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For 7,548 reviews, this publication has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 Ghost Elephants
Lowest review score: 0 Buddy Games: Spring Awakening
Score distribution:
  1. Positive: 4,942 out of 7548
  2. Mixed: 1,248 out of 7548
  3. Negative: 1,358 out of 7548
7548 movie reviews
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  1. Wiener-Dog
    With all its humor (and there is a ton), Wiener-Dog, following the journey of a dachshund as it is shuffled from owner to owner, is one of Solondz's sharpest visions of futility.
  2. Hunt for the Wilderpeople
    Waititi’s film defies its convention through grounded characters, witty dialogue, compassionate filmmaking and inventive storytelling. Hunt for the Wilderpeople is consistently clever and even moving. It’s proof that we’ll keep listening to the familiar stories if they’re this well-told.
  3. Swiss Army Man
    The Daniels have made a film that's at once a labor of love and a work of sheer arrogant nerve, one that is as likely to be described as a classic, an ambitious misfire, and one of the worst films ever made by any three people who see it together. How many movies can you say that about?
  4. Nuts!
    The most striking part of Nuts! is its extensive use of animation.
  5. The Neon Demon
    The Neon Demon only works when Refn finds the right middle ground between obliquely hinting at and explicitly spelling out what his movie's about.
  6. The Shallows
    Lively is superb here, giving one of those hyper-focused, action-lead performances that's as much an athletic feat as an aesthetic one.
    • 67 Metascore
    • 75 Critic Score
    Parched
    Parched is a filmmaker’s attempt to understand how and why these women continue to live.
  8. Seoul Searching
    The episodic narrative of Seoul Searching can be too long and unfocused, but its stubbornness comes from filmmaking that is overflowing with self-pride.
  9. Clown
    While Clown is far from the disastrous misfire that typically stains VOD horror movies (most range from awful to “I never want to see a movie again”), it comes apart about halfway through, losing a very difficult tonal balance. Having said that, there’s more to like here than the studio burial would have you believe.
  10. No Stranger Than Love
    Feels like it probably began life as a one-act play, set almost entirely in Lucy’s living room and with a small cast of characters. It has that feeling of a piece that needed a bit more workshopping to discern its purpose and, like a lot of independent cinema that feels like it has theatrical origins, never becomes convincingly cinematic.
  11. The Last Heist
    The film rarely comes to life because Rollins, the only compelling actor in the otherwise amateurish cast, is underutilized, and virtually everything else underdeveloped.
  12. Raiders!: The Story of the Greatest Fan Film Ever Made
    Raiders! is a love poem to film geeks everywhere, giving them heroes whose own geekdom is a pinnacle of aspiration.
  13. Bang Gang (A Modern Love Story)
    With her debut feature, Bang Gang, Eva Husson captures the restless rhythms of adolescence—the push-pull of angst and boredom, of self-consciousness and the yearning to lose oneself completely.
    • 74 Metascore
    • 88 Critic Score
    Land and Shade
    A film of uncommon restraint and considerable compassion. It presents a seemingly helpless situation and focuses on the tiny, fleeting moments of regret, resentment, reconciliation, hope, loyalty and love within and between these characters.
  15. Tickled
    The moviemakers craft a satisfying narrative while leaving the viewer with some questions; this is a movie that manages to be disquieting and entertaining simultaneously.
  16. Cosmos
    Reality has never been this fun, even if it's frequently this random and hopeless. Better to take the oblong fantasy.
  17. Central Intelligence
    The best thing about this movie is that you believe in the relationship. Hart and Johnson are a classic comedy duo in the tradition of Abbott & Costello, Bob Hope & Bing Crosby and Gene Wilder & Richard Pryor.
  18. Puerto Ricans in Paris
    It's charming. It's funny. The case they investigate has a legitimate twist to it, there's a lot of French intrigue, there's much that is totally implausible, but the film lives or dies on the dynamic of the two main guys. It lives.
  19. Finding Dory
    The result might be less fulfilling this time, but “Dory” is ultimately worth the voyage.
  20. Careful What You Wish For
    Elizabeth Allen’s generically titled thriller, Careful What You Wish For, plays like a painfully stilted high school production of “Fatal Attraction.”
  21. Therapy for a Vampire
    The latest film to attempt to find the lighter side of bloodsuckers and it even adds a reasonably inspired idea into the mix. Alas, the result is a thoroughly mediocre movie that is never as amusing as it should be.
