Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Movie junkies, rejoice. Director Peter Medak has made an instructive and nightmarishly funny documentary about how actor Peter Sellers drove him crazy and nearly trashed his career.
  2. Eastwood's modest approach to these momentous events shames the usual Hollywood showboating. In a rare achievement, he's made a film that truly is good for the soul.
  3. This one's a winner. And Baymax, baby, call your agent. You're about to be a household name.
  4. It’s a juicy subject, and it might be too big for this particular storytelling approach.
  5. What Will & Harper is, at its heart, is a portrait of a friendship and how the fundamentals of a deep and lasting bond doesn’t change even when the people within it do. That alone makes it worth the trip.
  6. Edward Scissorhands isn't perfect. It's something better: pure magic.
  7. Here's the thing about Mommy: Even when Dolan gets self-indulgent and works his themes into the ground, he's a one-man fireworks display. His images jump off the screen and stick in your head.
  8. The impression is that you’ve just seen a great New York movie, with a great star turn at the core of it, and yet still feels like something’s missing. It’s ultimately an excuse to watch Washington go HAM.
  9. The film's secrets unfold slowly, allowing Phoenix and Paltrow -- a luminous fusion of grace and grit -- to build a relationship in full. The script, by Gray and Richard Menello, is inspired by Dostoevsky's "White Nights."
  10. The worst thing I can say about this savage, sexy and ferociously funny screen translation of three stories from Frank Miller's Sin City series of graphic novels is that it's too much of a good thing.
  11. Journeys, shot on the last two nights of Young's 2011 solo world tour, is essential Neil Young.
  12. She Said doesn’t pretend that wrongs have been righted once and for all. It just wants to pay tribute to two people stood up to a Goliath and took him down not with one good shot but a million tiny cuts and a lot of hard work.
  13. Don't let anyone spoil the surprises of this thrashing, thrilling chunk of cinematic gold. It's one for the time capsule.
  14. Yang turns this heartwarmer into a feat of delicate magic.
    • Rolling Stone
  15. Working from a tight script by Ben Ripley, Jones creates scary, hairy, high-octane tension. Disbelief? Suspended, until the logic lapses kick in later. It's a small price to pay for a ride that starts at wild and accelerates from there.
  16. The film’s most powerful asset is Thompson (Sorry to Bother You, Thor: Ragnarok) in a performance that cuts through the script’s cliches to find the heart of a character that reflects the plight of a woman alone in a man’s world.
  17. Joe
    Sheridan, so good in "Mud" with Matthew McConaughey, excels here as a vulnerable sapling.
  18. The whole movie is a grab-bag of insanity so off-the-chain hilarious that you stick with it even when the convoluted plot goes haywire.
  19. Bird may be the most divisive movie of Andrea Arnold’s career, and we’re including the gloriously feral 2011 adaptation of Wuthering Heights. But like everything else she’s done to date, it’s also rewarding in unexpected ways — the sort of film that taps into endless reservoir of empathy as much as it shocks you with extremities.
  20. As the film moves toward its painfully inevitable climax, Queen and Slim fulfills the promise made by Waithe and Matzoukas to create a new form of protest art. Their film isn’t meant to lionize these two everyday people-turned-folk heroes, but to celebrate their strength and pride.
  21. In this steadily gripping hothouse of a thriller, it's Cooper -- funny, fierce and bug-wild -- who gives us a look into the abyss.
  22. Tsunashima is superb, and a never-better Collette (The Sixth Sense, About a Boy, The Hours) has a radiant intensity that hits you right in the heart. She burns this movie into your memory.
  23. Boyle and screenwriter Alex Garland plumb the violence of the mind with slashing wit and shocking gravity. Happy nightmares.
  24. Shot through with grit and grace, Novitiate is a potent provocation. It's also something special.
  25. Come for the snickering, it seems to say. Stay for the unexpected lump in your throat.
  26. It’s a little zany, a little blue, emotionally jagged, adventurously all over the place. If you’re a romantic, though, the movie’s inciting incident — the bomb that detonates all the problems to come — probably plays like something closer to a scene out of a horror movie.
  27. Long before Palm Trees becomes an outright film about sex work, it establishes itself as a film about the dire social transaction that sex can be — an old story, tragic every time, and effective here.
  28. Penn, in tandem with the superb cinematographer Eric Gautier (The Motorcycle Diaries), captures the majesty and terror of the wilderness in ways that make you catch your breath.
  29. Fort Worth native Channing Godfrey Peoples, making a striking feature debut as director and screenwriter, knows this place in her bones. She’s crafted a keenly observant and emotionally resonant debut film that feels authentically lived in.
  30. The laughs hurt so good, and the guests at this shindig treat each other like dartboards for 71 minutes. Yes, that's short for a movie, but your nerves couldn’t take more.

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