New York Post's Scores

  • Movies
  • TV
For 8,344 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8344 movie reviews
  1. Bluebeard revisits themes often found in Breillat's films -- sibling rivalry, pedophilia, gender conflict -- but it remains fresh and new.
  2. Redford's history lesson illustrates the old maxim that those who forget history are bound to repeat it.
  3. A well-researched picture of how racism led to nine men being falsely accused and wrongly convicted. One only wishes that the filmmakers had more than 84 minutes in which to tell the story.
  4. When Gilliam is finally forced to admit defeat, it is nothing short of heartbreaking - for audiences, too, as the few shots that made it into the can hold such promise.
  5. Earth, you had me at baby polar bears.
  6. Lanzmann, for his part, begins the interview with a sharp, probing manner; by the end, the filmmaker’s questions and body language are conveying something altogether different.
  7. You don't have to be stoned to watch Mr. Nice, but it might help to be in the same state of mind as its real-life anti-hero, drug kingpin Howard Marks.
  8. Brains! Brains! Why can't they make a zombie movie with brains? This is one. Romero has given us, as well as the zombies, a lot to chew on.
  9. Even when deadly silent, though, as he is through most of the film, Duris is brutally eloquent.
  10. There is stuff in This Is the End that had me laughing so hard, I sensed new body parts joining in to help out — my pancreas was heaving, my bile ducts ripped.
  11. Its young director, however, has a considerable flair for surprise and visual gusto, and he even, on a shoestring, delivers sharp-looking special effects.
  12. Risks trivializing history and pandering to feminist fantasies, but it may be the year's most fearless movie.
    • New York Post
  13. A disturbing and daring thriller with an exceptional performance by 13-year-old Laurien Van den Broeck.
  14. Has a doozy of a surprise ending that doesn't really stand up under close scrutiny - but you'll have so much fun getting there, it's easy to go along with Lee and company for the ride.
  15. A devastatingly straightforward chamber piece that goes straight to the heart of what this city was feeling in the days right after Sept. 11.
  16. Familiar though it is, the skillfully made movie finds vigor in the been-there-done-that.
  17. A pleasingly weird, dryly funny little indie.
  18. The evidence adds up cleverly and the script doesn’t coast on its status as a nice family movie in order to avoid delivering a satisfying conclusion. It’s meaty, like a roast leg of, well, you know.
  19. This multi-pronged labor of love doesn't always work, but it often does, sometimes in ways that take your breath away.
  20. Picture Monty Python writing an unusually odd "Twilight Zone" episode directed by surrealist Luis Buñuel. Or just empty your mind of all sense: This is Rubber.
  21. Sylvarnes, who scripted, directed, edited and photographed this amazing first feature, makes spectacular use of digital video.
    • 67 Metascore
    • 75 Critic Score
    Unlike previous glossy docs such as “The September Issue,” Gospel is far more than a dressed-up Vogue infomercial.
  22. On several levels, this film is a real-life horror story that puts most Hollywood movies to shame.
  23. Viewers unfamiliar with the politics of the era might feel lost as the plot unfolds, and the 139-minute running time might be a bit much. But why quibble?
  24. The filmmakers follow this compassionate and articulate man as he returns to Rwanda a decade later to revisit his demons.
  25. Find Me Guilty belongs to the odd couple of Dinklage and Diesel, whose volatile performance finally proves he is much more than an action star.
  26. A smart, dark road comedy.
  27. A thinking man's buddy movie.
  28. From the rapid-fire, purposely unreadable opening credits to the final baby POV shot of a birth, this is a dazzling and brutal exercise in cinematic envelope-pushing.
  29. Only in his early 20s, Zephyr Benson makes a remarkably assured debut as writer, director and star of Straight Outta Tompkins, his tongue-in-cheek title for his past as a middle-class drug dealer in lower Manhattan.

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