  22. The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble
    Whatever the flaws, The Music of Strangers does provide enough enticements to make it worth a sit, if only to see Mr. Rogers greet Ma in an old TV clip.
  23. King Jack
    Lacking personality or insight, King Jack is a ho-hum tale of young aggression—been there, bruised that.
    • 71 Metascore
    • 75 Critic Score
    Tikkun
    The threat of a comedy lurks around corners in "Tikkun.
  25. De Palma
    One of the essential documentaries on Hollywood.
  26. Diary of a Chambermaid
    Taking on a novel that’s already been adapted by two of the greatest filmmakers of all time should give any contemporary director pause, you would think. But Benoît Jacquot shows no signs of intimidation in his Diary of a Chambermaid.
  27. Genius
    I’m not the only one who was at least slightly taken aback, though, by a persistent quirk in the movie’s casting, which is that not one of the Lions of American Literature in this picture was played by, well, an American.
  28. Now You See Me 2
    There's not much awe showcased here. The film is mainly horseplay, wasted motion, and talk, talk, talk, with a few good action scenes.
  29. Warcraft
    I’m also hoping that the game is more emotionally engaging — or at least, you know, fun — than the movie I just saw. Because that thing was a dour mess.
  30. Urge
    A movie that’s as empty and unlikable as the characters themselves.
  31. From Afar
    From Afar, in any case, is built on reticence.
  32. The Conjuring 2
    The Conjuring 2 doesn’t live up to the films that inspired it (or the original) not because of the filmmaking laziness we so often see in horror (especially sequels), but almost because Wan and company are having too much fun to streamline their film.
  33. It's So Easy and Other Lies
    The movie has an undeniable black hole at its center in the fact that it barely mentions Axl Rose, and includes no original Guns N' Roses recordings.
  34. Art Bastard
    A beautiful portrait of the man himself, still going strong at age 76, as well as a critique of the art world that has ignored him (and others) because they don't "fit."
  35. The Final Master
    As for the fights: There are plenty of well-choreographed battles in The Final Master. The award-winning choreography eschews wire work, keeping the action sequences squarely on the ground.
  36. Time to Choose
    The main reason that Time to Choose feels different and has value is that it actually offer solutions and hope.
  37. The Wailing
    South Korean horror-mystery hybrid The Wailing crosses that line several times, but somehow remains effectively atmospheric.
  38. Approaching the Unknown
    It is well-intentioned, conscientious and competent in its filmmaking craft.
  39. The Fits
    An effective and creepy-surreal film.
  40. The Witness
    This is a powerful movie, but perhaps its greatest triumph is that for a brief time it resurrects Kitty Genovese, and lets us see her as a person.
  41. Teenage Mutant Ninja Turtles: Out of the Shadows
    This is the kind of movie that leaves you with the impression that more thought was put into catchphrases and fan service than into a compelling plot, thoughtful characterizations or imaginative action choreography.
  42. Holy Hell
    Holy Hell should have dug a lot deeper and told its story with a lot more finesse. What happened? Maybe, after all these years, Allen was still too close to his subject?
  43. Of Men and War
    Not the type of Iraq soldier film one may expect. It does present intricate experiences of PTSD, but does so with distance.
  44. Me Before You
    Luckily, many of the plot’s maudlin pitfalls are greatly mitigated by the film’s utterly infectious leading lady. Emilia Clarke’s performance is winningly immersed in charming gawkiness and heartfelt sincerity.
  45. Popstar: Never Stop Never Stopping
    What’s good about this movie is funny, and refreshing, enough to make the dry spots feel more tolerable in retrospect.
  46. Jia Zhangke, A guy from Fenyang
    While Salles’ portrait gives a very incomplete account of the man and his art, it pays tribute to a filmmaker who remains among the medium’s foremost and most fascinating creators.
  47. As I AM: The Life and Times of DJ AM
    Director Kevin Kerslake explores Goldstein’s life, providing a full portrait of a person who signifies a huge change in modern music.
  48. Presenting Princess Shaw
    This entertaining narrative documentary is very firmly in the ferment/fervency/fulfillment camp.
  49. The Idol
    It’s all inspiring stuff, to be sure—and often so dramatic that it’s hard to imagine it really could have happened, even though it did.
  50. Chevalier
    There are laughs and uncomfortable observations throughout, but Tsangari never lays on too heavy a hand. One is free to contemplate the allegorical and satirical implications, but also free to enjoy the spectacle of self-imposed insecurity that plays out among these characters.
