New York Post's Scores

  • Movies
  • TV
For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8343 movie reviews
  1. Deadly dull.
  2. More impressive than the sight of these acts on an eight-story screen is the excellent six-channel IMAX sound system.
    • New York Post
  3. Don't even think of visiting this French fiasco.
    • New York Post
  4. Mind-blowing and headache-inducing. But the kids loved it.
    • New York Post
  5. Often charming and sweet, and always prettily photographed.
    • New York Post
  6. A youthful, and often funny, piece of filmmaking. You might never expect that its director is 73 years old.
  7. The folks on "Survivor" have nothing on Julia Butterfly Hill.
  8. Overall, it's a hand-tailored job in a marketplace filled with off-the-rack movies.
    • New York Post
  9. A sophisticated, stylish, fast-moving piece of work.
    • New York Post
  10. The most delightful family movie since "Stuart Little."
    • New York Post
  11. Much of Tomcats is actually boisterously, crudely entertaining.
    • New York Post
  12. Could hardly be more predictable.
    • New York Post
  13. Perfectly captures the cultural and emotional wasteland that is suburban Jersey.
  14. Basically a Lifetime movie that somehow found its way into theaters.
    • New York Post
  15. I was pleased by the forthright defense in Friendly Persuasion of Iranian cinema's use of children.
  16. Despite its talented and/or attractive cast, Heartbreakers is an ugly movie: The kind that makes you feel slightly soiled afterwards.
    • New York Post
  17. Unfortunately, this version of the familiar formula lacks the inspiration, genuine wit and raunchy charm of 1998's outrageous "There's Something About Mary."
    • New York Post
  18. This movie, cynically and patronizingly aimed at Seagal's predominantly "urban" audience, is sad, tedious proof that even violent exploitation isn't what it used to be.
    • New York Post
  19. Story of Tobias Schneebaum, a gay New York artist famous for living with, sleeping with - and, gulp, eating with - cannibals in New Guinea.
    • New York Post
  20. Enemy at the Gates, is no "Saving Private Ryan" - but thrilling, bravura stretches make it consistently entertaining, if less than profound, filmmaking.
    • New York Post
  21. Despite some genuinely funny scenes, American Desi turns out to be inferior to the as yet unreleased "ABCD" and even last year's "Chutney Popcorn."
  22. This demanding puzzle is not for the "Chocolat" crowd, but those who stay with it will experience perhaps the most dazzling film released so far this year - even though a second viewing is virtually mandatory.
    • New York Post
  23. Cannily weaving cross-cultural comedy with we-can-do-it humor in the spirit of "The Full Monty," the film builds to a rousing climax.
    • New York Post
  24. Delightfully unpredictable, hilarious comedy with wonderful performances that tug at your heart in ways that utterly transcend gender labels.
  25. A too-cute-by-half Irish romantic comedy that's overloaded with movie references that begin with the title.
  26. Boring and irritating, and also mildly offensive in its ignorant depiction of both Judaism and Catholicism.
  27. An intermittently interesting drama.
    • New York Post
  28. A lame teen comedy.
    • New York Post
  29. Works just fine as a generic but fast-paced - and rather ugly - cop buddy flick.
    • New York Post
  30. Holds less water as a mystery because its plot holes - and choppy pacing - make it seem as disconnected from reality as its hero. But Jackson is so frighteningly effective, and affecting, as Romulus that you're sucked in anyway.
    • New York Post

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