New York Post's Scores

  • Movies
  • TV
For 8,344 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8344 movie reviews
  1. A pleasing alternative to the season's Oscar-baiting movies.
  2. Fighting arrives fully charged by the charisma of its star, Channing Tatum, who has landed the lead in the upcoming "G.I. Joe."
  3. It's the oldest bittersweet story in the book, of course, but music-video director Marc Webb approaches his feature debut with great confidence, flair and a minimum of schmaltz.
  4. So this bourgeois-bohemian movie is, in a way, as serene in its obliviousness to the exterior world as its man-child subject. It's not essential, but it is endearing.
  5. The presentation is conventional, but the subject matter isn't. Besides, when was the last time you saw anything resembling good news coming out of the Middle East?
  6. Some bits are too stagy, but for the most part this long night feels like an interview that could have actually happened. Miller is so good - dumb, smart, wounded, wounding, a lollipop of sweet poison that you'd buy every day until it killed you - that you feel you not only understand her but all actresses.
  7. A grabber from start to finish that should win new fans for cult-favorite To.
  8. As sensuous as its title, Silk is an exquisitely felt love story that unfolds as delicately as a blooming flower. And as slowly.
  9. It's full of passionate performances (except for the wooden Li), sizzling swordplay, bold and dazzling hues, and breathtaking landscapes.
  10. Like the similar, and slightly superior, "The Conjuring" last summer, Oculus eschews the buckets of gore common to R-rated horror movies and takes a relatively subtle, psychological approach — even if the somewhat disappointing ending leaves the door open for a sequel (or three).
  11. Saraband -- the term means an erotic dance for two -- is like watching four people take turns trying to swim with one of the others clinging to an ankle. It's grim and gripping.
  12. By the time the closing credits roll, you'll be ready to run out and hug a tree.
  13. White-haired Ronnie Gilbert of the Weavers -- the group was blacklisted during the McCarthy years -- is in especially fine voice.
  14. It's a sly, low-key comedy in which he casts himself as a neurotic, self-absorbed curmudgeon.
  15. The film leisurely unfolds as a series of vignettes about class distinctions and crime, with an unexpected ending. It is beautifully filmed in CinemaScope and strongly acted (especially by Solha), and makes for mesmerizing viewing.
  16. If you have an appetite for audacious, one-of-a-kind filmmaking, this one's for you. Just don't say you weren't warned.
  17. It's the dancing that makes Pina a visual delight. It should appeal to dance mavens, and to folks who have no idea what a pas de deux is.
  18. There are touching interviews with a couple of former inmates...The most riveting part of The Decomposition of the Soul is their return to the prison, which was closed in 1989 and turned into a memorial to its victims.
  19. The narrative is fractured, David Lynch-style. Everything eventually makes sense -- sort of.
  20. Wanted is like a 12-armed heavy-metal drummer after a case of Red Bull, flailing and thundering through two hours of impossible action.
  21. May be boomer-baiting formula, but this ingratiating, big-hearted holiday treat is as British as plum pudding - and the closest thing on the market to the famous Ealing comedies.
  22. There are family photos, interviews with colleagues, newsreels of early shows, a chat with his mother and vintage interviews with an unbelievably young and sexy YSL.
  23. Legendary hipster filmmaker Jim Jarmusch’s wryly funny exercise in genre bending hits so many grace notes it ends up being his most satisfying film in years.
  24. It's a slow, exhaustive and exhausting process that takes a toll on the viewer, despite the intrinsic power of the underlying material.
  25. After 23 years and three attempts, Predators finally delivers a solid sequel to the Arnold Schwarzenegger B-movie classic.
  26. The kind of movie that is beyond criticism.
    • New York Post
  27. Leconte turns up the erotic heat in the most gorgeously photographed black-and-white film since Wim Wenders' sublime "Wings of Desire."
    • New York Post
  28. This wispy story is distinguished by its sweetness of spirit, and it comes straight from Kold.
  29. May well be the first film ever to show people having sex while wearing gas masks.
  30. A lively and poignant comedy with lots of laughs and juicy roles for a roster of seasoned performers who should be seen more often.

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