New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. The movie isn't a day in the park, but it manages to close on an existentially uplifting note.
  2. Cannibalizes "Saturday Night Fever" for everything from structure to plot, but does it adorably.
  3. I'd never seen anything like it, and can say that I hope to never see anything like it again.
  4. A personal documentary on a family member. The question is, who -- outside of friends and family -- would want to watch it? The answer...is ... beyond me.
  5. If there is any justice in the world, Farnsworth will be remembered at Oscar time.
  6. Grueling and bleak, but not unintelligent...although it's hardly groundbreaking just because everyone's face gets pulpy.
  7. Essentially conversations, confrontations, and an extremely pat -- and very verbal -- reconciliation.
  8. This ponderous romantic melodrama...passes like a day behind bars.
  9. A one-joke idea...wears itself out almost instantly.
  10. Derivative to the point of distraction.
  11. Nothing if not original.
  12. Stamp, whose ability to make Wilson simultaneously coarse and charismatic is irresistibly entertaining.
  13. Despite its good intentions, Whiteboys -- a serio-comic examination of hip-hop's influence on suburban white youth -- comes off as little more than a fleshed-out skit.
  14. What's funny for 5 minutes doesn't make for a full-length movie.
  15. A powerful, deeply moving tale, immeasurably facilitated by the performance of relatively unknown Hilary Swank as Brandon...smartly shot and edited, and the performances are dead-on.
  16. This self-conscious movie by Katja von Garnier is shot like a music video, stocked with quick cuts, lip-synching and fantasy performances.
  17. Gentle, funny and full of the lessons one expects from the scions of the late Jim Henson.
  18. The performances are first-rate, with the always inventive Macy a standout as the hopeful, tormented Chappy, and Zahn a scream as the lovably imbecilic Wayne.
  19. Some terrific characters and some of the year's punchiest comic dialogue.
  20. Its noisily inappropriate pop-rock score overwhelms its meager subplots about British class conflict.
  21. Isn't a movie as much as it is a feature-length screen test.
  22. A daring, teeth-grinding experience that doesn't let the viewer rest easy.
  23. The tone is attentive and responsible.
  24. So riddled with plot holes and implausible actions, you can't help feeling insulted by it.
  25. Manages to look very good for its limitations, and features solid actors doing their best with a very sketchy script.
  26. Among the funniest and most satisfying films I've seen in years.
  27. An awkwardly executed, tedious and -- a near impossibility for a Holocaust movie -- emotionally uninvolving bore.
  28. A sweetly hilarious romantic comedy about a soccer fan whose favorite pro team's unexpected success threatens to push him over the edge.
    • 16 Metascore
    • 25 Critic Score
    Rodman makes former co-star Jean-Claude Van Damme look like Jean-Paul Belmondo.
  29. Polley, the paraplegic incest victim in Atom Egoyan's "The Sweet Hereafter," gives a mesmerizing central performance.

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