New York Post's Scores

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For 8,345 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,335 out of 8345
  2. Mixed: 1,702 out of 8345
  3. Negative: 2,308 out of 8345
8345 movie reviews
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  1. Bigger Stronger Faster*
    While Bell makes the point that pros account for about 85 percent of total usage, he is more interested in why others - including a guy with the world's biggest biceps, who admits they repulse women - are so driven to be Bigger, Stronger, Faster*.
  2. Space Station 3D
    This is what IMAX was made for: Strap on a pair of 3-D goggles, shut out the real world, and take a vicarious voyage to the last frontier -- space.
  3. Blue Ruin
    Sparse of dialogue, terrifically ominous and full of low-key, high-quality performances, Blue Ruin is a vigilante tale even haters like me can get behind.
  4. Little Jerusalem
    Albou's chosen a touchy subject, which she treats sensitively. Her mature script is complemented by heartfelt turns by Fanny Valette as Laura and Elsa Zylberstein as Mathilde.
  5. Loverboy
    First-time director Kevin Bacon (Mr. Sedgwick) cleverly maintains a balance of discomfiting and familiar by jumping nimbly around Emily's life.
  6. Gainsbourg: A Heroic Life
    While an iconic figure in France, Gainsbourg isn't a household name here in the States. But that shouldn't stop audiences from enjoying Sfar's good-looking, fanciful film.
  7. Janis: Little Girl Blue
    The movie doesn’t rise above its music-doc formula of photo, clip, talking head. But for fans — like me — it’s a heartfelt, engrossing tribute.
  8. The New Rijksmuseum
    Hoogendijk ends the movie just before the museum reopens; but her last, soaring image is a stirring vision of what made all the agita worthwhile.
  9. I Love You, Beth Cooper
    Isn't especially hilarious, but it has a warm sense of humor instead of a string of gross-out jokes. It'll be a cable mainstay.
  10. Zombieland
    Zombieland is still the funniest broad comedy since "The Hangover." Its yowling, marching, munching corpses are as scary as grad students and as hilarious as the plot of "G.I. Joe."
  11. Illegal
    Anne Coesens, wife of the film's director, Olivier Masset-Depasse, gives a strong performance as Tania.
  12. Bob, Verushka & the Pursuit of Happiness
    Director-writer Roger Stigliano used a tiny budget to fashion an endearing screwball comedy that brings to mind Jonathan Demme's "Something Wild" (1986).
  13. First Position
    The movie still seems fresh in the way it respects both the art in ballet and the discipline it demands - even in childhood.
  14. Girls Can't Swim
    It includes abundant sex and full-frontal nudity, not to titillate but because it's needed to convey the inner sexual turmoil the girls are going through.
  15. Unforgivable
    Both Venice and Bouquet are photographed to ravishing effect, and like the city, Judith is meant to suggest something trapped into being a fantasy for others.
  16. The Dangerous Lives of Altar Boys
    Infused with the hazy golden glow of nostalgia and unfolds at a leisurely pace, reminiscent of "The Virgin Suicides."
  17. The Hottest State
    Could be an overwrought mess if it were in less capable hands. But Webber and Moreno are so good, it's hard to believe they're not really deeply and meaningfully in lust.
  18. Nanking
    Everyone knows about the Holocaust, but few today have heard about what was infamous as the Rape of Nanking, when 200,000 residents of what was then China's capital were massacred by invading Japanese troops.
    • 67 Metascore
    • 75 Critic Score
    Stir of Echoes
    Studded with potent fright scenes and built on a rock-solid performance by the ever-dependable Kevin Bacon.
  20. Aimee & Jaguar
    Entertaining, extravagantly emotional.
    • New York Post
  21. The Girl Cut in Two
    Chabrol, who is often called the French Hitchcock because of his intricate thrillers, is approaching the big 8-0, yet he continues to do quality work, as shown by A Girl Cut in Two.
  22. Alien: Covenant
    Clearly, the elder Scott’s aim is on the scares — and oh, what satisfying, terrifying, screams-echoing-down-a-ship’s-corridor scares they are. All the philosophical debate here belongs to the robots — which is possibly even more chilling.
  23. Solitary Man
    Superb as an auto salesman who sinks deeper and deeper into disgrace in Solitary Man, Douglas' juiciest vehicle since "Wonder Boys."
  24. Candyman
    While the movie could be a notch scarier, the unsettling imagery and slow build to chaos make me want another movie by this director stat.
  25. The Keys to the House
    Kim Rossi Stuart gives an excellent performance.
  26. The D Train
    This is the sort of film that will admittedly make some people uncomfortable, and that’s sort of the point.
  27. Dead & Breakfast
    A goofy, low-budget, predictable and totally entertaining Z-grade splatter-comedy, which deserves a long life (or, should we say, undeath) on the college midnight-movie circuit.
  28. Hello Lonesome
    First-time writer-director Adam Reid has a lightly endearing touch as he allows the actors plenty of space to be warm without being cute.
  29. Pulse
    Pleasantly free of blood and guts, with Kurosawa using instead the mighty power of suggestion to give Pulse an invigorating aura of menace.
  30. The Omen
    Director John Moore has added some creepy visuals and assembled an unusually strong cast for a horror flick.
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