  51. The Ones Below
    It’s a slow burn, but even as events turn more than a tad preposterous with twists that seem not just predictable but inevitable, Farr keeps a handle on the tension and tone, which keeps us hooked.
  52. The Do-Over
    Almost every female character is there to be screwed or to screw the guys over. Or both. This is how Sandler’s brand has always portrayed their female characters, but it’s just increasingly depressing.
  53. Unlocking the Cage
    The film will surely have its own role to play in the arena that perhaps counts most: the court of public opinion.
  54. Alice Through the Looking Glass
    I removed my eyeballs from my head as soon as I got back from Alice Through the Looking Glass and cleaned them in a sink. I could have left them in and only cleaned the fronts, but I didn't want to take any chances.
  55. X-Men: Apocalypse
    X-Men: Apocalypse is a confused, bloated mess of a film.
  56. Welcome to Happiness
    The irony is that as Gallner’s performance gets stronger, the film around him grows weaker.
  57. The Other Side
    If it were possible to splice the DNA of William Faulkner and John Cassavetes, the resulting progeny might produce a film like Roberto Minervini’s The Other Side, an immersive, almost harrowingly naturalistic plunge into the lives of marginal Louisianans obsessed with guns, drugs and belligerent resentments.
  58. Manhattan Night
    It’s pretty frustrating to watch a close-but-no-cigar movie like this.
  59. Almost Holy
    Terrence Malick is one of the producers of Almost Holy, and while Hoover doesn’t go for a full interpretation/realization of his style, there are touches that evoke the director’s work, especially in the film’s last sequence.
  60. ma ma
    More important than the washed-out blue-tinged rooms, bleached white interiors and sun-blasted sea and sand is Cruz, who single-handedly breathes a sense of genuineness into this maudlin exercise even if she can’t cure all of its flaws.
  61. Pervert Park
    Pervert Park is eye-opening about the lives of convicted sex offenders, as inspired by a degree of empathy we need not be afraid of.
  62. Maggie's Plan
    Maggie’s Plan almost isn’t screwball enough. The characters must undergo some introspection, as well, and striking a balance between those two dynamics proves challenging.
  63. Weiner
    A documentary that plays as cringe comedy. Like that sub-genre, it comes packaged with a star whose irascibility often leads to eye-covering levels of discomfort.
  64. The Angry Birds Movie
    The Angry Birds Movie isn’t a total turkey. The animation itself is OK and I did laugh out loud once.
  65. The Nice Guys
    The cast is perfect, but The Nice Guys could have used one more rewrite or two and another trip to the editing bay to really streamline jokes that don’t work and a plot that gets more cluttered than engaging.
  66. Neighbors 2: Sorority Rising
    The bad news is that, as movies go, Neighbors 2: Sorority Rising barely qualifies as one.
  67. Money Monster
    Ultimately, the film registers less as an indictment of widespread financial corruption than as a shallow exploration of one man’s greed. But briefly, when it’s at its peak value somewhere in the middle, Money Monster is a solid bet.
  68. The Asian Connection
    I want to defend this movie, but it's so bad that I must warn you: if you watch this film knowing that it is Steven-Seagal-wearing-a-du-rag-and-glowering-impassively-at-attractive-young-women bad, you will get what you pay for. That's both an endorsement and a warning.
  69. Search Party
    When did these very funny and undeniably talented TV actors know that Search Party was a disaster?
  70. What We Become
    There are large chunks of What We Become that feel like something we’ve seen before, a repeat of the AMC series perhaps, and just when it’s getting interesting, it ends, almost like it’s a pilot for a new series.
  71. Pelé: Birth of a Legend
    A well-meaning and sometimes interesting effort written and directed by brothers Jeff and Michael Zimbalist.
  72. Kill Zone 2
    Don't let the tacky American-friendly title of Kill Zone 2 fool you: the martial arts genre's next big thing is here, and it is way meaner, more technically accomplished, and more exciting than its disappointing marketing strategy implies.
  73. Last Days in the Desert
    At the very least, we should give thanks that an almighty cinematographer like Emmanuel Lubezki, who has won a record three consecutive Oscars for his work on “Gravity,” “Birdman” and “The Revenant,” exists.
  74. The Trust
    A moderately entertaining heist movie featuring an animated and reasonably diverting Eccentric Cage Performance.
  75. The Lobster
    The Lobster plays rigorously by its own rules without once telegraphing "Just kidding!" While extremely funny, it is a bitter and ruthless film. Lanthimos plays target practice and his aim is deadly.
