New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. All we get is mild platitudes before the shows, and one-song sets.
  2. There ought to be a law about transporting humor internationally.
  3. Kids will love it.
  4. A movie-movie about the movies.
  5. Both politically intricate and genuinely hilarious, Faat-Kine is a story grounded in dichotomies.
  6. The script gets so silly, the Monty Python troupe would reject it.
  7. Strong stuff, compelling drama.
  8. An adorable family movie.
  9. An "American Pie" wanna-be that, in trying to be as tasteless as possible, sometimes succeeds.
  10. Goes down easily only because Judd and Jackman are eye candy, and because Kinnear and Tomei provide solid comic support.
  11. The film's slightly awkward self-consciousness is balanced by an appealing, gently deadpan performance from Palmieri.
  12. A prime reason to see this, if you don't mind some really screechy acting by some of the supporting players and insipid metaphors for love and commitment, is its parade of fine flesh, both male and female.
  13. A no-frills, homespun documentary that gives so much more than its humble technical credits would suggest.
  14. Heartbreakers is too long by a half-hour, and there are entire sketches (including a horrid nightclub sequence with Weaver trying to sing in Russian) that could be mercifully sacrificed.
  15. It has incest, sweaty armpits, nipple rings, drool, an amputee, a stroke victim and an engagement ring stuck in a sticky place. And Heather Graham. All that, and it's not very funny.
  16. A fascinating story.
    • New York Daily News
  17. The sniper's life is a lonely one, full of shallow breathing and delayed gratification. Solitary as it is, Jude Law manages to get a little action in the bunkers of wartime Stalingrad in the ambitious but sometimes inadvertently silly Enemy at the Gates.
  18. With a few exceptions, the Indian characters are two-dimensional buffoons whose traditions are presented as silly quirks meant for cheap laughs.
  19. One of the most original and ultimately confounding mind games to reach the screen since "The Usual Suspects."
  20. For all its folksy jocularity, the movie inspires a sense of global patriotism. In the big picture, every little dish counts.
  21. A pitch-perfect gem.
    • New York Daily News
  22. Trudy is really the only character with the "Barrytown" zest, and Montgomery throws herself into the role with unselfconscious abandon. She makes the screen crackle with energy.
  23. Unfocused and shrill.
  24. The Stockholm syndrome, that strange psychological malady by which hostages bond emotionally with their captors, is the central theme in this intimate melodrama.
  25. A charmer with an attractive cast and an excellent soundtrack.
  26. The Czech Republic and Russia, the respective homes of Emil and Oleg, should sue.
  27. Varda injects her sprightly personality into the film, a seasoning that sometimes overwhelms the stew.
  28. Rickman and Richardson are excellent actors put to ghastly waste.
  29. Offers a dazzling showcase for Samuel L. Jackson.
  30. There's no avoiding the fact that it's a one-joke movie, 86 minutes in the telling, and without any serious social underpinnings, it grows old pretty fast.

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