New York Post's Scores

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For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,334 out of 8343
  2. Mixed: 1,701 out of 8343
  3. Negative: 2,308 out of 8343
8343 movie reviews
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  1. Town & Country
    The film is clearly an unfinished work and one that feels like a ragged assemblage of parts from at least two entirely different movies all with the same cast.
    • New York Post
  2. The Golden Bowl
    But it is Thurman who stands out, with a marvelous, full-blooded performance, her best in some time, as tragic Charlotte.
    • New York Post
    • 35 Metascore
    • 75 Critic Score
    The End of the Road
    While this is ultimately a tragic film, Meeske captures the joy in the paradise these Deadheads lost. Jerry would have liked this movie.
  4. Driven
    Embarrassingly bad - the kind of slapdash exercise that gives even Hollywood formula a bad name, while doing little justice to the sport.
    • New York Post
  5. Pie in the Sky: The Brigid Berlin Story
    This wacky former Andy Warhol superstar more than holds your interest in an offbeat documentary.
  6. Harry Is Here to Help
    Often darkly funny and very well acted, it's a pleasingly subtle, Hitchockian thriller with dark comic overtones.
    • New York Post
  7. The Charcoal People
    Raises an interesting question. Do you clamp down on corporations in order to protect the environment or do you let them go about their business because they help feed countless families.
    • New York Post
  8. Crocodile Dundee in Los Angeles
    The lackadaisical pace of CD3 is a disappointing surprise.
    • New York Post
  9. The Luzhin Defence
    One of our best actors, Turturro surpasses his past fine work as Alexander Luzhin.
    • New York Post
  10. The Low Down
    The whole thing is shot in an irritating, self-conscious way.
  11. The Hidden Wars of Desert Storm
    This crude, deeply dishonest documentary does no such thing. David Russell's fictional "Three Kings" does a much better job.
  12. Freddy Got Fingered
    So awful it qualifies as cruel and unusual punishment.
    • New York Post
  13. The Center of the World
    It certainly has its moments (erotic and otherwise), but there just aren't enough of them.
    • New York Post
  14. Lakeboat
    Though Mantegna can't quite lick the essential staginess of Mamet's adaptation of his play, even with lots of scenic shots of Lake Ontario, the performances are what one would expect with such a consummate actor in charge.
    • New York Post
  15. Brigham City
    Tries, with much less success, to do what "Witness" did in exploring an Amish town.
  16. Bridget Jones's Diary
    Warm and charming and often witty, it's as good a romantic comedy as has come out for some time, with an endearing, perfectly pitched central performance that's a four-square triumph for Zellweger.
    • New York Post
  17. The Body
    Antonio Banderas is unintentionally hilarious as Father Matt Gutierrez, a sort of Jesuit James Bond.
    • New York Post
  18. States of Control
    A sluggish and prototypically earnest little indie on the not exactly fresh theme of a woman undergoing a midlife crisis.
  19. The Circle
    This film is fighting the good fight, albeit in a rather heavy-handed way.
    • New York Post
  20. Joe Dirt
    Little more than a series of sketches, tied together by Joe's on-air interrogation by a nasty shock jock played by Dennis Miller.
    • New York Post
  21. Josie and the Pussycats
    More fun than you'd expect from an adaptation of a '60s Hanna-Barbera cartoon that was in turn derived from a comic book.
    • New York Post
  22. Kingdom Come
    The characters are tired stereotypes, the sentimentality nauseating and the situation comedy way below the standards of the very worst WB or UPN shows.
    • New York Post
  23. Chopper
    Pulls no punches - blood flows very freely (including the ear-cutting scene) and black humor abounds.
    • New York Post
  24. Zombie! vs. Mardi Gras
    Unwatchably bad.
  25. Blow
    Rarely since the tale of the Corleones has a movie presented such a compelling, sympathetic portrait of a criminal lowlife.
    • New York Post
  26. Along Came a Spider
    But even that talent (Freeman) isn't enough to distract you from the general predictability of Spider or the absurdity of its elaborate last-minute plot twists.
    • New York Post
  27. Mau Mau Sex Sex
    Entertaining, if maddeningly superficial.
    • New York Post
  28. Beautiful Creatures
    Moves at a swift clip with pungent performances.
    • New York Post
  29. The Day I Became a Woman
    Slight but affecting triptych.
  30. The Girl
    May be the steamiest lesbian romp in recent memory.
    • New York Post
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