A bit of a technical mess. [Issue#203, p.86]

A fairly conventional shooter. [Issue#202, p.96]

Looks nice, but lacks anything of substance to carry you through the game. [Issue#208, p.88]

It's fun and it's affordable, but it's short, nowhere near exciting or varied enough, misses the cheap-and-cheerful feel of the previous entries to the series and generally bores where it should entertain. [Issue#208, p.90]

It's the same old trek through the claustrophobic levels, whacking enemies until they disappear. [Issue #151, p.74]

Some people like a challenge but more people don't want to be bloody annoyed by a sticky cube that explodes. [Issue#153, p.84]

Aside from some ramped-up AI, there isn't much depth here to differentiate one match from another. [Issue#212, p.103]

Dreary to look at, grating on the ears and no better than MotoGP 09/10. [Issue#204, p.91]

The story is dull, the locations sparse and empty, and the camera is extremely annoying most of the time. [Issue #147, p.80]

Disappointing. [Issue#200, p.103]

Quire refreshing, but gets boring quickly, never really progressing that far beyond its initial ideas. [Issue#217, p.80]

For the first hour, I Am Alive is the greatest game you've ever played... Unfortunately, the inevitable need to scale up the challenge to keep things interesting exposes the underlying problems. [Issue#217, p.81]

There’s good puzzling to be had, and some engaging stories here, but a lean towards either fictional fun or serious stories would have worked better. And while this was an interesting experiment, we //really// don’t want to see a WWII game presented the same way.

It offers very little that hasn't been seen elsewhere. [Feb 2012, p.81]

Ultimately you're left cursing at almost every turn. [Issue#174, p.88]

If you're a fan of the movie, you could do worse. [Issue#187, p.74]

Although ambitious, Haze is let down by generic gameplay. [Issue#167, p.86]

It doesn't look very nice, gets repetitive going to school every day and killing demons nightly, and "Rogue Galaxy" is still available and better. [Issue#162, p.88]

It's just a rudimentary Grand Theft Auto in bear suits. [Issue#195, p.98]

One of BioWare's weaker DLC efforts. [Issue#205, p.94]

It's a fairly basic FPS that's far too fiddly for its own good. [Issue#202, p.96]

So long as you can get behind the odd handling and the deceptive setup, The Run offers some top-end racing thrills tucked in among some cheap, scripted and downright annoying moments. [Issue#213, p.84]

All the corridors of a Call of Duty, but none of the spectacular set pieces or solid gunplay. [Issue#213, p.88]

The game feels, to all but the most hardcore of Aerosmith fanboys, like a rather cynical cash-in. Zero evolution, minimum effort, maximum profit.

It still plays a great game of hockey but in losing game modes and features that long-term players will miss, NHL 15 on PS4 is pretty hard to recommend to fans. [Issue#249, p.68]

Still compelling, although its age is indicative in the duller hours of its constant battles. [Issue#164, p.95]

Uninspired, boring design with some mildly interesting - but ultimately broken - combat scenarios. [Issue#190, p.75]

While it represents better value than many of the titles it rubs shoulders with in the PlayStation Store, it's too annoying to recommend to anyone without a forgiving, patient and, most importantly, mindlessly trigger-happy disposition. [Issue#165, p.93]