Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Step up, cynics, and see the summer 2014 blockbuster that gets damn near everything right.
  2. The late actor (Anton Yelchin) brings a sly wit and bruised conscience to the role that marks him again as a consummate actor and another reason that the feverishly hypnotic Thoroughbreds gets inside your head and stays there.
  3. The filmmakers want to jolt folks, for sure. But they also want to bring you to a place where the emotional after effects of that juddering linger long after the jump scares have faded away.
  4. Don't obsess over the rough edges. The Lego Batman Movie rises on its own goofball spirits. Wanna get nuts and shake your sillies out? This is the place to do it.
  5. Take a swig of this moonshine. There's magic in it.
  6. The film is technically raw, but the sight of Van Peebles playing his father at a defining moment in movie history exerts a potent fascination.
  7. Sweet is not how Schumer wants Trainwreck to go down. She wants to explode rom-com clichés and replace them with something fierce and ready to rumble. Done.
  8. Unique and unforgettable.
  9. The acid comedy of Grant's performance carries the film. It helps also that newcomer Hoult is that rare child actor who mercifully underplays the pathos of his role.
  10. Without an ounce of phony Hollywood uplift, Winterbottom's film cuts right to the heart.
  11. Frances O’Connor’s Emily, her directorial debut, takes a familiar literary biography and garnishes it with the right kind of creative liberties — the vibrant, suggestive kind.
  12. Kirby Dick's indispensable guerrilla attack on the film-ratings system gives Hollywood a swift, smart and hilarious kick in its institutional, hypocritical ass.
  13. This is a movie that pays tribute to searching for conclusions rather than finding them once and for all, for thinking outside of categories and boxes in search of something more profound.
  14. Even before an ending designed to avoid resolution and cause moviegoers to stifle screams of “Wait, seriously?” this well-intentioned look at how close we are to the brink of extinction is the cinematic equivalent of an unexploded ordnance. For something so blessed with timeliness and talent, it leaves you feeling like you’re buried in a hovel of disappointment.
  15. Yes, this far-out fable is too much in every department. But it is also the work of a visual storyteller drunk on the power of movies to stir things up ... and maybe even to heal. It's a bumpy ride, for sure, but hold on. Okja is worth it.
  16. Yes, it’s a gender-morphing, misery-and-mystery tour of sensational and at times incomprehensible events, rife with questionable life choices and odd twists of fate. There are absolutely ideas at work here about gender and sex and all the rest. But it’s the movie’s sense of play that feels most striking.
  17. McQuarrie — an Oscar winner for his script for 1995's "The Usual Suspects" — has an ace to play. That's the indie sensibility he brings to the usual Hollywood FX.
  18. The animation is pretty, the songs are tuneful, and Josh Gad gets big laughs as Olaf, a snowman with a sun fetish. It's the holidays, people, work with it.
  19. It’s a quietly radical take on the art of finding one’s voice, playing out both in front of and behind the lens.
  20. Visually, however, True History speaks volumes. In tandem with MacKay, whose incendiary performance finds method in Ned’s growing madness, Kurzel and his crew of merry, malicious pranksters blow the dust off a calcified outlaw history to bring something elemental and transgressive to the screen.
  21. In no way does Owen's story claim to be a cure-all. Instead of false hope, it offers up possibility, the chance of a stimulus that might get past the blocks of developmental disorder. That's more than encouraging. Life, Animated is truly inspirational.
  22. This sweetheart of a comedy boasts a hilarious and heartfelt performance by Keri Russell.
  23. What raises the movie above the herd and rocks our settled ideas of pop entertainment is the way Hader and Wiig resist the script's pull to tidy things up.
  24. It could be tighter, tenser, a little sharper with its satire. Yet there are enough big, better-than-decent movie moments, from shoot-outs to impromptu elevator sing-alongs, that not even a small screen can dilute. That’s entertainment!
    • 74 Metascore
    • 38 Critic Score
    Stone calls this bile satire. But satire takes careful aim; Killers is crushingly scattershot. By putting virtuoso technique at the service of lazy thinking, Stone turns his film into the demon he wants to mock: cruelty as entertainment.
  25. This film geek's dream of a movie pulls the ground out from under you, but stays smartass to the end. Sweet.
  26. In a summer of dumb, shameless drivel, Moore delivers a movie of robust mind and heart. You'll laugh till it hurts.
  27. There's Theron, like a force of nature, compelling us to go beyond TV-movie supposition and look Wuornos straight in the eye. Her raw and riveting performance makes Monster an experience you won't forget.
  28. Old master Eric Rohmer, 82, uses new tricks in the form of painted backdrops inserted digitally to create a virtual reality. Rohmer goes Lucas - who could have guessed?
  29. Everything in this movie is so ripe and voluptuous that watching it doesn't seem enough, you want to take a bite out of it.

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