New York Post's Scores
- Movies
- TV
For 8,354 reviews, this publication has graded:
-
44% higher than the average critic
-
2% same as the average critic
-
54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
-
Positive: 4,341 out of 8354
-
Mixed: 1,703 out of 8354
-
Negative: 2,310 out of 8354
8354
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
V.A. Musetto
Long, talky and shot in black and white. In other words, it requires a commitment in time and brain power - a commitment worth making.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Not always totally credible and it cheats a bit on the fixed point of view. But a terrific and brave performance by Talancon makes this far superior to the generic thrillers churned out by the big studios.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Justin Timberlake shows that he can do more as an actor than just take his shirt off - though he does that a lot as well - in the irresponsible, uncommercial but surprisingly watchable Alpha Dog.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
One of the few monster-crocodile movies that simultaneously tries to rip off "Jaws" and "Meet the Press."- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
As DJ, Columbus Short eases his way through the movie without trying to impress us too much, which is welcome, but he's also a little bland around the edges.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
Abduction uses interviews, vintage photos and re-creations to tell the sad story of love and hope in riveting, suspenseful style. So powerful is this film, it brought tears to my eyes.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
The doggedness and good will of these men are irresistible as they pick up on the American dream, finding work and even college educations while trying to locate their missing relatives back home.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
What do you get when you mix a Douglas Sirk melodrama with a Sergio Leone Western? Tears of the Black Tiger, a high-camp Western from, of all places, Thailand.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Sort of a Bollywood "Citizen Kane," a decades-spanning drama with a compelling Abhishek Bachchan as a ruthless Indian business tycoon who refuses to take no for an answer.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
At age 76, Chabrol seems to be just going through the motions, but anyone who has helmed 70 films ("Les Bonnes Femmes" and "La Ceremonie," for example) is entitled to an off day. Look for him to dazzle us next time out.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Kyle Smith
Swank's character, Erin Gruwell, is a real educator who, in the years following the Rodney King riots, coaxed her students into writing about their bullet-riddled lives.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
Isn't as bad as you'd think, but this comic mash-up of "The Bourne Identity" and "Fat Albert" doesn't have much heft.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Suspenselessly directed by Robby Henson, Thr3e commits the eighth deadly sin - boredom.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
The director, 30-year-old Dalibor Matanic, allows himself a few weepy moments, but mostly the script stays on target, accompanied by strong acting and lensing.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Zellweger dusts off her Bridget Jones accent - and a constellation of annoying vocal and facial tics - for Miss Potter, an unrelentingly mediocre, TV-movieish biopic of beloved children's author Beatrix Potter.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Nothing this year comes close to being as utterly unforgettable as Guillermo del Toro's Pan's Labyrinth, an extremely dark and disturbing fairy tale for audiences say, ages 12 and up.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Perfume: The Story of a Murderer, crosses over from thriller into magic realism for a lavishly staged climax that's a bit much.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
What happens when several characters' lives intertwine with the maggot-infested corpse of a prostitute in The Dead Girl? A whole lot of crying.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
This kids' cartoon from France is such a surreally demented attempt to connect with children that it's the equivalent of foie gras breakfast cereal or a bleu cheese milkshake.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
V.A. Musetto
The longer the movie goes on, the more annoying Benigni's infantile behavior becomes.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
- New York Post
- Read full review
-
- New York Post
- Read full review
-
-
Reviewed by
Kyle Smith
Director Alfonso CuarĂ³n has a vision so mesmerizingly terrible that it alone - at least, for those who enjoy a gorgeous nightmare - is reason enough to see the film.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
A glacially paced, emotionally frosty epic (with a top-drawer cast).- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Strands several generations of performers in a highly derivative script and hackneyed direction.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
Has the kind of soulful subject matter that will strike some as profoundly emotional, but it gets a flag for roughing the tear ducts. This isn't football - it's cornball.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
A sublime meditation that is one of this year's wisest, warmest and funniest films.- New York Post
- Read full review
-
Reviewed by