New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. The performances are all solid, but Sheen, last seen as Tony Blair in "The Queen," is so good in his incredibly demanding role that he makes the natural discomfort people feel at seeing someone so debilitated disappear completely.
  2. It's not a pretty picture, but it sure is a compelling one.
  3. If an hour and a half of so-called "torture porn" sounds like fun, you'll find Saw IV situated somewhere between the first in the cycle (a solid original with plenty of energy in it) and the last (a gasping copycat willing to do anything to stay alive).
  4. Writer, director and star Anthony Hopkins releases his inner muse with Slipstream, and guess who shows up - David Lynch!
  5. Lighter on horror than it is on inadvertent humor.
  6. The film's standout performance belongs to Ed Harris, who plays a Boston detective with decades of experience and an equal amount of built-up resentment toward people who would harm children.
  7. As sensitive to its subject as it is stark in its rendering.
  8. There are some problems with the pacing, but this topical thriller about CIA-sanctioned torture is one of the most important "message" movies of the year.
  9. Unrelentingly bleak, the movie is nonetheless a riveting drama with some outstanding performances.
  10. Berry gives a riveting performance, but as a deeply decent man trapped in a hell of his own making, Del Toro gives the kind of career performance Berry gave in "Monster's Ball."
  11. It's described as a black comedy, but you can forget the comedy part. There wasn't so much as a snicker at the screening I attended, though I may have heard a snore or two.
  12. Less a documentary than an unshaped document, this haphazard collection of interviews with Iraqi insurgents is both enlightening and frustrating.
  13. Though Harden has the showier role, a subdued Pantoliano is the movie's real star. Sometimes, the quietest performances are the most powerful.
  14. The Golden Age is packed with distractions. But the biggest of all is the story itself, which works so mightily to tarnish the queen at its core.
  15. Even when their picture wanders from any reasonable path, it's never less than stunning to look at.
  16. Working with a doll can't be easy, but Gosling actually makes it feel emotionally real. A scene where he shares an imaginary dance with Bianca, with his eyes closed and a beatific smile on his face, is by itself worth the price of admission.
  17. Even lousy adaptations have worth, if they attract attention to little-seen originals.
  18. While I understand Vergès' oft-repeated claim that he wants to use these sensational cases to point out that the French were no better than the Nazis in their treatment of colonial subjects, it's impossible to overlook his glib dismissal of his clients' crimes and the smug righteousness that rests in the smirk constantly on his face.
    • 54 Metascore
    • 75 Critic Score
    The problems are real; the solutions are ... well, really entertaining. Perry mixes heartfelt drama with bold-stroke, insult-slinging comedy.
  19. When it goes wrong, specifically when Bobby is given a badge like an angry Earp brother in "Gunfight at the O.K. Corral," the story turns into something barely at the level of a TV cop show.
  20. Morton's as good an actress as any working today and in Control, she overcomes an age gap to give one of the year's most heartbreaking and honest performances.
  21. Once again, we chart the growth of a woman and a country at the same time, a tough assignment that Harper tackles with humor and passion (even if her Kissinger impersonation could use a little work).
  22. The plot is contrived, the performances are all over the board, and Chomski's camera ogles his actresses just a little too much.
  23. As thin and wispy as a dream you can't quite remember in the morning, writer-director Jake Paltrow's The Good Night wastes the ample comedy talent of Martin Freeman, turns his famous sister Gwyneth into a shrew, and makes you wish Danny DeVito had directed the movie instead of acting in it.
  24. Though the sitcom humor of this is much broader and funnier than in May's film, it is also the part most faithful in spirit to the original.
  25. Tony Gilroy, co-author of the superb Jason Bourne film trilogy, makes a stunning directorial debut with Michael Clayton, an out-of-courtroom drama that helps solidify George Clooney's acting bona fides.
  26. Everyone involved, from Marla's defensive parents to the cynical journalists who promoted and then turned on her, seems to have some sort of agenda.
  27. This is a reasonable choice for bored tweens - as long as they don't demand too much magic from their movies.
  28. Wilson, Brody and Schwartzman have their charms, but the script gives them little to work with. Anderson and his co-writers have come up with an ordinary road movie.
  29. The story of the victims on the road is harrowing, but the tale of the kind cop and the teenager with an attitude is a string of big brother clichés.
    • New York Daily News

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