New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Like the last gift buried under singing Billy Bass fish, dancing Coke cans, joke books and mounds of wrapping paper, there's a glimmer of fun in Four Christmases that almost gets vacuumed up with the tinsel.
  2. The final result somehow undersells a man whose life and death were watershed moments in the gay rights movement.
  3. Though every frame is great to look at, Bolt's script - by the co-writers of "Mulan" and "Cars" - lacks the wit of its closest Pixar relative, "The Incredibles." Rhino and some goofy pigeons provide the few laughs once the tale goes cross-country.
  4. It's disappointing when a big-screen romance can't match up to the one in your imagination, at any age.
  5. The movie loses its way toward the end, shifting from wry black comedy to slightly overdone pathos. But there's plenty here to appreciate, making the title perfectly apt.
  6. Only natural spitfire Spacek, as the pickup-driving mom of the land, feels fresh. There's even a mouthy kid Garity is "taking care of" - guess whose son he is?
  7. Rafferty keeps the structure so blandly standard, the title is nearly the most intriguing element of the whole film.
  8. With Australia, Luhrmann obviously intends to stage a grand romance against the epic backdrop of World War II. But what we get instead is an unwieldy mess that needed another six months in the editing room.
  9. The result isn't bland, but it's not exactly Bond either.
  10. Though overly self-conscious, this "Tale" is nonetheless wry, observant and frequently heartbreaking. It's also bound to make you feel better about your own holiday plans.
  11. About the kinds of showbiz hangers-on seen in the background of a Scorsese movie, and it feels like those guys decided they were the real stars.
  12. This domestic drama from the producers of "Once" could be about the pair from that gentle romance - a decade later.
  13. Anthony Byrne's lazy drama is insulting to just about everyone, including Maeve Binchy, who wrote the short story on which it was based. But nobody fares well, especially cast members Vanessa Redgrave, Brenda Fricker and Imelda Staunton.
  14. A fun project that doesn't quite reach its potential, Josh Koury's doc is still worthwhile for anyone who can't wait until 2009 to see Harry Potter back on the big screen.
  15. It's a stunner.
  16. Where on the evolutionary scale of wacky-dudes-learn-to-grow-up movies does Role Models fall? Certainly less evolved than "Meatballs," but head and hairy knuckles above "Daddy Day Care" or "The Benchwarmers."
  17. Who knew? Turns out, Jean-Claude Van Damme is a funny guy, and a pretty good actor, too. Fans may already be aware of this, but JCVD is likely to introduce a whole new Van Damme to everybody else.
  18. Dilutes the idea some by giving every four-legged hero a story arc. And there's not enough of the first movie's super-erudite monkeys. Yet the sitcom-style silliness is still there, and it's nice to see that the old "grin or frown as you wave a hand across your face" joke still has cross-generational, and cross-species, appeal.
  19. Check out the trailer before you commit to this one; if it's for you, you'll know instantly. And if it's not, you'll know that, too.
  20. The script is basically a retread of every other AARP comedy, from "Grumpy Old Men" to "Wild Hogs." The laughs, in other words, are of the Viagra and kidney stone variety.
  21. If "Saw V" offers an example of how little filmmakers can get away with, Splinter proves how much a director can do with next to nothing.
  22. The moments when "Z&M" works are, almost without exception, the ones that are more sweet than shocking. All the rest, frankly, feel like Apatow Lite.
  23. Willing as Campbell is to Shatner-ize himself, his movie will appeal only to true believers.
  24. Overshoots the mark by spinning its implausible, hyperviolent tale around too tight a family circle.
  25. It's hard to complain about a pop culture phenomenon built on unabashed innocence. And anyway, we might as well get used to it: Neither the movie nor the passionate tween squeals at a recent preview leave any doubt that "HSM 4" is on its way - or that the inevitable "College Musical" will be far behind.
  26. This year's installment is as disappointing as a Halloween bag filled with nothing but raisins.
  27. The script is compelling, the direction confident, the production values professional. But it does not, in the end, feel real.
  28. Scott Thomas breathes more emotion into Juliette's affectless, haunted demeanor than most actors do with pages of dialogue.
  29. Alfredson makes the most of every detail, carefully crafting an atmosphere of haunting alienation. These two lost souls may come together under unusual circumstances, but their connection feels universally human.
  30. A clunky, dead-on-arrival scary drama that proves that even people with good taste need a good script or direction.

Top Trailers