The impeccable port combined with the additional features and cool 3D effect make this the definitive version of one of the pinnacles of the genre.

It seems as though the Zeboyd partnership is going on hiatus for a bit to recharge the batteries, but This Way Madness Lies is a nice game to go on break with. It’s more of a sonnet than a full-on Shakespeare play, and the Switch definitely needs something short in this realm after some of the absolute marathons I’ve had to deal with recently.

Fire Emblem: Three Houses is great in a lot of respects. The game flies by with its various mechanics, making for a highly entertaining adventure. That being said, I can't shake off the feeling that the final acts in the various routes could've been better. When I spent 60 hours on singular route, only to be greeted with a bummer of an ending, it stung a lot. Combining the crapshoot of your ending with a few technical problems drags the whole game down. The actual character arcs, complete with fully voiced interactions, do a great job of accounting for the limitations, thankfully. Three Houses is certainly worth seeing through, but it is way more about the journey than the end.

NieR Automata is one of my favorite games ever made. I was nervous about how it would hold up on Switch, especially given how troublesome its PC port was at launch, and I am incredibly happy to have been wrong to worry. This might be the best third-party Switch port I’ve ever played, which makes it incredibly easy to recommend this game to anyone who has never played it before. There are simply no two ways about it: NieR Automata was a triumph of design in 2017, and it is a triumph of porting big games to Switch in 2022.

Dawn of Sorrow matches and in some cases exceeds the quality of "Symphony of the Night" in almost every way. Yet the two games have their own styles and features, so the newest addition to the series is in no way redundant with its legendary forebear. [JPN Import]

In spite of a few, mostly minor, dated problems, the raw beauty of the world made me happy to be revisiting this game.

Aside from some small control issues mostly stemming from the fact that multiple functions are tied to the same button, Mark of the Ninja Remastered is excellent. It’s a smartly-made stealth game that oozes style while being packed with gameplay variety and depth. Playing this 2012 release today made me wary that it might show its age, but the amazing thing is that in 2018, this game feels extremely fresh. This ninja has been hiding in the shadows, waiting to strike on Switch, and the results are fantastic.

BALL X PIT is exemplary of what a great game should be. Combining simple to learn mechanics, with a lot of depth and variety into a strangely unique beast of a roguelike. Once it got its fangs into me, the game simply wouldn’t let me go. Above all what struck me the most is that it's a game that looks almost effortless in its brilliance. Yet, the attention to detail and the sheer amount of customization feels unexhaustive. I have gone back into this pit again and again over the last few weeks and I am still not getting tired of it. You’re even able to challenge your friends on leaderboards with the fastest time that can keep you engaged for long after you’ve reached the bottom of this pit. BALL X PIT filled a hole, or a pit if you will, for me that I wasn’t aware I had. The only thing I can do is keep crawling back out, shouting that others should join in, before I’m dragged back into its depths again. I don’t think I’ll be leaving the BALL X PIT anytime soon.

About as perfect as an arcade racing game can be.

It is likely one of the best action games of 2021 and stands apart using its beautifully varied areas to explore. The soundtrack is also fantastic, with composer David Fenn managing to strike a perfect balance between high energy action and peaceful contemplation. Not to mention the crow you're controlling is just a cute little bird. If you are a fan of action games and have an itch for one that will kill around 8 hours, Death's Door is a pretty good place to clock in and get to work.

Split Fiction is, in a lot of ways, the best this studio has ever delivered, but is still far from flawless in its execution. The plots from all previous Hazelight games have consistently been an issue and this game is no exception. Its tone and characterization are pretty flat, with a lot of cringe moments to take away from the experience. Fortunately, one thing this studio has learned is to keep the action moving, and providing tons of set piece moments to override any bad taste the dialogue could ever leave. The puzzle mechanics work well as long as you can communicate with your partner with patience and the set pieces are a rollercoaster ride of excitement. It also helps that this runs perfectly on the Switch 2. Split Fiction can really test relationships, but whenever a new Hazelight co-op adventure drops, I’m always down for the thrillride.

There’s more to do after rolling credits the first time, but my main take away is just how good the combat feels and how gorgeous everything looks while you're doing it. Absolum is made by a team that understands how to make a great brawler, like Shredder's Revenge and Streets of Rage 4, so you can expect a similar level of polish and chops. I ended up clearing the game with every character because I was having such a good time, and with all the awesome games I still haven't played from September, that's proof positive that any beat-'em-up fan should absolutely be checking out Absolum.

