New York Post's Scores
- Movies
- TV
For 8,354 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
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| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,341 out of 8354
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Mixed: 1,703 out of 8354
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Negative: 2,310 out of 8354
8354
movie
reviews
- By Date
- By Critic Score
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Reviewed by
V.A. Musetto
Curse of the Golden Flower could also be called "Curse of 'Crouching Tiger, Hidden Dragon.' " In other words, it is yet another attempt to cash in on the success of Ang Lee's 2000 martial-arts epic, which will go down in the history books as one of the most overrated films of the decade.- New York Post
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Reviewed by
Lou Lumenick
Taken together, Eastwood's masterworks - two of the best films of 2006 - may be Hollywood's last word on World War II.- New York Post
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Reviewed by
Lou Lumenick
Despite a fierce lead performance by Naomi Watts, The Painted Veil is a quaintly bloodless, picture-postcard adaptation of W. Somerset Maugham's 1925 China-set novel - more Merchant Ivory than David Lean.- New York Post
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Reviewed by
Kyle Smith
Better than decent. But if Stallone (who wrote and directed the flick) had pulled a few punches to the heart, it could have been truly worthy of that first, glorious movie.- New York Post
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Reviewed by
V.A. Musetto
Sounds boring, but it's not, thanks to Marker's whimsical irreverence.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
Dreamgirls may be good enough to win the Oscar for Best Picture - great costumes, sets and choreography help - but despite stellar work by erstwhile "American Idol" contestant Hudson and Murphy, it's far from a great picture.- New York Post
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Lou Lumenick
While Clooney and especially Blanchett give solid performances, and McGuire plays effectively against type, the movie is best appreciated as an exercise in vintage Hollywood style.- New York Post
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Reviewed by
Lou Lumenick
Though Binoche does very solid work, she can't sell the idea of her and Law as a couple; the chemistry isn't there. Not much else rings true in Minghella's screenplay, which is full of coincidences and speeches about race and class.- New York Post
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Reviewed by
Kyle Smith
"Babe" was a classic because of its gentle simplicity. Charlotte's Web, with its insistently "magical" theme music, an overbearing climax and a trough full of bad jokes, is merely adequate.- New York Post
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Kyle Smith
When the studio tells us that parental guidance is suggested, does it occur to them that they should have taken their own advice?- New York Post
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Reviewed by
Kyle Smith
A viral blast of the American Dream. It's "Rocky" with a briefcase.- New York Post
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Reviewed by
Lou Lumenick
The apolitical and well-meaning Home of the Brave is predictable and maudlin.- New York Post
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Reviewed by
V.A. Musetto
Yes, The Secret Life of Words owes much to Lars von Trier's 1999 "Breaking the Waves." But Coixet's riff stands on its own thanks to thoughtful performances by Polley and Robbins.- New York Post
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Reviewed by
V.A. Musetto
The psychobabble makes for dry filmmaking until Schreber starts going fem. From that point on, it's every man for himself.- New York Post
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Reviewed by
V.A. Musetto
More violent than anything Wood ever did, Automatons nevertheless has the kitschy feel and look of something he might have concocted. And I mean that as a compliment.- New York Post
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Reviewed by
Lou Lumenick
Complaining about the gooey and generic The Holiday is as useless as railing against fruitcake - this is a slick, throwaway chick flick designed to provide nothing more than mindless diversion between bouts of shopping.- New York Post
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Reviewed by
Kyle Smith
DiCaprio and Connelly give off the sexual tension of pickled herring.- New York Post
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Reviewed by
Lou Lumenick
Gibson sure knows how to shoot a sequence, but he also doesn't know when to stop with the blood, gore and maiming.- New York Post
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Reviewed by
Kyle Smith
89 minutes go by like 89 hours. Not just 89 regular hours either: 89 hours of being stuck in an airport. During a blizzard. While Lewis Black sleeps drooling on your shoulder.- New York Post
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Reviewed by
V.A. Musetto
After sitting a while in front of my computer trying to come with the right word to describe the Argentine soaper Family Law, I've settled on "diverting." You will be entertained, but you won't tax your brain.- New York Post
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Reviewed by
Kyle Smith
If your film is as downbeat and deflated as this one, you had better be leading up to a more interesting insight than, "The older I get, the more I know that I don't know anyone."- New York Post
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Kyle Smith
Screamers, one of the most bizarre documentaries you'll ever not see.- New York Post
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V.A. Musetto
An amazing portrait of the great filmmaker Ingmar Bergman in his later years.- New York Post
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Reviewed by
V.A. Musetto
Days of Glory has good intentions and a well-executed combat scene, but it could do with more originality.- New York Post
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V.A. Musetto
Solomonoff draws out vivid performances by Valeria Bertuccelli (Elena) and Ingrid Rubio (Natalia) that make up for the script's predictability.- New York Post
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Reviewed by
Lou Lumenick
What is Inland Empire - which Lynch is understandably distributing himself - about? What is it trying to say? If you figure that out, let me know.- New York Post
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Lou Lumenick
A deadly dull, by-the-numbers rendition of the Nativity story.- New York Post
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Reviewed by
Kyle Smith
Ryan Reynolds isn't around this time - and neither is most of the wit.- New York Post
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- New York Post
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