Just Die Already is an enjoyably mean-spirited game that would cross the line into hateful if it wasn’t so gleeful in its disrespect for elders. Less Octodad, more octogenarian, a surplus of the usual physics sandbox glitches don’t detract from fun that's as densely packed as the very coffins you're dodging.

Shin Megami Tensei III: Nocturne HD Remaster offers something a bit different here in 2021. By today's standards it's a very hardcore, old school RPG; an adventure that's both unwelcoming and uniquely intriguing — even engrossing once you're invested. But it's also a cult classic that deserves more than this barebones remaster, which does very little to enhance the overall experience — especially for its price tag at release.

Hood: Outlaws & Legends should be applauded for doing something different. In a just world, this release would steal players from larger brands and establish itself as a unique online alternative – but right now, its community is small. Assuming you can find a match, the stealth-based competitive gameplay is refreshing, and while it’s not without its drawbacks, it can be seriously satisfying when you work as a team to achieve your objectives unnoticed. There’s huge potential here, Sumo Newcastle just needs to find a way to keep its playerbase engaged.

Assassin's Creed Valhalla: Wrath of the Druids is one of the series' best expansions. In its beautiful but sombre open world depiction of Ireland, it provides an intriguing story that combines history and folklore to great effect. A range of new weapons and armour sets help sweeten the deal, while more engaging combat scenarios keep you on your toes. If you're already a fan of Valhalla, this Emerald Isle adventure is very hard to fault.

Not everyone will warm up to Subnautica: Below Zero, but it’s an unquestionably rewarding release once you begin to get a foothold into the frigid foray. The game’s constantly tantalising you with new, exciting equipment, and its otherworldly ocean is an immersive environment in which to spend your time. A lack of landmarks mean that it can be a little too easy to get lost, and the story is light and largely uninteresting – but if the act of building an underwater base appeals to you, then this PS5 sequel unquestionably has strong foundations.

Aesthetically, the game looks really pretty and is totally evocative of its 1930s setting. The game is plagued with hammy dialogue that makes it feel totally campy and like an old B-movie, but not altogether terrible when coupled with the Lovecraftian influence it draws on. Call of the Sea is a mostly fun puzzle game that falls short on the mystery it tries to have you unveil. While it looks aesthetically pleasing and ticks a lot of boxes for its period setting, the story is lacklustre and predictable.

Terminator: Resistance Enhanced is a decent looking PS3 game that’s 10 years too late. It adds little value to the disappointing original release, and will only please hardcore fans of the movies.

Wreckfest just fully embraces what it is, and you have to respect it. Bugbear's brash, fender-bending racer has been unleashed on PlayStation 5 as part of May's PlayStation Plus lineup, and it's still very much the chaotic, crash-happy, Destruction Derby-esque experience people love. In the jump to new hardware, the game definitely benefits in a few areas, though some enhancements are better than others.

But at least in terms of content, The Colonists has plenty for you to do. There's a campaign made up 14 missions — essentially tasking you with colonising different locations. Meanwhile, sandbox mode lets you choose a map, tweak various gameplay settings, and play however you like. We especially enjoyed messing around in the latter once the campaign had shown us the ropes, and taking things at our own pace.

While the Resident Evil series has been on a high for a number of years now, Resident Evil Village sets an entirely new standard. Its cast of villains is up there with the very best, memorable sequences and gameplay sections beg to be played over and over again, and a sense of constant dread created by the atmosphere and soundtrack keeps you on the edge of your seat. Even the combat is solid this time around and the lengths Capcom has gone to take advantage of the PS5 pays off with impressive Ray-Tracing. Does it better Resident Evil 4? Maybe not, but it's damn close. Real damn close. Resident Evil Village is an essential playthrough for anyone with even a passing interest in the franchise.

