New York Post's Scores

  • Movies
  • TV
For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8343 movie reviews
  1. The most devastating spoof of reality TV since Albert Brooks' 1978 "Real Life."
    • New York Post
  2. Hardly a deep examination of gender relations or character, but in its unsentimental way it's a tender and charming story of friendship and tolerance.
    • New York Post
  3. Do your kids a favor - and take them to see something more worthwhile than the relentlessly vulgar and stupid See Spot Run.
    • New York Post
  4. Anyone interested in this remarkably prolific author would be better off visiting a library or bookshop.
    • New York Post
  5. A shame that this indie's willingness to trade in stereotype leaves a sour taste in your mouth.
    • New York Post
  6. Gandolfini, who skillfully fleshes out what's written as a one-joke character, comes close to pilfering The Mexican from the stars. Under the circumstances, that's not a huge accomplishment.
    • New York Post
  7. Feels much more like a very, very long, music video, albeit one made for an audience that gets off on high-tech firepower rather than nearly-naked babes.
    • New York Post
  8. An occasionally delightful mess of a movie.
    • New York Post
  9. A little gem.
  10. Less grim than it sounds, Southern Comfort ends on a note of triumph for its endearing, gender-bending hero.
    • New York Post
  11. Has its sluggish stretches, but the superb level of acting is more than ample compensation.
    • New York Post
  12. A joyful celebration of Louisiana music in all its permutations.
  13. Veteran stage, screen and TV actor Moshe Ivgi gives a sturdy performance as Moshe, a supposed tough guy who sobs when confronted by bank robbers.
  14. The Price of Milk, which boasts a lush classical score recorded by the Moscow Symphony Orchestra, has a few more twists that make this a Valentine's Day delight.
    • New York Post
  15. Plays to none of Rock's strengths (even though he co-wrote the film with members of his HBO team) and intensifies his tendency to mug and shout.
    • New York Post
  16. A skin-crawlingly unfunny riff on Woody Allen's "Bananas."
    • New York Post
  17. A reasonably entertaining cartoon feature.
    • New York Post
  18. The sort of movie that seems to exist for no good reason except to keep the studio's pipeline filled with filmed product.
    • New York Post
  19. A tad slow by American standards, but so extremely well-acted and emotionally truthful, it's right up there with "In the Mood for Love" as prime romantic fare for the Valentine's Day weekend.
    • New York Post
  20. Takes you on a fascinating and picturesque journey into a relatively unfamiliar culture.
  21. Smug, often tedious, and comically crude.
    • New York Post
  22. To describe Love, Honor and Obey as a cross between "Duets" and "Snatch" doesn't begin to suggest how desperately unfunny this musical gangster comedy is.
  23. Relentlessly dopey and vulgar.
    • New York Post
  24. Much has, and will, be made of the grisly scenes throughout the film.
    • New York Post
  25. Rapturously elegant and deeply sexy in a deliciously restrained way. One of the most romantic movies I have ever seen, right up there with "Brief Encounter"and "Casablanca."
    • New York Post
  26. An interesting - but very slow paced - thriller.
    • New York Post
  27. Yet another murky film about the 1970s that's watchable mostly for its cast rather than the story.
    • New York Post
  28. The screenplay by Zekri (based on Jorge Amado novel) is crude stuff, and director Ossama Fawzi gets such cartoonish performances from his cast, it's hard to care about the characters.
  29. A movie more interested in shocking than in entertaining.
    • New York Post
  30. A slow-moving, dirt-dull narrative crammed with clunky expository dialogue and obscure Biblical references.

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