Looks pretty good and re-creates the television show very well, but it’s a boring, repetitive, nonsensical television show. Plus, even hardcore Dragon Ball fans will be disappointed at the rather measly quantity of content.

An annoying little game that plays just well enough for us to nearly forgive the ridiculousness of it. [Issue#139, p.93]

Stunning to look at, but the experience within its gorgeously rendered environments ultimately lacks substance. [Issue#230, p.76]

It's often repetitive, it's customisation mechanic feels tacked on, and it takes a good few hours to come out of its shell, but nail'd eventually emerges as a fun racer. [Issue#201, p.95]

The impossible puzzles to the Loading Gates destroy the enjoyment and leave you feeling more than a tad frustrated. [Issue 143, p.90]

Feels as formulaic as ever. [Issue#204, p.97]

Exactly the same as every other puzzle game ever made. [Issue#190, p.79]

As a reinterpretation of the existing Dead Rising 2 story, Off The Record fails on every level. [Issue#211, p.82]

A pleasant diversion from the vast array of shooters currently available on Sony's service. [Issue#183, p.83]

It’s a great-looking game, thick with atmosphere and brilliant music. Sadly, someone forgot to show as much care to the gameplay, so only fans of the comics and TV series are likely to finish the adventure with much satisfaction.

Fun in short bursts and sometimes exhilarating to navigate the city, but The Amazing Spider-Man is still washed down the spout by the fact that it's dull. [Issue#221, p.74]

The game itself is in need of a good bit of work. [Issue#226, p.82]

A near miss in so many regards, Remember Me's lack of ambition is what ultimately hobbles it - with the balls to go bigger on some of its more original concepts, this could have been something truly special. [Issue#232, p.68]

Provides a decent distraction for a brain that doesn't want to be pressured into thinking at all. [Issue#219, p.73]

The plot is compelling, the visual style is gorgeous, but the combat can't hold up its end of the bargain and sustain excitement. [Issue#219, p.80]

It's improved since the last Potter game, though it's still a bland, plodding adaptation of a beloved series. [Issue#182, p.77]

If only it wasn't so highly priced. [Issue#194, p.103]

Spectacular production values help to make this game enjoyable in the early going, but it soon enough shows that it is painfully lacking in terms of maps and depth in its current form. [Issue#265, p.72]

Action is tactically deep, yet ultimately staccato. [Issue#203, p.87]

A missed opportunity, with Dead Money focusing on mostly the worst aspects of New Vegas. [Issue#203, p.98]

The strength of Bonfire of the Vanities is that all the assassinations are highly challenging. [Issue#191, p.93]

Graphically stunning, dynamically awesome, aurally beautiful. This is what Project Cars could have been if pest control had done a better job exterminating those pesky bugs. [Issue#258, p.66]

The shallow gameplay soon becomes monotonous. [Issue#202, p.97]

Expensive but worth it for nostalgic thrills. [Issue#203, p.98]

It might be time to put this series to bed. [Issue#208, p.82]

Wonderfully realised, atmospheric environments and uninspired, slightly dull shooting combine to create a game just above average. [Issue#231, p.62]

This entry is just not worth bothering with. [Issue#194, p.93]

While it's shackled by its source material and clearly running out of steam, there are nonetheless flashes of brilliance in TT Games' latest Lego adventure. [Issue#267, p.64]