Despite the map design issues, the gameplay is solid and is definitely not a rehash of the original Advance Wars. The additional characters, new story emphasis, and diversity of the scenarios make Advance Wars 2 feel like a brand new game.

TowerFall is an outrageously incredible local multiplayer game, quite possibly one of my favorites of all time. Smash Bros. might draw attention away from TowerFall when it launches, but I’m reminded of how when Super Smash Bros. for Wii U came out, I had a group of friends over and we wound up playing more TowerFall than Smash. In the ever-expanding sea of local multiplayer games on Switch, TowerFall stands out, thanks to its intuitive and fun gameplay, excellent style and presentation, and variety of play.

New Super Mario Bros. (NSMB) features the best wall jump yet—there is precious little more satisfying than saving oneself from a perilous pit with a knee-jerk wall-jump. Mario may not control as he did in any of the classic Mario games, but he still feels perfect.

it is the title's simplicity that makes it so enjoyable. It's the world's most accessible game, and is a total blast.

This is SwapNote for artists. I highly recommend this app, and I think it will develop a big following among the 3DS artists out there.

A Short Hike is a game I can recommend to anyone without hesitation. It’s perfect for new players, looking to play something for a short while, but also respects experienced players by giving them the freedom to play the game however they choose. The charm the game brings to the table is reason enough for me to return time and time again to this world. It’s a feel-good zenlike game and I’m so incredibly happy that I can now return to this world at any time on the Switch. Finally it is only A Short Hike away.

Although it’s coming out at a packed time of year, Neon White should definitely be on the radar of Switch owners. Whether trying to stay ahead of the story, ripping off a stage or two in between games, or trying to shave a few hundredths of a second off your level time to get up the leaderboards, there’s always an excuse to shoot up heaven.

The lengthy and replayable Street Challenge mode, multiplayer options, and abundant customization settings make NBA Street V3 a fulfilling package for anyone even slightly interested in basketball (and not completely put off by the hip-hop vibe).

This is both a worthy upgrade and worthy introduction if you’ve never played a game in the series before. The game may be augmented, but they’re augments made for the betterment of mankind.

By and large, Dream Daddy succeeds at creating developed characters that have unique stories, interesting dialogue, and fun personalities. I wouldn’t call anything here realistic; the cul de sac where the game takes place feels like a dreamy land where only the happiest characters exist, despite the hardships that they discuss. Dream Daddy looks great in handheld and TV mode, and this version boasted a handful more optional scenes, but nothing strikingly new in comparison to the rest of the dates.

DJ Hero 2 is an excellent sequel. It takes the solid gameplay the original game laid out and offers vast improvements.

Lorelei and the Laser Eyes is every Zelda Dungeon, Resident Evil Mansion and Escape Room honed to its finest edge and plays with the player as much as the player plays the game. In a year already stacked with impressive indie games, this will be the one that is going to haunt me for years to come. I could not be more excited about seeing others experience it for themselves.

If there’s one word that can quickly sum up Nintendo’s latest entry in the Mario Kart series, it’s beautiful. From top to bottom, this is a gorgeous game, likely the best-looking one Nintendo has ever made. Even the soundtrack is superb, with amazing songs that call to mind past Mario games in new musical styles. Behind that beauty, unfortunately, is a degree of vapidness.

I came into Dicey Dungeons with high hopes and I was thoroughly blown away. It’s so smartly designed in how the classes and equipment all work together to create consistently unique and creative instances where you have to squeeze the usefulness out of almost every play style and strategy. The episodic design fits it very well, because it makes the early parts far more approachable, while keeping the variety up enough that even later episodes slow you down, you still have so much to enjoy. Dicey Dungeons is an amazing game that I’d almost call a roguelike game for people who don’t like roguelikes. You do have to like turn-based combat, though. And dice.

Super Mario Maker is a supreme early leap into the world of game-making software for Nintendo, and I want to see them make more fascinating games like this, even if I can’t place a Charging Chuck on screen.

DUSK’s arrival on Switch has been a long time coming. But I'm honestly relieved that the creator took his time sanding down and sharpening every little corner of DUSK for its Switch debut. It feels like a game that was meant to be played on Nintendo’s console and uses its retro inspirations to pump new life into this particular genre of games. If you ask me, it's the beginning of a new dawn.