A profoundly atmospheric and virtuosically written exploration of the embattled male psyche. Uncompromising and fearless in its vision, We. The Revolution immerses and transports in a way that very few games ever achieve. An unforgettable, must-play experience.

Scott Pilgrim VS The World: The Game is a decent beat-'em up that fans of the genre should get with their eyes closed, especially when it is the first time it officially appears on PC. As for the rest, the game may offer a few hours of quality fun with friends and that is it.

A well-made space action exploration game with solid visuals and sound and an explosively fun combat system. Its non-story driven content gets repetitive after a while but you will be thoroughly entertained until then.

Beholder is a moral dilemma, an investigative adventure game, a strategic management simulator and an utterly gripping dystopian thriller all at once. In spite of its difficulty, it will simply not allow you to quit before reaching one of it’s multiple, bleak, heart-breaking endings. The atmosphere of oppression and state-run terror is palpable. A game for our times.

Pure, delicious, gothic-flavored anarchy. Flipping Death consolidates Zoink’s position as the heir apparent to Double Fine’s Throne of Video Game Humor and delivers on every front imaginable. Fans of sharp writing and offbeat humor, this one is a true delight.

Despite its “loose” treatment of established Tolkien Lore, Shadow of War manages to showcase once more why the Nemesis System is one of the greatest gaming innovations in recent memory. However, a title that manages to take the cancer that is microtransactions in a Single-Player game and metastasize it to the next level cannot, in all good conscience, be awarded a higher score than this.

Last Day of June is a bittersweet, pastel colored shot of a story about loss, grief and dedicated love. A successful mix of Ovosonic's artistic vision and Steven Wilson's haunting, melancholic tunes. As such, it provides a storytelling-based experience, with a nice touch of time-tweaking mechanics.

Boasting good puzzles and solid level design, Tormented Souls doesn't break new ground, but it does well what it set out to do. It's not a game I would recommend to everyone since you have to get used to the clunky combat and the lack of guidance and be equipped with enough patience to overcome the initial difficulty barrier.

A typical interactive storytelling game that offers some aspect of choice and consequence through dialogue with our ghost companion. Its strong point is the Victorian aesthetic that characterizes the melancholy that resides over the abandoned buildings of the islands that our heroine is marooned at. The main story is somewhat lacking and expected, and the game mostly shines when telling the lesser stories of the other past inhabitants of the islands. Technically although the 3d assets and the art that the player interacts with are highly polished, the outside natural locales are mostly unimpressive.

It’s more than obvious that “Silence” is some kind of experiment from Daedalic Entertainment. It will most likely disappoint fans of traditional point ‘n’ click adventure games, but at the same time it may prove attractive to a wider, more casual and mainstream audience, like fans of Telltale Games’ creations.

Post apocalyptic dread, a society on the brink of revolution and The Reaper Himself stalking the poisoned skies. Shardlight combines the eerie splendor of Primordia’s abandoned wasteland with a poignant political narrative. Easily one of Wadjet Eye’s finest releases.

A small work of art, well-made and compact, flooded with colours and bittersweet feelings. Unfortunately, it doesn't last longer than a Saturday gaming session.

City of Light closes the gaps of the season’s main arc, although it seems to do so hastily, without letting an unraveling to sink in before us making a conscious choice. Still Ep. 5 is an improvement from Ep. 4, yet it is relatively weak and representative of the whole season of Telltale’s Batman.

Setting aside the issues of short duration and the lack of on-line capabilities, Wulverblade is a fabulous brawler, which will surely offer you some exciting moments of pure and high-quality action.

Stylishly exaggerated and ultra-violent, irresistible 70’s funk guitar licks and a script that pays homage to the finest of poliziotteschi, this is Europe’s impeccable sneer of an answer to Hotline Miami.

While certainly not without its flaws in its initial form of release, MegaCorp, together with the 2.2 patch that accompanies it, offers some of the most substantial gameplay changes and additions we've seen from a Stellaris expansion to date.

Not Another Weekend is one of the pleasant surprises of this year. It is definitely aimed more at the over-thirty players who "matured" by playing similar games in their youth, who will naturally appreciate it more than the younger audience. Nevertheless, it has its own charm and is undoubtedly an adventure that deserves our attention.

Aliens: Dark Descent manages to absorb the player, with its main arsenal being the strong atmosphere and the high level of challenge. However, I feel that it would need a better sense of control during battles to make it a truly memorable game.

Sonic's entry into new, for him, gaming paths is overall successful, despite any problems. With a little polish and attention to detail, the next game in the series has the foundations in place to finally look eternal rival Mario in his three-dimensional, bubbly eyes.

Downfall is a deep dive into frame of mind and deeper aspects of the human brain. As a remake, it brings several changes, apart from technical improvements. Whoever loves horror games cannot miss this one.

Gravity Ghost creates a nice world in space where the swinging between planets is an interesting and relaxing activity. Even if you don't find this enough, the great music and the well narrated story is a reason to give the game a chance.

A political thriller whose hardcore puzzling and mechanics will greatly appeal to old school adventure gamers and fans of a good northern adventure yarn in general, but whose emotional impact is dampened a bit by characters that feel a bit forced. An impressive debut that puts Faravid Interactive firmly on the map.

Victor Vran is, beyond doubt, one of the most well-made and entertaining indie games of this year. It may not be the most profound or stat heavy action-RPG ever made but it has a lot of content, it is highly addictive, and shuns conventions of the genre for some interesting concepts of its own.

Dying Light is an excellent effort from Techland and perhaps the ultimate sleeper hit of 2015. Definitely it could be better in areas such as storytelling and the variety of the secondary activities, but the robust gameplay mechanisms and the long duration of the main campaign will satisfy your survival-horror needs and will make you look forward for the inevitable sequel.

Endling: Extinction Is Forever is a survival game with a clear message about the need to protect the environment. However, it never rises above mediocrity in any of its individual elements, but the shocking ending really saves the day.

Ruiner is a truly magnificent ode to Akira and Ghost in the Shell. It builds a brilliant world with a lot of narrative undertones for you to grasp, should you wish to. The physical ultra-violence is only the entry point to the dystopian atmosphere of the game. All the gameplay elements are complex enough without being overbearing to the player. You'll find yourself easily juggling through skills while you deliver carnage. In Ruiner, everything seems to have fallen into place: artistically, narratively, technically. Give it a go, you'll be amazed at how good it is.

This combination of exploration, mystery, and psychological thriller is what manages to make Get Even a decent proposal, thus overlooking its weaknesses in the action segments, the sometimes slow development of the plot, but also the totally mediocre visuals, which remind us of a production from 2013.

With the latest installment, Mr.47 is back in his original and true form. For everyone who was looking for the sequel to Blood Money, this is it, if you can get past the rough always-online component that affects the single player experience and leaves a bad taste.