New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Writer-director David Riker's film is tough going, but worth it.
  2. Director Travis Fine gives his period details flourish and lets Cumming and Dillahunt create well-rounded characters, but Any Day Now winds up treacly.
  3. The result is undoubtedly impassioned. But it's also so blinkered and self-congratulatory that it feels like an undergraduate thesis project. Even if you relate to the cause, you may find yourself frustrated by the effort.
  4. Mohan should have made a little more effort for us. Another pass at the screenplay probably would have done it. But one gets the sense he's already moved on to the next thing.
  5. Yelling is a prosaic look at a hard life. Like Sweetness, the movie finds its way by instinct.
  6. It's one thing to sit on your couch watching football in HD. It's another to view one of literature's most enduring fantasies in the same manner. The experience that felt so breathtakingly cinematic in Jackson's "Lord of the Rings" series now seems frustratingly fake.
  7. Though we wander a bit, the trip is a delight, thanks to the witty company.
  8. With costumes taking precedence over character, the movie ultimately seems more concerned with atmosphere than action.
  9. Perhaps, if this movie fails, studios will finally accept that we all deserve better. Biel knows it already, and Butler keeps up in their scenes together.
  10. Some of Hyde Park on Hudson feels like lost scenes from "The King's Speech," the 2010 Oscar-winner about King George. It doesn't help that "Hyde's" own rhythms, appealing as they are, are often soporific.
  11. Colorful folks and cool stunts abound, but casual viewers may still utter a big "Why?"
  12. A mopey indie family drama like In Our Nature can't quash "Mad Men" star John Slattery's charm no matter how badly it tries.
    • 37 Metascore
    • 40 Critic Score
    Except for a few scenes with some flamboyant vaudeville pink flamingos (giddily voiced by Jane Lynch and Jason Alexander), the film is without wit and, sadly, entirely forgettable.
  13. Burns has assembled such a fine cast that we leave feeling satisfied, as if we didn't get the iPad mini we wanted, but a pretty good novel instead.
  14. One of those factors must have settled upon the unlucky shoulders of Stephen Frears, who certainly has the pedigree to go all the way. And yet, he stumbles so badly with Lay the Favorite, his comic adaptation of Beth Raymer's memoir, that one is left wondering what could possibly have gone wrong.
  15. If Deadfall had more life, it might have been about more than just its wannabe edge. Ruzowitzky, whose 2007 film "The Counterfeiters" won a Best Foreign Film Oscar, understands the movie's simple plan. But it nonetheless puts us into a big sleep.
  16. This well-intentioned but clumsy attempt to get into the head of one of the 20th century's most famous women remains full of hot air.
  17. Yen, who also choreographed the fights, is a natural hero, and the large canvas and pseudo-superhero tactics work for a bit, but then the action gets sidetracked in place of myth-building.
  18. This crisp, involving South African drama comes at you in waves, changing course and tone expertly.
  19. A fascinating and informative, if sometimes stodgy, documentary about the most secret wing of Israel's anti-espionage unit.
  20. Even taken on its own, this story of Graham (Poe), a single New Yorker feeling his way toward adulthood, feels like a promising college project that wasn't ready for the real world.
  21. Fans can be forgiven for offering this predictable indie some excess generosity, simply because writer-director Marshall Lewy had the good sense to build a movie around such a versatile lead.
  22. Miserable individuals do tend to make for interesting subject matter, and this would be far more of a dry biography without its willfully eccentric lead. Plus, if the crankiness gets to you, tune it out and focus on the music. That's what Clapton did.
  23. While McNairy and Mendelsohn are solid but almost too showy, Liotta, Jenkins, Sam Shepard and a chewy supporting cast beautifully fill in the blanks. Killing Them Softly adds each of its characters to a punchy, prosaic tale that believes in America, one way or another.
  24. It's up to you to decide if his oddly artsy vision, which pulls in first-person perspectives, surreal memories and highbrow cinematic references, suggests interesting ambition or misplaced pretension.
  25. Though Rust and Bone aims for a blasé attitude toward disabled drama - in a far more artificial way than another French film, "The Intouchables," did earlier this year - it's underwritten characters and hoary approach plunk it into mediocrity. As wheelchair-bound Stephanie practices her whale-training motions to Katy Perry's "Firework," it's eye-rollingly obvious.
  26. Despite its definitive title, you won't actually learn much about Alfred Hitchcock from Sacha Gervasi's briskly superficial biopic. But you'll enjoy the experience anyway.
  27. Dour animated adventure that aspires to holiday joy, but is as enjoyable as a sock full of coal.
  28. In this group, only Hemsworth stands out.
  29. Though the film's setup trudges and its closing is too pat, that hour or so on the raft is something special, and few would dive into the story's soul as Lee does.

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