New York Post's Scores
- Movies
- TV
For 8,354 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,341 out of 8354
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Mixed: 1,703 out of 8354
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Negative: 2,310 out of 8354
8354
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lou Lumenick
Seriously flawed - and choppily edited in the worst Harvey Scissorhands style - but there are enough good moments to anticipate a second film from writer-director Katrina Holden Bronson, whose parents were Charles Bronson and Jill Ireland.- New York Post
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V.A. Musetto
A satirical blast at America's gun culture. But it's so entertaining that even a die-hard NRA member might be impressed.- New York Post
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Kyle Smith
The rest of the cast is uniformly awful, including Carmen Electra and Kathy Griffin as a wacky medium who asks, "What do I look like? A comedian?" Not from where I'm sitting.- New York Post
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Reviewed by
Lou Lumenick
Eschews the heavy sexual content (and most of the clichés) of so many gay films -- it also has a lot of heart.- New York Post
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Reviewed by
Lou Lumenick
Solid entertainment value for the money, but those who think it's saying anything new or profound are kidding themselves.- New York Post
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Lou Lumenick
A painfully sincere indie drama that isn't content to evoke only the misery of 9/11 -- it has to reference TWA Flight 800 for extra grief.- New York Post
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Kyle Smith
Adults will be more than passably entertained by this short, patriotic feature, and kids will be entranced.- New York Post
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Kyle Smith
Misleadingly billed as a Fallujah documentary, Occupation: Dreamland covers a six-week period when not much was happening there.- New York Post
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Kyle Smith
Dickens was a sentimentalist, but even his happy endings are more nuanced than Polanski's brutal anti-sentimentalism.- New York Post
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V.A. Musetto
The director, Queens-born Adam Watstein, who also edited and co-produced, deserves credit for making a film with modest resources.- New York Post
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Kyle Smith
Proof will put a lot of viewers right back where they left off in 12th-grade calculus: asleep.- New York Post
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Kyle Smith
Which is scarier: a maniac in an orange ski mask wielding a hunting knife - or Jon Bon Jovi as a journalism teacher? Cry_Wolf gives us both, and though Bon Jovi is livin' on a prayer if he thinks he's an actor, the movie is a find.- New York Post
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Kyle Smith
Just Like Heaven isn't far short of a classic among romantic comedies with a teary chaser, sure to please fans of "Ghost" and "Heaven Can Wait."- New York Post
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Kyle Smith
Picture how insufferable "GoodFellas" would be if it climaxed with a federal agent making a speech about the victims claimed by organized crime.- New York Post
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Lou Lumenick
Liev Schreiber's film version of "Everything Is Illuminated" achieves the impossible — it's even more annoying than Jonathan Safran Foer's gratingly precocious novel.- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
Hard Goodbyes could easily have been maudlin, but isn't. Credit an adult script and realistic acting, especially by Giorgos Karayannis as Elias.- New York Post
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V.A. Musetto
The actors can't escape the confines of the warmed-over, coming-of-age-in-suburbia script by Mills, from a novel by Walter Kirn.- New York Post
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Lou Lumenick
Director Raymond de Felitta, who directed a little-seen gem called "Two Family House" a few years ago, gives Falk plenty of room to do his thing. There's an underlying emotional truth even in scenes that seem terribly contrived.- New York Post
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V.A. Musetto
Garcon Stupide features the best gay seduction scene ever filmed on a Ferris wheel. Unfortunately, you have to sit through the entire movie to get to it. Whether you want to will depend on your interest in explicit gay sex.- New York Post
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Lou Lumenick
This poorly acted, directed and written (but slick-looking) vanity project was produced by Andrew Lauren (Ralph's son also ineptly plays G's major-domo) and shot at least four years ago.- New York Post
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Kyle Smith
All hopes for suspense and plot twists are snuffed out about as quickly as the film's black characters.- New York Post
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- New York Post
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- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
In his fourth outing with the director, cinematographer Andreas Sinanos produces stunning scene after stunning scene, almost as if each frame were a small painting.- New York Post
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Lou Lumenick
Yet another screwed-up mess that will give audiences another excuse to shun the multiplexes this weekend.- New York Post
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Kyle Smith
Freeman is Freeman, all homespun dignity. Surely it's time for him to play a saucy interior decorator or a crazed dictator.- New York Post
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Lou Lumenick
This windy courtroom drama is punctuated by cheesy flashbacks.- New York Post
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V.A. Musetto
It's hard to make a dull movie with copious nudity and all kinds of sex (straight, bi and gay), although French filmmakers Olivier Ducastel and Jacques Martineau manage to do so in Cote d'Azur.- New York Post
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