incohesive, games.

Yukar From The Abyss is a short, nicely scripted otome VN experience for either PC or Nintendo Switch. I enjoyed playing the game and especially love the story and character development that occur in pursuit of the “good” endings. Those who don’t mind romance intermixed with godly tales may want to give Yukar From The Abyss more than a glance.

The Thaumaturge is an unsettling RPG, offering a branching story set in a late 19th-century Warsaw from the perspective of a flawed, supernatural warrior. It is a dark and harrowing journey, fully committed to exploring the conflicting desires of the people in the city of Warsaw; there is little whimsy, less humor, and no distraction from this goal. This requires an equal commitment from the gamer to this flavour of the genre — there is no grinding, karaoke mini-games or creature-collecting distractions here: your prince is in another castle. The game narrative and combat systems build on these dark themes, cleverly framing them in how Wiktor uses his abilities as a thaumaturge. Even if the multiple story paths sometimes buckle under their ambitious weight, and combat can become a little too lacking in variety, this is a person, a city and a time worth visiting and learning from for those it ensnares. Just remember to bring pizza, a drink (or two), and turn the lights down low. Very low.

Afterimage is a valiant effort in the Metroidvania genre by the developers over at Aurogon Shanghai. Built upon a solid foundation for combat and world design, unfortunately, it is still noticeably rough around the edges. It sorely needed a couple more passes in the editing board for overall level flow and story presentation, but in the grand scheme of things, it’s still an enjoyable experience.

Eastward: Octopia wasn’t something I was looking forward to playing because I didn’t even know it was coming! And even though I wasn’t aware of its existence until a week ago, I couldn’t put the game down. While there is a narrative to Eastward: Octopia, it takes a backseat to the excellent farming sim gameplay that captivated me for many hours. Pixpil does an incredible job with gameplay and feel. While farming sim might seem like a far cry from action-adventure gameplay, they intersect really well. If I was disappointed by anything, it’s that there wasn’t any combat in Octopia, as it was quite fun in Eastward. Still, the finished package was better than I thought possible. The Octopia DLC is a must if you enjoyed Eastward or have any connection to the characters.

I loved every second I spent delving deep into the dungeon floors of Serpentcoil Island. The new approach to narrative combined with the classic emphasis on game knowledge developed across multiple runs and risk/reward mechanics breathe new life into the series. The change to the visual style remains as charming as past entries despite the shift to 3D. The soundtrack is particularly noteworthy, as it is the series debut of Pokemon Mystery Dungeon composer Keisuke Ito. His tracks have so much energy to them, yet retain the traditional Japanese instrumental sound. There are a whole host of post-game dungeons I have yet to conquer, each with a unique gimmick that makes every run feel fresh and exciting. The ultimate 99-floor dungeon is particularly challenging this time and may take me months to finally clear. Shiren the Wanderer: The Mystery Dungeon of Serpentcoil Island is the best way for new players to begin the journey and features enough devilishly challenging content to keep returning fans occupied for a long time.

Everything in Final Fantasy VII Rebirth comes together into an extensive package that’s earnest both in its desire to be faithful in the ways that matter to the original and in being its own thing. I can’t help but love it. Does everything always work? No. But it manages to modernize the way Final Fantasy VII felt all those years ago, and it’s beautiful. After all, if you told me I got to explore the Gold Saucer in full HD 25 years ago and the minigames are even better than the original? Well, that’s all you need to know.

Overall, Sympathy Kiss is an enjoyable otome experience targeting a demographic not often focused on when it comes to video games: adult women immersed in the workforce. Despite having issues with one story route being potentially triggering, I truly enjoyed the rest of the time I spent playing this game. The other character routes have lovely development! Those looking for a game to provide them with their slice-of-life romance fix should give Sympathy Kiss a chance!

Much like its predecessor, Crymachina is extremely interesting in concept yet lacks a bit in execution. A strong aesthetic, incredible soundtrack, lovable characters, and a much-improved combat system make the experience enjoyable overall. Yet, the mission structure and general combat leave something to be desired. Thankfully, the game is short (just under 15 hours) and never overstays its welcome. Though its time is brief, Crymachina leaves a solid impression. Developer Aquaria is on the right track, and as a fan of both Crystar and Crymachina, I eagerly await the next entry in the Cry series.

