New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Outside of the leads, the acting is uneven, but The Tao of Steve has an unquenchable playful spirit.
  2. Has that same air of silly innocence, a rarity in today's movies.
  3. Has the schematic feel of a disease-of-the-week TV movie, but the connections made between jazz and the minds that produce it turns the film into something much more intimate and compelling.
  4. Made in 1998, the picture sags beneath the leaden weight of its pre-millennial theme.
  5. Smart, fun and mildly subversive, but it rides the wave of its joke a little too long.
  6. The joy of Space Cowboys is in spending quality time with some favorite old actors who obviously enjoy working together.
  7. Completely false, manipulative, exploitative and insulting.
  8. Might have worked as a sex comedy, certainly as porn. But as a suspense thriller, it's creepy for all the wrong reasons.
  9. It's just like Paul McCartney's first solo album after the Beatles broke up; he played all the instruments himself -- because he could.
  10. Hand-held cameras give their surface showbiz relationship a sense of immediacy that, like love itself, has more than a hint of danger.
  11. That (cinéma-vérité) feel is absolutely convincing, as are the performances.
  12. A brilliant if slow-paced movie about one man's unwitting journey into adulthood.
    • New York Daily News
  13. Something of a mess.
  14. Feels like a college knockoff of Billy Wilder's "The Apartment."
  15. Only the most hardhearted would fail to be swayed by Messner's surprising strength, and -- dare I say it -- irresistible charm.
  16. A daring feminist movie that, while straightforward to a fault, is a rare opportunity to sample a female point of view from Iran, where such a thing is usually a veiled subject.
  17. With its intriguing relationships and sacrificial acts, Alice is a good alternative to happily-ever-after fluff.
  18. There is one good, legitimate scare in Robert Zemeckis' quasi-ghost thriller What Lies Beneath, and that's just not enough for a movie that lasts more than two hours.
  19. "Grimm's Fairy Tales" were pretty grim, but Criminal Lovers crosses the line and sexualizes your worst fears.
  20. Good or bad, it's either a must-see in your house, or not even on the radar screen.
  21. It feels as though we're on a journey with Benjamin, who proves to be a wryly funny, passionate and complex traveling companion.
    • New York Daily News
  22. So clumsy and unfocused that not getting it isn't half as bad as sitting through it.
  23. On film, and eight years after they were written, his urgent re-creations of an awkward first date, or a Village People obsession, feel both overly familiar and almost embarrassingly earnest.
  24. Most of the film is so purposefully bound by its construct that it feels more like a creative-writing project (sure, give it an A) than a movie (B-).
  25. With all the brooding, stylized closeups of blood, crosses and cigarettes, the overall effect is fashion-mag chic -- not, as intended, intellectual thriller.
  26. A cheaply voyeuristic story whose "twist" is hardly worth the wait.
  27. A solid action story with inventive battles (one on the Statue of Liberty) and satisfyingly gooey special effects.
  28. A reverse male-bonding tale unlike anything you've ever seen. And it's not the easiest good movie to sit through.
  29. Neither can I imagine many sane adults wanting to put themselves through this movie.
  30. Overwhelmingly powerful.

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