New York Magazine (Vulture)'s Scores

For 3,961 reviews, this publication has graded:
  • 47% higher than the average critic
  • 2% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 0.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Hell or High Water
Lowest review score: 0 Daddy's Home 2
Score distribution:
3961 movie reviews
  1. What I experienced was a lot of fetid experimental-film folderol perfumed by Chopin nocturnes on the soundtrack.
  2. The Kitchen is one of the most frustrating films in recent memory owing to how it squanders the mammoth potential baked into its dramatic genre — and its cast.
  3. I don’t know, maybe it worked as theater. Onscreen, it’s torture.
  4. Ant-Man and the Wasp: Quantumania is an atrocious movie, but it’s atrocious in a way that Marvel movies rarely are.
  5. It tries to repeat everything the original did, and winds up leaving you stone-faced and depressed. I think there were more laughs in Schindler’s List.
    • 33 Metascore
    • 10 Critic Score
    Reiner attempts to combine whimsy, satire, and Capra-esque corniness here in a way that is nearly impossible to sit through, and if that weren’t enough, it has Bruce Willis as the Easter bunny that is worse than anything in Hudson Hawk.
  6. The real problem with Jackpot! (aside from the inept direction, the unfunny script, and the irritating characters) is that the whole film indulges in a kind of misanthropy that would require a lot more thought and ballsiness to pull off.
  7. I figured the film would have an off-the-charts creepy quotient (the novel is chilling) and gobs of atmosphere. I could never have predicted it would turn out to be such a shambles.
  8. Watching Jigsaw go about his torture business is about as interesting as watching a child burn ants — a dumb and ugly waste of energy, resources and time.
  9. How bad is Zoolander 2? It’s "Batman and Robin" bad. It’s so bad that it makes you feel sorry for the scores (literally) of celebrities who show up in cameos, even the ones (Anna Wintour, Tommy Hilfiger, Susan Sarandon, Ariana Grande, Kimye ...) who actively resist your sympathy, whom you maybe want to see taken down a peg.
  10. Clumsy, obvious, preposterous, the movie will likely set the cause of woman warriors back decades.
  11. The Mummy is not your usual lousy movie. It has been made with skill and hits its marks. But those marks are so low and so brazenly mercenary that it doesn’t feel like much of an achievement. It’s not involving.
  12. The movie stinks to heaven.
  13. If only the issue with Polar, Åkerlund’s fifth feature film, was merely shallowness. Polar is an execrable motion picture, a sad, lint-filled key bump scraped together from the bottom of the post-Tarantino ’90s exploitation baggie.
  14. Spike Lee’s She Hate Me is his worst movie ever--even worse than "Bamboozled," his self-serving indictment of modern minstrelsy, which at least was worth arguing about.
  15. It does not suffice to call The Book of Henry bad; it’s nonfunctional, so poorly conceived from the ground up as to slip out of the grasp of the usual standards one applies to narrative film. It might be admirable if it wasn’t such torture to watch.
  16. Bad Hair surprised me, ranking as the most stunning floundering of filmmaking in 2020 — a failure of empathy, intellect, and morality that I haven’t been able to shake.
  17. Beyond being tiresome, Intermezzo is just plain ugly, with seemingly little care given to the image — odd, perhaps, given that the film is so clearly and confrontationally about its own director’s gaze.
  18. In Arthur, the spectacularly grating remake of Steve Gordon's 1981 P. G. Wodehouse simulation (this time, Peter Baynham miswrote, Jason Winer misdirected), Russell Brand gives a career-killing performance.
  19. The gap between Melania’s insistently anodyne tone and what’s happened in the year since it was filmed can become downright vertiginous, especially when Melania intones observations about her immigrant journey and how “everyone should do what they can to protect our individual rights.”
  20. Given the level of talent involved both in front of and behind the camera, nobody should feel much joy — no anti-tentpole schadenfreude or blockbuster-busting righteousness — to discover that the latest Fantastic Four film is a catastrophe
  21. Dolittle is a calamity for the ages.
  22. It's rare to see a piece of sh** that actually looks and sounds like a piece of sh**. It's kind of exciting!
  23. Haneke’s assault on our fantasy lives is shallow, unimaginative, and glacially unengaged--a sucker punch without the redeeming passion of punk.
  24. The movie is a reductio ad absurdum, a sick joke taken to extremes, beginning with a goof on the notion that horror movies inspire copycats and ending with a test to determine whether some people will watch anything.
  25. Something sure is screwy when a kid needs to go back to old Warner Bros. cartoons in which coyotes with jet-propelled tennis shoes or do-it-yourself tornado kits come closer to suggesting how nature actually works.
  26. In my own world, Only God Forgives plays somewhat differently. I thought it was just about the worst f---ing thing I’ve ever seen. In fact, I was depressed it wasn’t laughed off the screen.
  27. No. Nope. Uh-uh.
  28. This is a toxic, not at all benign film.
  29. It is one of the darkest, most dismaying films I have ever seen, much less one ostensibly made for children.

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