Signs Of The Sojourner is a compelling adventure that explores loss, healing, and the intimacy of conversations, wonderfully gamifying interaction. [Issue#187, p.89]

A celebration of videogaming’s brashest decade, Narita Boy at times tries too hard to impress but always feels good to play. Turn it up to 11 and enjoy the ride. [Issue#187, p.83]

A surprisingly meaty, touching miniaturised romp. Ready up a player two! [Issue#187, p.79]

A very pretty and slick platformer that runs beautifully on PS5. Use of the console’s unique features are limited, but it’s still well worth playing. [Issue#187, p.80]

If you’re tired of 2.5D puzzle-platformers with a horror tinge, The Pedestrian’s signswitching action will serve as a refreshing roadside alternative. [Issue#186, p.89]

Fans of the original need to play this. A fun story sits beside what made the last game special. Combat is mediocre, but flashy enough to bash through. [Issue#186, p.86]

Whether you’re dipping in and out or hunkering down with it for a long ol’ gaming sesh, Ys IX is captivating, rewarding, and worthy JRPG. [Issue#186, p.83]

Two of the best in the genre are running better than ever natively on PS5. While not startlingly novel, if you missed out before, you’re in for a treat. [Issue#186, p.94]

The deaths caused by the controls being not as responsive as we’d like may annoy, but there’s a whole world out there you’re going to want to feast your eyes on. [Issue#186, p.79]

Not being able to carry over save data is a huge drawback. However, we enjoyed uncovering the bureau’s secrets all over again, with ray-traced drama. [Issue#186, p.88]

While there’s no ignoring the limitations of the production, everything culminates into a laser-focused indie experience that is very much more than the sum of its parts. For a sunrise you won’t soon forget, this is more than worth the just-overfive- quid price of entry. [Issue#186, p.82]

It’s rare to get top-quality Amiga games on PlayStation. Yet this collection can feel bare-bones, with extras only stretching to affectionate TV filters. If you’ve never played Turrican this is a curiosity. If, however, you grew up on the series there’s a sugary hit of nostalgia. [Issue#186, p.85]

See past the low-budget looks, and you’ll find this is no shaggy dog tale. It’s a well-paced adventure that’s worth sinking your teeth (and claws) into. [Issue#185, p.85]

A slick, surprisingly heartfelt 2D platformer that excels not in one area but in many. Olija’s a brilliant addition to Devolver Digital’s lineup of experimental indies. [Issue#185, p.83]

Combine this game with imported levels from the past two, as well as everything being playable in PS VR, and Hitman 3 is a must-play stealth masterclass. Even the least favourite levels in this new selection are full of memorable moments. The weaknesses seem to lie in limited variety, but you’ll still spend hours unravelling even those. You can spend as much time on an individual destination as you would any Triple-A action game. Dartmoor’s atmosphere and family conspiracy is a highlight; Mendoza’s another, with a fancy party held in a winery fronting some intense security and a guarded villa above. It’s interesting that both feel very much inspired by Hitman: Contracts’ Beldingford Manor and Blood Money’s A Vintage Year, but it’s a testament to the design that they manage to feel so distinct, highlighting just how impressive the near flawless execution of social stealth is here. [Issue#185, p.76]

While it’s never a stretch to find yourself in a twist, Phogs! makes getting out of these predicaments a joy thanks to imaginative puzzles and level design. [Issue#184, p.93]

An impressive PS5 upgrade that makes excellent use of the DualSense. This does a rally good job of letting you feel the road as well as see it. [Issue#184, p.92]

Though nothing groundbreaking, this version provides a collection of nice-to-have additions which boost an already great game, making it the one to go for (unless you’re a graphics snob). [Issue#184, p.89]

When you combine all of the smart design decisions with superb writing and dialogue, you get a truly memorable game, proving you don’t need a Night City-sized budget to impress. [Issue#184, p.89]

Very much in the Puyo Puyo mould, it’s goofy fun about the dimensions crossing over. PPT2 isn’t a gamechanger, but is still one of the best puzzlers around. [Issue#184, p.86]

Carrying you through this arduous journey are the minimalist story and art style – both of which are just detailed enough to remind you what you’re fighting for. Unto The End’s brand of intelligent combat makes for a demanding challenge that isn’t for everyone, yet its unpretentious nature results in a refreshing, if brief, melee-based adventure. [Issue#184, p.91]

While the success of the storytelling (and its exploration of psychology and mental health) is up for debate, there’s no denying this is a wonderful puzzle-platformer that is intelligent, unique, full of surprises, and, at five to six hours, never threatens to overstay its welcome. [Issue#184, p.91]

Ghostrunner frustrates and thrills in equal measure. There is too much trial and error at times, but persevere through clenched teeth and you’ll be rewarded. [Issue#183, p.95]

This PS5 edition offers new ideas and swish next-gen presentation. It looks, plays, and feels a step above PS4 but is held back by a similar need to open your wallet. [Issue#183, p.80]

Much buggier than the PS4 version, Dirt 5 is nonetheless a showcase for PS5 gaming, and a much-needed champion for splitscreen racing. [Issue#183, p.86]

It’s the MK11 you know and maybe love but it looks like a new game on PS5. Running at 60fps in 4K gives this brawler a new lease of life. A must for newcomers. [Issue#183, p.75]

Planet Coaster is uplifting and allows you to let your imagination run wild. It’s full of charm, wit and is the perfect escapism that fits your every need. [Issue#183, p.94]

A stylish adventure that makes like Fleetwood Mac and goes its own way. Beautiful to ear and eye, this is a trek through the forest that you need to take for yourself. [Issue#183, p.90]