Stunning, entertaining and essential for anyone who enjoys a scrap. [Issue#253, p.60]

Yes, it’s pretty short. Yes, it’s pretty linear. But the varied action is great, the visuals peerless and production values off the charts. In terms of a pure showcase for what PS4 can really do, look no further.

A reduced price point for two of the best games from their respective platforms is a no-brainer. Square has done a fantastic job bringing these games up to modern standards. [Issue#252, p.72]

Sure to have us hooked for the forseeable future. [Issue#252, p.70]

Easily up there with Resogun and Trials Fusion among PS4's best score attack games, Dimensions is the return to form we feared we would never see but are so glad that we have. [Issue#252, p.68]

Despite the fact that this entry does make some genuine improvements, it fails to innovate enough to save the series. [Issue#252, p.66]

Despite some awkward dialogue when you make the "wrong" choices, stilted movement, and laughably fickle facial expressions, we're still looking forward to the rest of the series. [Issue#252, p.64]

Temple of Osiris struggles to captivate or entertain, even in its strongest moments. [Issue#252, p.62]

While it does a good job of showing off Batman's past, its haphazard level design and disappointing hub worlds mean that this is a step back compared to Lego Marvel Super Heroes. [Issue#252, p.60]

The ambition of The Crew is commendable, but either the concept is fundamentally flawed or the execution is way off. Either way, this is one race you should enter at your own risk. [Issue#252, p.58]

Rebirth is the very antithesis of cautious design. [Issue#251, p.76]

Lords is a solid and enjoyable action RPG, but suffers a little at the hands of over-ambition. [Issue#251, p.74]

Plays like a greatest hits album for the series so far. [Issue#251, p.72]

An exhaustive and impactful world let down by predictable aesthetics and combat. [Issue#251, p.70]

It's a genuine joy to bounce, swoop, and peg it across the levels, even more so when you're rewarded with a new way of doing so. [Issue#251, p.68]

I enhances the template in all the right ways. [Issue#251, p.66]

Truly spectacular, and certainly worth buying and playing again. [Issue#251, p.64]

The best Call of Duty release since Black Ops. [Issue#251, p.62]

There's a catch to more or less every improvement Unity makes. [Issue#251, p.58]

You know those value brands that you often find in the big supermarkets? Fair Fencer F is the JRPG equivalent. With so much else around, it's not one we can recommend. [Issue#250, p.70]

This is the last year when mere iteration will cut it; we're gonna need to see something truly new soon. [Issue#250, p.68]

In many respects, Shadow of Mordor is a rip-off of other titles, but its one original idea - the Nemesis system - ensures that doesn't matter. Manipulation and subterfuge are always fun. [Issue#250, p.66]

The combat remains some of the best and most intricate Arc System Works has composed to date. [Issue#250, p.64]

The Germany of football games - intelligent, exciting, controlled, technically impressive and a world champion with a bright future. Every game feels fresh and exciting. [Issue#250, p.62]

Our time on the Moon was fun, but not nearly as much as Pandora. [Issue#250, p.60]

It's accomplished, accurate and fun, but there are a few underlying problems. Still, purely as a basketball game, there isn't anything out there that's better than this. [Issue#250, p.58]

This is undoubtedly a divisive game, with players likely to adore and hate it in equal measure. However, that's The Evil Within's strength: it's pitched perfectly at fans of the horror genre. [Issue#250, p.56]

It sounds better than it looks, but it's an accessible experience. [Issue#250, p.52]