New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. It's a diary, collage, meditation, elegy. But, unless you're going for a Ph.D. in code-breaking, it's also a bore.
  2. Christensen is a bold actress with chilly frosting. For much of the movie, her character seems determined, sophisticated and bemused, rather than just plain nuts.
  3. Ultimately, the film is so determinedly evenhanded, it probably won't change anybody's mind. But no matter where you stand, it's likely to leave a lasting impression.
  4. Even with the requisite melodrama, it's a rollicking, optimistic movie.
  5. The story is a mess, some of the images offensive, the acting under par and the dialogue silly.
  6. The sexy, psycho Mad Love is like a Spanish "The Story of Adele H.," in which a woman loves once and only once, to the point of self-destruction, in the days before Prozac.
  7. Offers nothing new to the long tradition of boxing films. But Hill's reverence for the classic form and the stone-cold performances of Rhames and Snipes propel the whole thing forward with a prefight buildup that's more fun -- and probably more honest -- than the awkward attempts at macho showmanship we get from real fighters these days.
  8. The acting is superb, with emotions roiling beneath rigid exteriors.
  9. Eerie, opaque and unblinkingly sadomasochistic.
  10. Treu and screenwriter Jessica Barondes may not have their ears to the ground that's trod by real kids, but as they did with their previous film, "Wish Upon a Star," they're allowed to dream.
  11. There's definitely room for a female Woody Allen, an accolade garnered by a previous film. However, Amy's Orgasm is chirpy, shrill and coarse, more in the vein of one of Allen's more depressed periods.
  12. Serving Sara is D.O.A., with nary a laugh to be found.
  13. Hilariously inventive Hollywood satire.
  14. Despite some contrived plotting, Amari and Abbass have so much empathy for Lilia's shy self-discovery, it's a pleasure to watch her gradually give in to her newfound joy.
  15. Unlike Patch Adams, Sy is not lovable. But you wind up feeling for him, much as you feel for Sy's pet hamster on that endless wheel.
  16. Eddie Murphy's latest comedy, The Adventures of Pluto Nash, takes place in the year 2087, which is about the earliest he can hope to be forgiven.
  17. Fun and frivolous, packed wave to wave with gorgeous young creatures reveling in their physical prowess.
  18. What Possession reminds us more than anything is that love is more exotic at the safe remove of history. The irony is that LaBute is more at home chronicling the present, yet that's where this movie falls apart.
  19. The course of Martha's relationships with Lina and Mario holds no surprises, but the performances of Gedeck and Castellitto, like the work of a great chef, make something special out of something very ordinary.
  20. Despite a somewhat unpolished look and a few slips into cliche, the film makes up in sincerity what it lacks in sophistication.
  21. With this moving, contemplative portrait of an artist who has suddenly become an old man, de Oliveira refuses to patronize either his hero or his audience.
  22. Personally, I'd rather have my brain invaded by flesh-eating beetles than listen to 10 seconds of the Sex Pistols -- Truth is, I've rarely had a worse time watching a good movie.
  23. Rudd delivers the best bad Franglais since Inspector Clouseau.
  24. Italian actress, writer and director Asia Argento's performance in the godawful Scarlet Diva is one of those bawl, spit, scream and vomit exhibitions that provoke admiring applause in acting classes and great gales of laughter in theaters.
  25. xXx
    As junky as the movie is, you've gotta love its immersion in the preposterous and its naive hope that street credibility and attitude, along with a need for speed, are all that's really necessary in this big, bad world.
  26. Connelly's better-than-routine potboiler has a high-concept premise built for the movies, and it's the first of the former L.A. Times reporter's 11 crime novels to make the journey from bookshelf to big screen.
  27. Yet another film from Iran that has the leisurely pace, sly humor and incontrovertible wisdom of a Sufi parable.
  28. In Aniston's previous film roles, the "Friends" star has made little impression, but under the direction of the gifted young Arteta, she's certainly grown to fill the big screen here, and looks ready to leap from TV to film.
  29. It's a wonderfully silly family movie that holds its audience in high regard.
  30. When improv is done well, it sheds a unique light on the human condition. When it is done adequately, as it is in Full Frontal, it simply makes you long for a good script and pricey production values.

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