Aesthetically, Skate City fares well. The visuals are simple, but Snowman has nailed the grunge look that the sport is known for. The original score is excellent, and soaking up its relaxing lo-fi beats makes even the most frustrating challenges enjoyable. Unfortunately, the three courses are a tad too realistic and end up feeling interchangeable. However, the addition of a slow-mo function and a dynamic camera make capturing your tricks to craft your own videos a neat additional feature. Take the time to master it, and there's fun to be had in this city.

Ultimately, R-Type Final 2 is exactly what you’d expect a sequel to R-Type Final to be like. It certainly doesn’t attempt to reinvent the wheel, and some may be a little underwhelmed by the fact that it lacks any massive gameplay changes from previous instalments in the franchise. Still, that’s rather missing the point; games like this aren’t as common as they once were and getting a shmup of such quality in 2021 is truly something to celebrate.

Housemarque has delivered the PS5 promise with Returnal. All the console's bells and whistles enhance the experience, making this a real showpiece for the hardware. But more than that, the game is a force to be reckoned with; the breathless combat, super slick gameplay, and the subtle but unsettling story combine for an experience of surprising scale. Rogue-lite aspects mean it won't gel with everyone, but for those looking for a challenging, addictive arcade shooter, this comes highly recommended.

There's replay value to be found in the Hard difficulty setting, or chasing 29 Trophies for a Platinum, as well as an unlockable New Game+ challenge. Yet, even the inclusion of an extra Infinite Mode highlights how the core gameplay becomes repetitive, plus the four main areas of Arcade Mode can be beaten in less than an hour. If the idea of exploring to save villagers reminds you fondly of Zombies Ate My Neighbors, or perhaps you remember isometric arcade brawlers like Dungeon Magic and Wizard Fire, then the nostalgia conjured up from Battle Axe mixing together two formidable old genres may still hack-and-slash its way into your heart.

While playing as someone not in the driver’s seat is a novel idea, Hitchhiker struggles to create an enjoyable gameplay experience. While the story is engaging, the game’s technical issues, inconsistent puzzle difficulty, and overall monotonous gameplay makes this a better movie than a game. If you are looking for a game that has you playing a more interactive experience, you should steer clear from Hitchhiker.

NieR Replicant remains a memorable and affecting action RPG. Elements of its PS3-era design really haven't aged well, but this remade remaster does a lot to enhance the experience. Incredibly tight and responsive gameplay, tied together with a touching tale of uniquely oddball characters, makes for an adventure that stands the test of time.

Judgment is a truly gripping detective thriller, and it plays better than ever on PS5. As a standalone adventure, it's an excellent action RPG, boasting some outstanding storytelling and a brilliant cast of characters. And as a Yakuza spinoff, it's arguably the perfect gateway into SEGA's stellar series.

If you already own the original games as well as their DLC, then the new content in Atelier Mysterious Trilogy Deluxe Pack is unlikely to be enough to make you want to splash out again, as none of it drastically changes the original experience. However, if this is your first time playing them, then this Atelier trilogy is fairly easy to recommend. It’s quite a varied collection, and it’s great to see the developer really experiment with the series' core gameplay mechanics. All three games will send you on a very different adventure, but each of them has a great group of characters for you to fall in love with.

Initially it's quite a novel experience, despite controls feeling fairly clunky. You solve problems, earning bricks with which to create new buildings and slowly unlock new business types, which expand your options. However, after a while, it becomes more difficult to manage; if a building is really lacking appeal, a circular meter will begin to fill. If you let it fill up, the building's business will close, and will be essentially useless. The trouble comes when you have buildings that won't move, and more than one suffering this red circle. This is just an example really, but the point is that the gameplay becomes too complicated. After a while, it loses the fun factor, and becomes a frustrating balancing act with too many plates to spin.

MLB The Show 21 swings-and-misses in a few areas, with the well-intentioned Ballplayer system diminishing Road to the Show. Despite being stingier, though, Diamond Dynasty is still the best card collecting mode available, and the series’ tried and trusted gameplay has been further enhanced with the addition of Pinpoint Pitching and new fielding animations. Sony San Diego hasn’t quite hit a home run this year, but this is a strong lead-off double for baseball on PS5.