  76. Love & Friendship
    Stillman pushes the comedy right up to the edge of screwball.
  77. The Darkness
    The Darkness is pretty much a total bust—it isn’t scary, it isn’t exciting and it plods along at such a snails pace that even though it clocks in at just over 90 minutes, it plays like it runs at least twice that.
  78. A Monster with a Thousand Heads
    The movie deserves to be known, first of all, as a terrific example of intelligent, captivating film craft—further proof of the recent strength of Mexican cinema.
  79. Sunset Song
    One of the great director Terence Davies' best films: an example of old school and new school mentalities coming together to create a challenging and unique experience.
  80. High-Rise
    The filmmakers really do manage to visualize a distinctly Ballardian nightmare-scape. This in itself makes High-Rise worth experiencing.
  81. Dragon Inn (1967)
    Dragon Inn is a romantic action film, but it still feels modern thanks to Hu's strict focus on action. I don't just mean the film's relentless series of fight scenes. Hu's film is all about movement.
  82. Bridgend
    Bridgend does have a life on its own beyond fact, but the narrative it offers in place of the headlines only further proves how phenomena like adolescence and death is better observed, not investigated.
  83. Bite
    The gooey center of the film works for those with a high tolerance for things that might make a majority of the population queasy.
  84. Being Charlie
    Proves to be a kind of career rehab for Dad.
  85. Dark Horse
    It almost cries out to be a Mike Leigh film starring Jim Broadbent and other members of the director’s stock company.
  86. Elstree 1976
    At 105 minutes, Elstree 1976 became a bit of a slog for me. Visually, the talking heads-style of documentary can be very dull.
    • 70 Metascore
    • 63 Critic Score
    Belladonna of Sadness (1973)
    That mashup — of feminine beauty and insanity-inducing toxicity —is a good cipher for everything about Belladonna of Sadness (“Kanashimi no Balladonna”).
  88. Dheepan
    See it for the performances. There you will find the whole story.
  89. A Light Beneath Their Feet
    A Light Beneath Their Feet is a triumph of empathetic filmmaking. It will enthrall viewers merely seeking a coming-of-age yarn, and it contains one of the loveliest prom scenes in recent memory.
  90. A Bigger Splash
    Simultaneously lush and lurid, sumptuous and startling, A Bigger Splash never goes where you expect, even as its undercurrent of danger is unmistakable from the start.
  91. Captain America: Civil War
    The bad news is, there are about ten movies going on in Captain America: Civil War, which is at least seven too many. The good news is, most of them are fun, and there are enough rousing moments to elevate the movie to Marvel's top tier.
  92. Sin Alas
    Sin Alas has a lot going on, both plot-wise and stylistically, and it often gets quite theatrical, but the overall effect is that of a pure and beautiful simplicity. There is nothing in the way between the story and its impact.
  93. Dough
    There are some good ideas in the film, albeit a bit obvious ("why can't we all look past our differences and get along?"), and albeit done much better in other films (primarily "The Visitor").
  94. Papa: Hemingway in Cuba
    These behind-the-scenes factoids are the most interesting aspects of the film — and, regrettably, the only interesting aspects, as well.
  95. Sacrifice
    A unique kind of very bad movie. The spectacle of this misbegotten thriller is not amusing enough to recommend to fans of casual movie cheesiness, but it’s the filmmaking choices that made me laugh out loud.
  96. Special Correspondents
    One of those increasingly depressing affairs, like watching air come out of a balloon. You start to feel bad for everyone involved, even the man responsible for it all, Ricky Gervais.
  97. A Beautiful Planet
    Similar to “Gravity” or “Avatar,” it offers viewers experiences that can only be seen in large scope storytelling, this one coming with the budget of NASA trips to the International Space Station.
  98. Viva
    Neither character talks all that much, but both actors project complex intelligence and consistent emotional acuity.
  99. L'Attesa (The Wait)
    What Messina lacks in substance in his storytelling, he mostly makes up with raw feelings. We come to care through our own powers of observation, and that might be enough.
  100. The Family Fang
    The reason I’m rating this movie higher than I would otherwise, is Christopher Walken. His commitment to making Caleb as thoroughly unlikable as humanly possible yields a character who’s kind of terrifyingly off-putting even when his words and actions are ineffectual. A piece of acting alchemy of which only few are capable. I can’t imagine how powerful it might have been in a better movie.
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