New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Delpy wrote the dialogue that gives the film its forward thrust, and "2 Days" is a wonderful first feature.
  2. Aside from some resonant hints that all is not as it seems, the movie leaves it to you to decide where the truths begin and ends. You'll be untangling Dresnok's knotty reality long after you leave the theater.
  3. There is no excusing date rape, but the revenge conceived and executed by Rosario Dawson's Maya in this revolting, amateurish drama is something you might only wish on Osama Bin Laden.
  4. A quirky comedy-drama that gets the bulk of its humor from the well-placed non sequitur. It never seems to be going where you think it is, and that includes its oddly endearing dialogue.
  5. This may be the best-looking film in the series; certainly, the Paris setting, with a climactic battle among the girders of the Eiffel Tower, keeps the visuals interesting. Better you buy a postcard.
  6. While it won't rival the Harry Potter movies as a cultural milestone, the luminous, irresistible Stardust is no less industrious at scavenging myths and legends and making something altogether new from the familiar pickings.
  7. If you're looking for a modern-day "Meatballs" - or, for that matter, "Meatballs 4" - you're out of luck.
  8. The Ten is so proud of its own wit and irreverence that when you fail to be equally impressed, you are likely to wonder if your own sense of humor is, in some way, deficient. Rest assured it is not.
  9. We can't quite shake the feeling we've seen this all done before, and better.
  10. Bursting with so much amped-up energy, you may need to rest once it's finally done.
  11. The best that can be said about the big-screen Bratz is that they are not nearly as appalling as their toy-shelf twins.
  12. The awkwardly told story of salsa legend Hector Lavoe, El Cantante doesn't even get the title right: It should have been called "La Esposa," since it's really less about the singer than his wife.
  13. In fairness, the new movie from the Lorne Michaels machine does have its amusing moments. It's just most of them can also be found in "Napoleon," "Talladega Nights," "Eagle vs. Shark," and any installment of "Jackass."
  14. Made for viewers old enough to appreciate a talking pooch but too young to read or write about it.
  15. It's an interesting profile in self-destruction until the script becomes unhinged itself and has Laura doing things that are not so much outrageous as hilariously stupid.
  16. The truth is, no review could really do justice to the monumental trashiness of this mess; it really has to be seen to be believed. Although if Lohan is lucky, no one will bother.
  17. The actors elevate what might have been fluff into a genuinely moving tale, and the action is so much fun that it doesn't even matter if you've seen Molière's plays before.
  18. The most compelling and least partisan of all the Iraq documentaries.
  19. Even the food - usually the centerpiece of a restaurant movie - is oddly uninspired. Despite Zeta-Jones' best efforts, barely a moment here feels organic, or fresh.
  20. A very funny, solidly entertaining movie that, despite its unshakable obsesion with undergarments, is as sweet as a Kwik-E-Mart Squishee.
  21. Turgoose, in his first film role, is entirely convincing as the strong-willed but naïve Shaun, and Graham is a genuine fright as the feral prototype of the violent skinhead culture on the horizon.
    • 18 Metascore
    • 38 Critic Score
    His C-Note is essentially a one-note character. And that note is flat.
  22. The flat narration by Queen Latifah doesn't help, but Adam Ravetch and his wife Sarah Robertson's nature film, Arctic Tale, fails to inspire the kind of rapturous response we felt for "March of the Penguins" for other reasons.
  23. It's no small trick to blend fantasy, slapstick and genuine emotion, but Ellis pulls it off with whimsy to spare.
  24. Although the period feeling is convincing, Forman doesn't seem to know exactly what he wants to say about this intensely complex era - and that leaves his cast floundering.
  25. A great big sloppy kiss of entertainment for audiences weary of explosions, CGI effects and sequels, sequels, sequels.
  26. Directed with his usual flair for the obvious by Dennis Dugan ("The Benchwarmers), "Chuck and Larry" has the nowness factor of a Polish joke. Does anybody laugh at this stuff anymore?
  27. The whole thing burns out well before the director reaches his ­final destination.
  28. Weary and overworked to her very bones, Dora nevertheless has a heart of gold and a spine of steel. The movie does, too.
  29. The first of three planned remakes of Dutch films by the late Theo van Gogh, Steve Buscemi's Interview takes the most unnatural act in human intercourse - the celebrity interview - and makes an explosively funny two-character psychodrama out of it.

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