New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Belongs to an intellectually stimulating subgenre that examines the thin line between documentary maker and subject.
  2. Jovovich, Besson's 24-year-old ex-wife, hasn't a clue how to project shadings, interior emotions, character or personality. Everything's in a full screech.
  3. The favorable three-star rating I'm giving the animated Pokémon: The First Movie is based at least partly on the fact that I expected to dislike it and didn't.
  4. Out of place, out of time and out of its own cultural context.
  5. The group in Portraits Chinois is a little too diverse and unwieldy to keep emotional track of.
  6. An immensely uplifting movie whose final, unforgettable frames come as close as anything to answering the big questions about why we bother in a dog-eat-dog world.
  7. Slick entertainment.
  8. Though the film is dark and the ideas run deep, it's perversely fun to think about.
  9. May be the best movie of the year.
  10. Smith's gleeful, touching documentary records the agony and the ecstasy of realizing your dream, and intangible ways that such dreams help keep people alive.
  11. Almost corny enough to be hip.
    • New York Daily News
  12. It doesn't strike a single note of authentic emotion.
  13. Most of the movie's rewards are in watching Morton.
  14. This movie's attempt to reinvent Mizer as a First Amendment hero isn't as effective as its triumphant display of beefcake, which is, after all, the movie's raison d'etre.
  15. A desperately unfunny comedy that wastes a brand-name cast.
  16. No actress of her generation inhabits characters as thoroughly and convincingly as she (Streep) does, and this performance carries the movie
  17. If it doesn't shed much light on the violinist's personal life, it certainly conveys how personally she relates to her work.
  18. A thing of beauty and imagination.
  19. Gloriously inventive, delightfully nutty comic treasure is unlike anything you've ever seen. It's lunatic.
  20. A thin, by-the-numbers romantic comedy that nevertheless features one saving grace: Matthew Perry.
  21. Blunt, alternately prurient, funny and depressing.
  22. Mismatch of tone and material.
  23. The acting is more amateurish than Billy's diva act, and for all its ambitious editing, the film looks like something made in the Addams Family's attic.
  24. Makes a fine date movie...thanks to its life-affirming view of friendship, love and honor.
  25. Sensational...as authentic as news footage, and far more intimate.
  26. It's a slice of life, with all the trimmings, and one of the strongest films of the year.
    • New York Daily News
  27. Grainy color stock and tight closeups give the film a realistic feel that's accentuated by natural performances from the able young cast.
    • New York Daily News
  28. Unfortunately, it isn't until the final scene -- a spoof of the horror genre's false-ending cliché -- that Bats really takes wing.
  29. Overwrought comedy-drama.
  30. Only mildly interesting.

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