New York Post's Scores
- Movies
- TV
For 8,344 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
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| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,334 out of 8344
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Mixed: 1,702 out of 8344
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Negative: 2,308 out of 8344
8344
movie
reviews
- By Date
- By Critic Score
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Reviewed by
V.A. Musetto
Bluebeard revisits themes often found in Breillat's films -- sibling rivalry, pedophilia, gender conflict -- but it remains fresh and new.- New York Post
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Reviewed by
Lou Lumenick
Redford's history lesson illustrates the old maxim that those who forget history are bound to repeat it.- New York Post
- Posted Apr 15, 2011
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Reviewed by
V.A. Musetto
A well-researched picture of how racism led to nine men being falsely accused and wrongly convicted. One only wishes that the filmmakers had more than 84 minutes in which to tell the story.- New York Post
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Megan Lehmann
When Gilliam is finally forced to admit defeat, it is nothing short of heartbreaking - for audiences, too, as the few shots that made it into the can hold such promise.- New York Post
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- New York Post
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Reviewed by
Farran Smith Nehme
Lanzmann, for his part, begins the interview with a sharp, probing manner; by the end, the filmmaker’s questions and body language are conveying something altogether different.- New York Post
- Posted Feb 6, 2014
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Reviewed by
V.A. Musetto
You don't have to be stoned to watch Mr. Nice, but it might help to be in the same state of mind as its real-life anti-hero, drug kingpin Howard Marks.- New York Post
- Posted Jun 3, 2011
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Kyle Smith
Brains! Brains! Why can't they make a zombie movie with brains? This is one. Romero has given us, as well as the zombies, a lot to chew on.- New York Post
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Reviewed by
Kyle Smith
Even when deadly silent, though, as he is through most of the film, Duris is brutally eloquent.- New York Post
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Reviewed by
Kyle Smith
There is stuff in This Is the End that had me laughing so hard, I sensed new body parts joining in to help out — my pancreas was heaving, my bile ducts ripped.- New York Post
- Posted Jun 10, 2013
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Kyle Smith
Its young director, however, has a considerable flair for surprise and visual gusto, and he even, on a shoestring, delivers sharp-looking special effects.- New York Post
- Posted Jun 11, 2014
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Reviewed by
Lou Lumenick
Risks trivializing history and pandering to feminist fantasies, but it may be the year's most fearless movie.- New York Post
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V.A. Musetto
A disturbing and daring thriller with an exceptional performance by 13-year-old Laurien Van den Broeck.- New York Post
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Reviewed by
Lou Lumenick
Has a doozy of a surprise ending that doesn't really stand up under close scrutiny - but you'll have so much fun getting there, it's easy to go along with Lee and company for the ride.- New York Post
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Reviewed by
Lou Lumenick
A devastatingly straightforward chamber piece that goes straight to the heart of what this city was feeling in the days right after Sept. 11.- New York Post
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Johnny Oleksinski
Familiar though it is, the skillfully made movie finds vigor in the been-there-done-that.- New York Post
- Posted Jan 28, 2026
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- New York Post
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Reviewed by
Johnny Oleksinski
The evidence adds up cleverly and the script doesn’t coast on its status as a nice family movie in order to avoid delivering a satisfying conclusion. It’s meaty, like a roast leg of, well, you know.- New York Post
- Posted May 7, 2026
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Reviewed by
Lou Lumenick
This multi-pronged labor of love doesn't always work, but it often does, sometimes in ways that take your breath away.- New York Post
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Kyle Smith
Picture Monty Python writing an unusually odd "Twilight Zone" episode directed by surrealist Luis Buñuel. Or just empty your mind of all sense: This is Rubber.- New York Post
- Posted Apr 1, 2011
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V.A. Musetto
Sylvarnes, who scripted, directed, edited and photographed this amazing first feature, makes spectacular use of digital video.- New York Post
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- Critic Score
Unlike previous glossy docs such as “The September Issue,” Gospel is far more than a dressed-up Vogue infomercial.- New York Post
- Posted May 24, 2018
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Reviewed by
Lou Lumenick
On several levels, this film is a real-life horror story that puts most Hollywood movies to shame.- New York Post
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V.A. Musetto
Viewers unfamiliar with the politics of the era might feel lost as the plot unfolds, and the 139-minute running time might be a bit much. But why quibble?- New York Post
- Posted Apr 15, 2011
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Reviewed by
Lou Lumenick
The filmmakers follow this compassionate and articulate man as he returns to Rwanda a decade later to revisit his demons.- New York Post
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Reviewed by
Lou Lumenick
Find Me Guilty belongs to the odd couple of Dinklage and Diesel, whose volatile performance finally proves he is much more than an action star.- New York Post
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- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
From the rapid-fire, purposely unreadable opening credits to the final baby POV shot of a birth, this is a dazzling and brutal exercise in cinematic envelope-pushing.- New York Post
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Reviewed by
Sara Stewart
Only in his early 20s, Zephyr Benson makes a remarkably assured debut as writer, director and star of Straight Outta Tompkins, his tongue-in-cheek title for his past as a middle-class drug dealer in lower Manhattan.- New York Post
- Posted Mar 4, 2015
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