One epic trip down nostalgia lane, The Disney Afternoon Collection will keep you busy and on your toes for the entire runtime.

An enjoyable and good arena shooter that's maybe a bit too expensive. The lack of online players doesn't exactly do the game any favors either.

Interactive movies are tricky to pull off and Late Shift isn't exactly the second coming of Christ as far as the genre is concerned. Its story is interesting, but unfortunately... so are its many plot holes.

A nice combination of a rhythmic music game and a twin-stick shooter that loses its power after a first play through due to an overall lack of creativity.

There's potential here, but it's hard to bring that into account when the visuals, audio and gameplay are all mediocre or even straightout bad.

We had to wait a while to experience this Wii U title, but LEGO CITY Undercover made a nice transition to our favourite console. It's funny, accessible and quite refreshing - just what the slightly stagnating LEGO franchise needed.

If anything, Snake Pass hinges on a neat little idea that's been executed in a flawed and therefor frustrating way.

Blackwood Crossing's strong story must be experienced; an often emotional affair with great characters and a memorable soundtrack.

A joy to play, as ever - though we could've done without the clear-as-day influence of the PS3.

The Inner World never dares to venture into unknown territory. Because of this, it never truly leaves an impression. It's fun, yes, but hardly memorable.

A brief game that doesn't really feel like a game due to a severe lack of interaction. This is a shame, since there's a lot of potential here, especially in the VR department.

Don't let the slow start of the episode fool you; this is quite a ride, ending on a spectacular cliffhanger that will leave any fan desperate for more.

A very enjoyable platformer that leans on old-school gameplay, a colourful universe and a lot of content. You really can't go wrong with this one.

Persona 5 delivers on its lofty promises with an emotional story, deep and innovative gameplay elements, and a unique style. It's as good as the series has ever gotten - and perhaps even better.

The logical comparisons with the original Mass Effect trilogy don't do Andromeda any favors and neither do its many technical shortcomings. Beneath the weight of enormous expectations and a hesitant first impression, however, a sweeping and thoroughly enjoyable adventure awaits.

Kind of addictive, due to a lot of content and an enjoyable multiplayer mode. The story, however, is weak and clichéd at best, and Toukiden 2's visuals are mediocre as well.

This is the Police aims to give the player a lot of freedom in his actions, but ends up a rather repetitive mess. It's fun for a couple of hours, but not exactly memorable.

Kona's story is intriguing, which makes the lacklustre ending all the more frustrating. Technical difficulties round out a rather disappointing whole.

This makes for an enjoyable and often funny experience, though a flawed control scheme, long loading times and annoying menu lay-outs keep it from earning its place amongst the true heroes of the genre.

True to its name, 2Dark is a shocking, often even disgusting affair that manages to frustrate about as much as it innovates.

FlatOut 4 is quite fun at times, though the visual damage on cars isn't all that impressive and some vehicles are almost impossible to properly control.

This should have been a dream come true, but an annoying camera and the fact that it takes a really long time before you can start building your own worlds keep LEGO Worlds from reaching the lofty heights it aims for. Shame.

Hardly innovative and technically flawed, Berserk and the Band of the Hawk never really manages to deliver anything remarkable.

The second Styx game plays it safe, but still manages to improve upon its obscure predecessor in significant ways. Recommended!

Not exactly the dream sequel fans of NieR were expecting, but still a highly enjoyable experience, thanks in part to the intriguing stories, the fluent gameplay and a wonderful soundtrack.

When you're able to play this title in co-op with a couple of friends, the resulting experience is almost elemental. When you're going in solo, however, Ghost Recon: Wildlands is less memorable as the cracks in the framework inelegantly show and the extremely repetitive nature of the gameplay slowly reveals itself.

Sublevel Zero Redux offers its players quite a challenge, though the crafting could've been more in-depth. Besides that a very enjoyable game.

A cute visual style and great sense of variation turn Loot Rascals into a treat to play, though it's perhaps a bit too repetitive and frustrating to be considered an instant classic.