New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Basinger gives one of her best performances as a woman too young, poor and overwhelmed to handle motherhood. And the uncommonly self-assured Murphy proves again that she is a cut above other actresses of her tender years.
  2. Cynics need not show up, but if you're looking for a feel-good fairy tale, this one's certainly sweet enough to satisfy.
  3. Though the director takes a thoughtful approach to the material, mixing humor and poignancy, he undercuts our sympathy considerably by dragging things out to an inexplicably indulgent degree.
  4. May be the year's most derivative film, but it's also the most original.
  5. Sexy, witty, energetic and gorgeous, but it is as stripped of the human element (in some of its production design, as well) as a minimalist Calvin Klein store.
  6. After a moment's adjustment, it works amazingly well, because the emotions that drive teenagers like Jim to seek their places in the firmament transcend eras, fashion, even animation styles.
  7. Won't replace anyone's annual viewing of "It's a Wonderful Life." But your family could find a worse way to take a holiday break.
  8. Santa Claus and the Snowman stage a scaled-down "Star Wars"-type battle for the rights to Santa's sleigh on Christmas Eve in the pleasantly goofy, irreverent Santa vs. the Snowman.
  9. Mattei's script was written in 1998, and the absence of any sense of the impact of 9/11 on New Yorkers is palpable. While watching "Love," I was thinking what great potential there was - still is - for a Manhattan "La Ronde" set in the days following 9/11, when strangers sought comfort from each other in spontaneous sexual alliances.
  10. A failed experiment in magical realism that makes you wonder where the magic went.
  11. The startling documentary Daughter From Danang cautions once again to be careful what you wish for.
  12. The book has been altered in mostly reasonable ways to suit the needs of the screen, but what it loses in the translation is invaluable in comprehending what led someone to pick up an ax and wipe out two-thirds of an island's population.
  13. The movie drags in some places and throbs in others, but it looks and feels like a bigger production than it actually is. The largely unknown cast is especially strong - this may be your first chance to discover them, but it won't be the last time you see them.
  14. Their (Murphy/Wilson) exchanges and interplay are so campy and over the top that I kept expecting them to pull out frying pans and start bopping each other over the head with them. I Spy is one just Stooge short of homage.
  15. The result is a long night of confrontations that feel heavily rehearsed and unlikely. There are some good moments, but I didn't believe any of this.
  16. The meltingly beautiful Newton gives a solid performance, but she and Wahlberg do not glide like Astaire and Rogers, to put it delicately.
  17. Mostly, though, Hayek's problem is one of physical miscasting. She's so tiny next to the tall, rotund Molina that she looks like child in their scenes together. And despite a fake caterpillar brow, she's just not believable as a woman bemoaning her disfigurements.
  18. This is the biggest lowdown, rotten, disgusting, depraved sideshow in the megaplex. Check your brains, your taste and your self-respect right over there with the bearded ticket taker.
  19. No picnic to watch -- Leigh's camera is unsentimental and unsparing.
  20. The sort of film one should probably see either a half-dozen times or not at all. It's a complex, highly ambitious documentary that aptly reflects its subject, contemporary French philosopher Jacques Derrida.
  21. Viewers of first-time director Jeong Jae-eun's sober dissection of dismal day-to-day rituals may want to throw themselves into the brackish water long before the movie is over.
  22. It revives an innocently pleasurable genre - shades of Burt Lancaster and Errol Flynn - that combines lusty adventure, humor, the great outdoors and satisfying storytelling without having to concoct it in a special-effects lab.
  23. Has the integrity of good dialogue and enough of a writer's preserved craftiness to make it a worthwhile date-night attraction.
  24. It's an intelligent, chilling movie, but one that can't quite shake those stage origins.
  25. Any woman who wears more than a size 12 -- and that would be the majority of adult females in the United States -- will get buckets of self-esteem from Real Women Have Curves.
  26. Only Emily Mortimer maintains a measure of dignity, playing the slinky assassin named Dakota. Whether her restraint was by her design or the filmmakers', she'll come to appreciate that she all but disappears amid the caterwauling and purging of a story that should have died in Liverpool.
  27. Images wash over you like wind-blown rain, fierce and beautiful at the same time, largely shaped into themes by the haunting music of Philip Glass, who is here joined by cellist Yo-Yo Ma.
  28. I hated it, but I grant that it does tap into a vein of technological horror - the fear of the VCR! - that will have young videophiles chatting it up for weeks
  29. This movie is for select tastes. It's not the fusillade of porn that wears you down, but the melancholy of watching an unremarkable man glide down the tubes as if on a water slide.
  30. It's a shame Bravo doesn't allow herself a broader perspective, because she's right to consider Castro one of the most important figures of the 20th century.

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