New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,334 out of 8343
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Mixed: 1,701 out of 8343
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Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
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- New York Post
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Reviewed by
Jonathan Foreman
More impressive than the sight of these acts on an eight-story screen is the excellent six-channel IMAX sound system.- New York Post
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Reviewed by
Lou Lumenick
Mind-blowing and headache-inducing. But the kids loved it.- New York Post
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Jonathan Foreman
Often charming and sweet, and always prettily photographed.- New York Post
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Reviewed by
V.A. Musetto
A youthful, and often funny, piece of filmmaking. You might never expect that its director is 73 years old.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
Overall, it's a hand-tailored job in a marketplace filled with off-the-rack movies.- New York Post
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- New York Post
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- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
Perfectly captures the cultural and emotional wasteland that is suburban Jersey.- New York Post
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Reviewed by
Lou Lumenick
Basically a Lifetime movie that somehow found its way into theaters.- New York Post
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Reviewed by
Jonathan Foreman
I was pleased by the forthright defense in Friendly Persuasion of Iranian cinema's use of children.- New York Post
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Reviewed by
Jonathan Foreman
Despite its talented and/or attractive cast, Heartbreakers is an ugly movie: The kind that makes you feel slightly soiled afterwards.- New York Post
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Jonathan Foreman
Unfortunately, this version of the familiar formula lacks the inspiration, genuine wit and raunchy charm of 1998's outrageous "There's Something About Mary."- New York Post
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Jonathan Foreman
This movie, cynically and patronizingly aimed at Seagal's predominantly "urban" audience, is sad, tedious proof that even violent exploitation isn't what it used to be.- New York Post
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Lou Lumenick
Story of Tobias Schneebaum, a gay New York artist famous for living with, sleeping with - and, gulp, eating with - cannibals in New Guinea.- New York Post
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Lou Lumenick
Enemy at the Gates, is no "Saving Private Ryan" - but thrilling, bravura stretches make it consistently entertaining, if less than profound, filmmaking.- New York Post
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Jonathan Foreman
Despite some genuinely funny scenes, American Desi turns out to be inferior to the as yet unreleased "ABCD" and even last year's "Chutney Popcorn."- New York Post
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Reviewed by
Lou Lumenick
This demanding puzzle is not for the "Chocolat" crowd, but those who stay with it will experience perhaps the most dazzling film released so far this year - even though a second viewing is virtually mandatory.- New York Post
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Lou Lumenick
Cannily weaving cross-cultural comedy with we-can-do-it humor in the spirit of "The Full Monty," the film builds to a rousing climax.- New York Post
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Lou Lumenick
Delightfully unpredictable, hilarious comedy with wonderful performances that tug at your heart in ways that utterly transcend gender labels.- New York Post
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Lou Lumenick
A too-cute-by-half Irish romantic comedy that's overloaded with movie references that begin with the title.- New York Post
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Jonathan Foreman
Boring and irritating, and also mildly offensive in its ignorant depiction of both Judaism and Catholicism.- New York Post
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Reviewed by
Jonathan Foreman
Works just fine as a generic but fast-paced - and rather ugly - cop buddy flick.- New York Post
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Lou Lumenick
Holds less water as a mystery because its plot holes - and choppy pacing - make it seem as disconnected from reality as its hero. But Jackson is so frighteningly effective, and affecting, as Romulus that you're sucked in anyway.- New York Post
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