Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Cartwright, find something sadly timeless in a child torn apart in a custody battle that no one wins, least of all the child.
  2. Getting creeped out has never seemed this totally cool.
  3. A personal best for producer Jerry Bruckheimer, a triumph for Scott and a war film of prodigious power. You will be shaken.
  4. Both Sawyers and Sumpter are terrific, world-class charmers who suggest the powerhouses they're playing without undue mimickry.
  5. There's no way to take your eyes off it.
  6. What Seligman, Sennott and Edebiri have given us is nothing less than a Heathers for this generation. It hits you, and it feels like a kiss.
  7. Under the keen-eyed direction of Jean-Marc Vallée (Dallas Buyers Club), Wild emerges as an exciting, elemental adventure that takes you places you don't see coming.
  8. And while the action-set pieces and stand-offs and Raya–ders of the Lost Ark sequences are indeed thrilling, it’s the buddy-comedy aspect that actually makes the movie come alive.
  9. The movie may ping between social drama and IRL courtroom saga. Whenever Foxx struts and frets — and bellows, coos, rages, and waltzes — his two hours upon this stage, you realize that it may simply work best as a star vehicle.
  10. The film, quite rightly, is a tour de force for Bardem.
  11. Smoking Causes Coughing may or may not be designed as a straight parody of Power Rangers-style adventures and the sugar highs of such kid-friendly sci-fi/superhero entertainment. It most definitely is the sort of high-concept goof that, taken to such go-for-broke extremes, blurs the line between giggle-inducing absurdity and absolutely brilliant ridiculousness.
  12. Only some bumpy, arid passages in the script keep The Others out of the master class occupied by the likes of "The Sixth Sense" and, my favorite, 1961's "The Innocents."
  13. So much of what makes Catherine Called Birdy sing comes down to Dunham and Ramsey working in conjunction to give you a portrait of a 13th-century teenager woman that feels thoroughly modern without being winky-nudgey, spiky and tender, oddly family-friendly while still being defiant.
  14. Elliott is a recognizable archetype. Thanks to Park’s writing and Stella’s ridiculously charismatic performance, she’s anything but a generic one.
  15. It takes a while for this oddball film -- a mosaic of stories in the style of "Magnolia" -- to take hold, but when it does, it grabs you hard.
  16. The problem for Gary Trousdale and Kirk Wise, who also co-directed Beauty and the Beast, is turning a tale of violent love and death into a family film with a happy ending.
  17. Forget the title: Jackass can’t go on forever. Just enjoy one last chance to see these beautiful f*ck-ups do what they do best before they limp and hobble off into the sunset.
  18. In this wildly ingen­ious chess game, grandmaster Nolan plants ideas in our heads that disturb and dazzle. The result is a knockout. But be warned: Inception dreams big. How cool is that?
  19. Whitaker is on fire, and as long as he's onscreen, King keeps you riveted.
  20. This tender, gory trip through the guts of a nation is blessed with one of those magical instances of casting the right actor in the right part, and it’s impossible to think of someone else who could do justice to this young woman the way that Taylor Russell does.
  21. It takes seriously the challenge of adapting a seemingly unadaptable novel, and keeping all its big-picture implications in full view. It earns its distinction as a faithful adaptation — and proves a satisfying movie, too.
  22. It's a tall order that Tucci is not up to filling. But don't discount the pleasure of watching him try.
    • Rolling Stone
  23. Darroussin is killer good and director Cedric Kahn turns Georges Simenon's seminal novel into a darkly comic spellbinder that pins you to your seat.
  24. Forget Oscar, Ocean's Eleven is the coolest damned thing around.
  25. Michael Douglas digs deep and delivers one of his best performances in Wonder Boys -- a comic dazzler of roguish wit and touching gravity that is driven by characters, not jokes.
    • Rolling Stone
  26. It's Morgan's core script, full of humor, heartache and verbal fireworks, that lifts Rush above the "Fast & Furious" herd.
  27. The best social documents on film do more than show you what's wrong in the world – they make it personal. Bully does that with a passion.
  28. Despite its fluid sexuality, The Half of It turns out to be less of a love story than a funny, touching and vital look into the nature of friendship.
  29. Armageddon Time isn’t a movie about bad people or good people. It’s more shocking because it’s more banal: It’s a movie about people. It doesn’t excuse peoples’ choices. But it knows that it cannot change them.
  30. Bana is magnificent in the role.

Top Trailers