Disco Elysium: The Final Cut is an exceptional achievement in role-playing. Expertly written, it's an utterly engrossing detective drama at its best, and a fantastic sense of humour keeps the whole thing grounded. Its deliberately slow and methodical pacing won't be for everyone, but once you're invested, it's incredibly hard to put down. A haunting video game, for all the right reasons.

The island is so cluttered with trees, rocks, and other objects that it can be difficult to see things on the ground. The game employs a clever visual technique where objects become transparent, allowing for a better view, but this only happens when you get close to said objects. As such, you'll find yourself stop-starting around the entire island when you're looking for specific bits and pieces. It's not a huge issue, but it does make the game feel finicky to play.

DOOM 3 VR is also able to breathe new life into one of the game’s more divisive facets: the horror. While jump scares are constant, and as annoying as ever, the VR succeeds in placing you on Mars in a way DOOM 3 has never previously been able to accomplish. This means all of the ambient audio, the lighting, the abrupt discomfiting silence – everything contributes to the creepiness of the experience to an unprecedented level. It provides an opportunity to appreciate all of the things that DOOM 3 did well all those years ago, without having to carry the baggage of defining the series moving forward. And it’s better for it. Just don’t expect much of a visual upgrade, as thanks to the headset’s limitations, things more or less look the same as when the game first launched.

Oddworld: Soulstorm presents itself well and shows a grand vision for the series, but as a modern game in 2021, it's just not where it needs to be. It can be extremely awkward to pull off even basic manoeuvres, some new features miss the mark, and certain levels made us want to quit altogether. Bugs exacerbate some of the gameplay frustrations with wonky AI, and ultimately the play experience can be frustratingly rigid. Fans will love this reimagining of a classic, and the franchise's unique charm shines through, but it's a tough sell for anyone coming to the series fresh.

Each of the game’s three “campaigns” distinguishes itself from each other as well. From the sandy canyons of Geonosis, the eerie halls of the Prosecutor, or the densely forested Kashyyyk, they all feel distinct. While it may not be a visual feast anymore, the takeaway with Republic is less look how far we've come but rather look how far ahead it really was.

Outriders absolutely excels when it lets combat, solid gunplay, and supremely satisfying abilities do the talking. Its unique blend of aggression really is something to behold in action. Rubbish characters, the requirement to maintain an online connection and couple with servers, and various technical hitches hold it back from greatness, but they don't muddy the picture so much to dissuade a recommendation. Outriders is pretty class in motion.

Balan Wonderworld stands out as easily one of the worst 3D platformers in the past decade. There was no good reason for Square Enix and Yuji Naka to salvage this train wreck and it's an embarrassment that this game was allowed to be released at all in its current state. When the game’s only redeeming qualities are some good music and neat DualSense features, something clearly went wrong here. There is no doubt that Balan Wonderworld should've remained locked up in the game design vault it was conceived in twenty years ago.

The writing is a bit of a letdown. The character interactions are solid, and seeing their interplay is a delight. There’s also an impressive level of detail paid to the minutiae of film-making that we rarely see. Unfortunately, this level of care doesn’t touch all corners of the experience. The character's connection to the primary narrative is tenuous. Outside of the very first mystery, the protagonist's motivations for remaining involved in these murders don’t feel warranted. This is especially problematic when it comes to Rintaro’s chapters, which comprise the brunt of the game’s 15 or so hours. The writing is able to somewhat successfully sidestep this problem, through sheer force of intrigue, but it’s not wholly successful. The lack of agency doesn’t help either, as there's almost nothing for the player to do other than sit and read. This makes the experience feel barren, even by visual novel standards. This passivity allows for it to be the kind of experience you can do other things while playing, though the lack of a dub may leave some people feeling left out.