New York Post's Scores

  • Movies
  • TV
For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8343 movie reviews
  1. They go on a biker trip from Cincinnati to the West Coast because they are tired of being bored and would prefer to bore us instead.
  2. This movie sends you into the night thinking, maybe even a little afraid. Bravo, Mr. Fincher.
  3. Mirikitani is a colorful character and talented artist, and his story tugs at the heart. Problem is, Hattendorf insists on inserting herself in what seems like every other scene, a device that dilutes Jimmy's story.
  4. Brewer, who romanticized the world of pimps and ho's in "Hustle & Flow," is obviously out to push some politically incorrect buttons with this ludicrous - yet, in the end, sweetly involving - Southern Gothic pulp yarn.
  5. The overwhelming silence is broken mainly by chanting and the ringing of the monastery bells. Call it life in the slow, slow, slow lane.
  6. The low-low budget ($50,000) coming-of-age drama, shot on high-def video, is nothing if not daring and innovative.
  7. The Astronaut Farmer stalls narratively in the third act, but rest assured it finally achieves liftoff. See it before it disappears into the ether.
  8. The gags vary - a tattooed-breast mystery kinda sags - but there are lots of laughs.
  9. This is the British way to mingle ideas and entertainment.
  10. There isn't a remotely believable moment in the script here, and Kramer's leaden direction only helps strand a capable cast headed by Heather Graham in an hour and a half of virtual laugh-free tedium.
  11. Shifting the self-deprecating japery of "High Fidelity" from a record store to a quiz show makes Starter for 10 a sweetly endearing date movie.
  12. The director is, you won't be surprised to learn, Tsai Ming-laing, whose deadpan humor and minimalist lensing has made him a god among film geeks.
  13. A tad too long, "Tea" is nevertheless touching and funny, with charming performances. You might say it's as calming as a hot cup of green tea.
  14. Movies about addicts are a dime a dozen, but Cocaine Angel does its own thing, mixing humor with bleakness and resisting the too-common urge to romanticize addiction.
  15. Though it's being dumped in the wastelands in February, Breach is better than many of the pack of so-called prestige movies that were released at the end of last year.
  16. Has buckets of gentle sincerity. Since there aren't any dumb jokes or hip visuals, it's easy to get caught up in the simple messages: Be good to your sister, don't be a bully, use your imagination in a pinch.
  17. The movie's last words are "This is how legends are born." Make that stillborn, because when the makers of this one pitch the sequel, the only answer is going to be, "Ah HA HA HA!"
  18. The chatty killer and the nervy atmosphere are both so depraved that the film, though it contains hardly any explicit violence, is like stepping into a blood Jacuzzi, and there is a biblical severity to the ending.
  19. A lightweight French comedy worth watching only for Cecile de France. The gamine actress - decked out in short reddish hair, black tights and a thigh-high mini - is charming as Jessica.
  20. Mirjana Karanovic (Esma) and Luna Mijovic (Sara) give powerful performances as Zbanic imbues a simple story with a powerful commentary on the Bosnian war's devastating impact on the innocent.
  21. Billed as a comedy about a single dad with three girls, the movie is essentially another sudser about the plight of upscale black women in Atlanta.
  22. Grant hasn't had any real chemistry with a female co-star since Julia Roberts in "Notting Hill," but Barrymore works so hard at it and is so charming that you might be fooled.
  23. Credit Sissako for entertainingly blending serious international issues with the daily comings and goings of village life. A bit more Glover wouldn't have hurt - but you can't have everything.
  24. Dull and dreary prequel.
  25. While there are some scattered laughs, the flimsy and nonsensical script - combined with the sledgehammer direction by Brian Robbins, make the similarly themed "Big Momma's House" look like Noel Coward.
  26. The cast includes Oscar winner Louise Fletcher (Nurse Ratched herself) and Henry Thomas of "E.T.," and the special effects look like they were executed on somebody's laptop.
  27. Like warriors themselves, you will be left to sort through a jumble of emotions: pride and sorrow, bitterness and gratitude. [09 Feb 2007, p.43]
    • New York Post
  28. Burning Annie has funny moments, but it suffers from an overflow of characters.
  29. There are touching interviews with a couple of former inmates...The most riveting part of The Decomposition of the Soul is their return to the prison, which was closed in 1989 and turned into a memorial to its victims.
  30. Thirty years after "Annie Hall," the beloved actress is scraping below the bottom of the barrel with this desperately unfunny farce, in which she mugs and pratfalls in the worst performance of her entire career.

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