With all of the dated aspects of the game, would it be better left to those harboring nostalgia? That couldn’t be further from the truth. If anything, the residual flaws lend it an air of authenticity. If you’re willing to go in with an understanding that you’re playing a game that was trailblazing for its time, it’s easy to find it a worthwhile adventure. Inexcusable technical issues aside, this is a great way to experience a piece of gaming history, frog warts and all.

Immortality is an experience you deserve to have. Yes, it won’t make sense to everyone. Some will be frustrated by the lack of traditional gameplay. Others might struggle to connect to these characters. But there’s so much to the game, at first glance and deep under the surface, that you owe it to yourself to see what camp you fall in. As for me, I’m going to dive back in and try to get the clips I’m missing. I know the broad strokes of what happened over the thirty-year span the game covers, but it always feels like there’s more to find.

Banishers: Ghosts of New Eden grabs you by the soul and drags you through Hell. It’s a harrowing story that takes some turns you might not expect from the premise. Despite the lackluster combat, it’s easy to want to get lost in the woods and the gorgeous and frightening world of New Eden. It’s another common win for DON’T NOD, and it will continue to haunt me.

Lunacid is the new gold standard for an indie homage. Kira shows how intimately familiar they are with the RPG legacy of FromSoftware by picking out what worked best in their classic dungeon crawlers and incorporating the strongest elements of their modern action RPGs. Despite how referential the game feels at times, it still manages to establish its own identity through the metanarrative and inclusion of horror elements. If you’ve never experienced FromSoftware’s first-person RPGs, Lunacid is a great starting point.

TROUBLESHOOTER: Abandoned Children is a game created from pure heart and passion, and if its reach exceeds its grasp at points, then this is far more desirable than the opposite. Though details of Dandylion’s next game are scarce, I would find it compelling to explore the world of Valhalla and its characters further. With a tightening up of the UI, and an increase to the narrative and translation budget, it would be an exciting prospect that would build on this game’s strengths and values.

No matter how much I enjoyed The Indigo Disk from moment to moment, the flaws from the base game and the painful BBQ gameplay loop prevent me from considering this DLC as something “better.” It is different content, and it is more content, but it is not fundamentally improved content.

Phantom Brigade contains two distinctive halves: the lovingly crafted battle system and the almost-but-not-quite overworld. It’s understandable that a first-time team with an excellent idea would choose to be laser-focused on that one idea, but the game could have been a classic if the rest were fleshed out. In a crowded factory of mech games, Phantom Brigade performs well in combat; it’s just not much to look at.

It’s not quite what you remember, but it’s exceptionally well done and retains the unique soul of the original where it matters most. And it’s sure to make that soul more appealing to a new audience that can fall in love with it for the first time.

As a game that has been in development for well over seven years, my expectations for Granblue Fantasy: Relink have been sky-high. With only a handful of very minor flaws, the game has dramatically proven itself worth the wait. While combat, setpieces, and character customization triumph, the game also has incredibly tight pacing. While Final Fantasy XVI put five or so hours of side questing and downtime between pivotal moments and spectacular boss fights, Granblue Fantasy: Relink cuts all the fat and focuses on delivering a fast, dramatic, and exciting experience. With myriad mechanics, setpieces, character variety, and fantastic combat, the game is the perfect blend of modern action RPGs while avoiding the formula. Granblue Fantasy: Relink has, without a doubt, surpassed my lofty expectations and set a new bar for character action RPGs. I cannot wait to lose a couple hundred hours of my life to the post-game scenario with friends.

I finished Another Code: Recollection in about 15 hours, and even though I’m being a bit harsh on the puzzle design, I really enjoyed the time I spent with it. It’s a good remake that makes two interesting stories available to experience again after over a decade. That is my big takeaway; these remakes are about the stories. The excellent graphics overhaul, reimagined locations, and solid performances make it clear that telling interesting stories was the primary goal here. The puzzle design came second, and that might not be what every fan of the original games is hoping for. Another Code: Recollection reimagines two classic point-and-click adventure games as visual novels for beginners, and it does an excellent job meeting that goal. This remake doesn’t make the original games obsolete, but it’s the definitive way to experience the story of Ashley Robins.

It’s hard to find much to fault Lil’ Guardsman with. It’s clear a lot of care and heart went into the title, and for those with whom the humor resonates, this is a fantasy tale worth playing through and laughing over. I immensely enjoyed my time with the game and found the end of Lil’s journey highly satisfying. Lil’ Guardsman is one duty I wouldn’t mind repeating, even if putting such lofty decisions in the hands of a twelve-year-old doesn’t seem like the most rational of choices!