New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. The jokes, fast and furious enough to satisfy both teens and intrepid parents, are far funnier than they are raunchy.
  2. Savvy, unflinching, often bloody documentary.
  3. A poetic and somber film that underscores the bum deal women usually get in any restrictive society.
  4. Don't like archetypes? Wait till you meet the cliches.
  5. You've got to give Norm Macdonald credit. When he cheats his audience, he warns them first.
  6. One of the darkest, ugliest, most uninvolving and incomprehensible major-studio fantasies I've ever seen.
  7. A deadly script.
  8. Some of the contemporary winks are questionable, but others are undeniably sharp.
  9. Funny and masterfully inventive.
  10. Gorgeous, fascinating and surprisingly suspenseful.
  11. Though Morrow and Forlani are fine actors, they can't even fake a physical attraction between their characters, let alone orgasms.
  12. Viard plays one of the most intriguing female characters in recent film from either side of the Atlantic.
  13. All of Haas' movies have an air of weirdness and dread, and this one is no exception. But it's romantic as well.
  14. Despite the movie's dramatic weaknesses, I was spellbound by the images.
    • 57 Metascore
    • 63 Critic Score
    We get zilch on what kind of human being he is.
  15. You have no idea how determined director Rich Cowan is to suck the last drop of sap out of this tree.
  16. If there's a soft spot in your heart for the sword-&-sandal epic -- and from the star rating above, I think you can guess where I stand -- then you'll swoon with giddy delight over Gladiator.
  17. Feels like any number of forgettable American teen comedies in which the nerd gets the girl and/or the money.
  18. There are so many small, satisfying moments when the women are allowed to be real that it's a jolt each time they become superficial symbols.
  19. The dialogue often sounds like arch Mamet, and John Swanbeck's direction is as spare as the hotel-room decor.
  20. Graham is lots of fun to watch, but it's hard to reconcile the split halves of her character.
  21. One of the most skillful, mesmerizing, tense and satisfying time-warp thrillers ever made.
  22. Is the story being told worth a movie on its own merits? No way. Time Code exists as an esthetic event -- either a trick or a treat, depending on your expectations.
  23. There are certainly glimpses of his underused talent. But there aren't enough of those moments to elevate Croupier above the level of routine melodrama.
  24. Truly depressing commentary.
  25. Saga too arty for own good.
  26. Underdeveloped and badly diluted by overlong -- and overly stylized -- forays into the drug use, street hustling and cultural alienation that mostly affects the boys' friends.
  27. Underdeveloped and badly diluted by overlong -- and overly stylized -- forays into the drug use, street hustling and cultural alienation that mostly affects the boys' friends.
  28. The action is tightly focused and well-paced.
  29. Has a great deal of empathy for that excruciating limbo that is female adolescence.

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