This is a typically unsophisticated, heart-in-the-right-place comedy from Sandler, complete with Happy’s four sons mooning and making dick jokes.

Nightbitch makes plenty of very valid points about traditional gender roles and the oppressive nature of new parenthood. But it never fully sinks its teeth into a meaty premise; it’s briefly ferocious where it could have been completely feral.

Fizzing along nicely, even as it tips the two-hour mark, Enola Holmes 2 fits the mould it broke two years ago with a twisty murder mystery that’s well worth solving.

Anchored by phenomenal performances from Kim and Kang, JUNG_E’s potent dramatic beats inject much humanity into a well-worn and predictable premise.

You can largely predict what will happen, but that’s okay. To All The Boys: Always and Forever is sweet, sleek and has plenty of charm. Sometimes, that’s all you need.

Unfortunately, its intriguing conceit is also hampered by comatose chemistry, a claustrophobic setting and a slew of dead one-liners.

The film runs out of rail a long time before it stops moving. On the other hand, it’s almost impossible not to enjoy every moment that Pitt is on screen. Stealing the film with whatever he’s given (a water bottle, a bucket hat, an automatic toilet…), he’s clearly having a great time. It’s lucky for us that at least some of it rubs off.

Sure, there’ s no real reason for this story to keep unfolding. This is all about enjoying the imagery of human beings getting chopped up. And in that regard at least, Texas Chainsaw Massacre does not disappoint.

Lopez and Wilson are so right in their roles that the film’s ropier moments are easily forgotten. It’s a quintessential J.Lo movie that makes you wonder why she doesn’t make them more often.

The Kitchen loses some of its potency by balancing too many elements – the world-building, societal context, interpersonal relationships and the paternal bonding that deserves to be the nucleus.

Almost completely built out of clichés and corn, there’s very little in Plane that hasn’t been seen before, but it very rarely matters. Exciting without ever really thrilling, it’s an immovably solid actioner – a fun Friday night pizza movie packing a handful of relentlessly unfussy action scenes that deliver exactly what they promise.

There are some entertaining showdowns and Weaving again excels as the funny and fearsome Grace, one of modern horror’s toughest protagonists.

The Lost City isn’t cutting-edge entertainment, but it is a decent action film boasting a great cast and some good jokes, without a superhero in sight. That alone is cause for recommendation.

Because it takes too long to become truly gripping, it ends up overstaying its welcome during the last few big reveals. Still, there’s no denying it contains enough intrigue to launch the franchise that Vaughn is already planning.

Fortunately, Hawke is fantastic. Over-acting like his life depends on it, his mad kabuki mugging somehow works perfectly.

Despite its problems though, One Of Them Days still makes for a fun ride. This is largely down to Palmer and SZA’s undeniable chemistry, perfectly capturing the sometimes chaotic, deeply loyal nature of female friendship.

Certainly, it’s not for those looking for fist-pumping sporting triumphalism. But in this age of franchise vapidity, it’s still a film worth grappling with.

A solid, charming, but ultimately inconsequential Spy x Family outing.

Highest 2 Lowest’s action moves with pace and the dialogue is full of the rhymes and hilarious street slang Lee typically peppers his films with. However, it doesn’t feel shot and cut with his usual vitality.

At only 88 minutes, Tournament Of Champions is a super-quick shot of adrenaline – too short to grow boring, yet meaty enough to feel like value for money.

After watching Jung-do’s renewed sense of purpose come through, watching the story go down the path of a typical action-thriller is a letdown. However, if you’re only going into Officer Black Belt to watch Kim Woo-bin deliver some killer moves, however, you won’t be disappointed.

The Exorcism is absorbing, smart and packed with ruthlessly effective jump-scares.

For at least half of its runtime, Last Rites is as handsome, solidly made and jumpy as the original. It’s never actually scary but Chaves . . . has been generous with the popcorn-flinging set pieces that make these movies perfect date-night fodder.

Ironically for a film about AI-powered killer dolls, M3GAN 2.0 has lot of heart.

Action and acting, then, all good. Unfortunately – and bizarrely, given screenwriter David Koepp co-wrote the original Jurassic Park among other great blockbusters – the dialogue throughout Jurassic World Rebirth is very patchy, as if his first draft script made it to the screen.

It’s a well-intentioned film with some good songs which, despite having more than two hours to come together, doesn’t quite do so.

The terrible dialogue, lazily written character dynamics, and sloppy storytelling make Re/Member a movie we’d rather forget.

Hopkins steals the film with a wonderfully unlikeable cameo, but it’s the triple-header of Jackman, Dern and Kirby that really lifts the film far above its own script.