New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. In an era of anti-immigrant fervor, this sobering and much-needed look at Latino migration is built on an undeniably optimistic premise: that once Americans have accurate facts, "they rarely allow injustices to stand."
  2. As a vampire might say, "Be- vaaare , all who enter here above the age of 7! What lies on the screen ... is not for you !"
  3. I am neither anti-charter schools nor anti-union. I am, however, firmly against heavy-handed lectures disguised as art.
  4. How you respond to Pitch Perfect will depend primarily on how you feel about its obvious inspirations: "Glee," "Bring It On" and the food-poisoning scene from "Bridesmaids."
  5. Gordon-Levitt is flinty, and Willis, on his A-game, is fiery. Together, they take us on a helluva trip.
  6. We will simply be grateful she (Lawrence) is here, and thus able to turn generic junk into mildly interesting junk.
  7. David France's survey of AIDS advocacy should be invaluable to every frustrated movement, as both a road map and a reminder of how vital personal activism remains.
  8. While plenty of talking heads turn up to offer breathless praise, it's no surprise that the preeminent words of wisdom are, thanks to copious archival footage, Vreeland's own.
  9. As her boss and boyfriend, an impressively good-natured James Van Der Beek adds a professional sheen to what otherwise feels like a vanity affair.
  10. Director Steve James ("Hoop Dreams") has a worthy message, but never makes the case that he needs an entire documentary to deliver it.
  11. A wild and unexpected film.
  12. Ah, perfect: A banal story to go with intermittently banal porn.
  13. Rarely has any film, fictional or documentary, captured the hypnotic effect of voices on the airwaves like this chronicle of Bob Fass.
  14. Lerman is suited to the title role in that he plays Charlie as wide-eyed and rather unmemorable. Watson doesn't seem entirely relaxed as an American teen, though she does serve as a lovely first crush. Among the adults making brief but notable appearances is Paul Rudd, as a sympathetic English teacher.
  15. The drug that Ma-Ma trafficks in, Slo-Mo, slows its user's brain to 1% of its normal speed. Dredd unfortunately makes you feel as if you, too, have partaken.
  16. Trouble With the Curve is easily digestible in chunks – if it were a CBS show, it'd be called "Postseason With Morrie" - and it has an affectionate view of grubby motels, greasy diners and small-town scoreboards.
  17. If Ayer had taken as much care with his bad guys as he does with his leads (and their deftly sketched wives and colleagues, played by Anna Kendrick, America Ferrera and Frank Grillo, among others), he might have crafted a seamless picture.
  18. Thuddingly awful.
  19. In Linden's assured hands, each character gets just enough time to contribute to the greater whole. They're all recognizable, not as clichés or stereotypes but as realistic individuals.
  20. Liberal Arts is at its most nauseating when we hear Jesse and Zibby read their oh-so-self-aware love letters.
  21. Though it teeters at times on the edge between potboiler and melodrama, Arbitrage benefits from a notable lack of sympathy for Gere's Gordon Gekko-like Miller. Rather than seeming pat, Jarecki's straightforward cynicism is pointed and purposeful.
  22. While foodies are sure to feel sated by the gastronomic splendors of Paul Lacoste's debut documentary, others may walk out with a strange sense of emptiness.
  23. This superb, cerebral film about unchecked belief is a fictionalized and cutting drama hinging on the origins of Scientology. Scratch around a bit, though, and its wider indictments become clear.
  24. Writer Sarah Koskoff's nuanced script and director Todd Louiso's ("Love, Liza") delicate tone follow indie terrain, but go the right way.
  25. Fred Schepisi's sly, stately comedy-drama that will please fans of BBC melodramas. But even on its own merits, its mild manner has sneaky stings.
  26. In a film that deliberately recalls 1970's "Five Easy Pieces," Dano's performance as a lost dreamer running from adulthood resonates beautifully.
  27. After much fumbling, the snicks and giggles of adolescence grow wearying yet again.
  28. It's the same-old flesh-chewing. Like vampires, this genre is getting deadly.
  29. What the movie captures overall looks like a scene from a sci-fi, postapocalyptic nightmare.
  30. There are no supermodels or Cinderellas in this sadly compelling story, just predators and the impoverished dreamers who want to trust them.

Top Trailers