Chocobo GP offers up some fantastic core racing mechanics that are otherwise held back by a lacklustre offering of content. Hampered by tedious progression systems and typical microtransaction practices, Chocobo GP barely makes it past the finish line to be the best kart racer it could be.

Kao the Kangaroo is an inoffensive and very occasionally charming platformer, but it's uninspired and incredibly rough around the edges. It might hold the attention of some younger gamers and old-school platforming fans but by that same token there are far better games out there for both crowds.

Windbound is a beautiful artistic accomplishment in terms of presentation, but fails to make good on its promise of bringing together an open-world single-player game and typical crafting-survival elements. Despite attempts to make it approachable for all, it is an ultimately frustrating affair that squanders its potential with the same rigid survival mechanics that we've seen in a lot of other games and that's a real shame.

Biomutant is a vibrant and beautiful looking game that unsuccessfully attempts to leverage so many different aspects of open-world games from the last decade. It buckles under the weight of its own ambition and is sorely lacking the focus needed to offer a stand-out open-world experience and carve out its own identity.

The Dark Crystal: Age of Resistance Tactics falls into the trap of mimicking the greats of its genre without understanding what made them so great. While a passable strategy game at best, the only saving grace of Age of Resistance Tactics is the world it’s based on. And even that’s not as great as it could be.

Aliens: Fireteam Elite is a disappointment. Even as an avid fan of the franchise, the fun to be had here is limited. Misguided design, hamstrung presentation and painfully repetitive gameplay suck the fun out of what is, on paper, a promising game. I'd love to have had a meaty, cooperative survival game to play with friends, an escalating challenge that gradually expected more of me as a player, with a story more than just serviceable in moving from one mission to the next. This time, I'm only screaming in frustration.

AFL 23 is inconsistent in its attempts to emulate the most complicated sport on the planet. It jags six points by delivering arguably the best gameplay we’ve had, but doesn’t make the distance in serving up a complete, robust package.

Big Bash Boom offers an arcade take on T20 Cricket, but ultimately lacks the variety and content to keep users coming back. While its visuals and animations are the high point, an unsatisfying grind to progress through matches and unlock items makes it hard to recommend to anyone that isn’t a die hard cricket fan.

An uninspired mish-mash of poorly balanced systems that translates to an experience that feels like a chore.

Nintendo Switch 2 Welcome Tour is set to go down as one of those "weird Nintendo things" people always refer to. As an interactive instruction manual, it ably showcases all of the new console's bells and whistles, however, it falls well short of delivering anything that comes close to that trademark Nintendo joy.

The Last of Us Part 1 on PC is, in its current state, an awful port of one of the best games of all time. It’s plagued with problems across all facets of gameplay and needs a lot of love to iron out the very clear issues. It’s hard to recommend to anyone right now.

With so much promise in the lead-up, Ghost Recon Breakpoint falls flat of reaching its goal in satisfying expectations. With a lot of things to do but no real reason to do it, the game puts up barriers such as strange loot systems, a subpar plot, an extreme solo difficulty and a requirement for online play. If you can convince your friends to get a copy and play with you, your experience may be better – but chances are you’ll find your time better spent elsewhere.

Ancestors: The Humankind Odyssey is an ambitious game whose conceptual vision is the very thing that bogs it down. There's a lot of unexplained expectations of the player, and, by the time those are worked out, it's easy to become bored or frustrated with it. Very likely, both. Combined with abundant technical problems, there isn't a lot to praise about Ancestors and even less to recommend.

Wolfenstein: Cyberpilot is a brief taste of what a different take on Wolfenstein in VR could be. Unfortunately, it never really gets out of first gear and lasts what feels like a blip of time.

Fort Solis takes about an hour's worth of ideas and attempts to stretch them out to a four-hour walk through a lifeless Mars facility with little to offer outside of a top-notch presentation. With a distinct lack of thrills, this sci-fi thriller falls disappointingly flat.

The simple gameplay of Wrath of the Mutants can be enjoyable in the right mood, but don’t expect anything more than a bland and repetitive button masher.

I really wanted to love Sea of Thieves, I think it’s a fantastic concept that could truly grow into something special. But as I kept playing it, I was waiting for more to present itself to me. More to do. More to find. Unfortunately, after many long hours with the game, and some server issues (that have since been fixed) I’ve decided that I’ve had enough time with Sea of Thieves. In short, it’s not a game for everybody.

One of the year's biggest disappointments. Though there's a lot of the BioShock fingerprint evident here, this lineage isn't ever lived up to. The story, characters and the character of the world itself are positively to die for and exist as the game's few triumphs. It's a beautiful disaster of a game and was perhaps too ambitious for a developer so green as bugs, frustrating A.I. and a slipshod procedural generation robs We Happy Few of any chance it had to be great.

There is some joy in the mindless blasting, but overall G.O.R.E. is a messy, repetitive experience that could have used a bit more time in the oven.

Payday 2 is a very competent FPS game that allows you to tackle it in just about any way imaginable. Unfortunately, when it comes to the Nintendo Switch version, the price, performance and the fact that content is lacking behind versions that have been out for years will only make it worth purchasing for gamers who are desperate for a new FPS on the go.

By backseating Kong and having a drab human narrative serve as the vessel for this game’s monotonous action, Kong: Survival Instinct ends up feeling like a colossal, kaiju-sized dud that does little to lick the wounds of last year’s Skull Island and, if anything, further dampens the great ape’s reputation.

As an open world game, MindsEye is a colossal bore. It delivers on exactly zero promises generally attached to such a genre all the while being a technical shitstorm. If you were to even accept it as a straight-forward action game, and purge the hours of monotonous driving from your mind, it’s cliché, formulaic, and sadly forgettable.

While I enjoyed a fraction of my time exploring Martha is Dead's gorgeous Tuscan farmlands, the thing I'm most thankful for is how mercifully short the game is. The closing credits shocked me back into coherence like a bolt out of the blue to cap off what is—and I'm being generous—an interestingly imperfect experience.

As far as kart racers go, Nickelodeon Kart Racers is a disappointing case of missed opportunity. Nickelodeon, as a brand, is rich with properties though barely any are appropriately handled here too, with a roster that's quite frankly anemic. Instead, Nickelodeon Kart Racers offers some serviceable kart racing that's ultimately devoid of any personality. Some kids who don't know any better will find some enjoyment here, but most probably won't.

Back In 1995 does an earnest job at trying to emulate the experience offered by the survival horror canon of the nineties, especially visually. But beyond it’s looks, 1995 fails to recognise why those games were so great, and is unfortunately an inferior experience because of it.