New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. A smashing success on its own terms, though as a transcendent love story it lacks the firm foundation in human reality that characterizes Lars Von Trier's superior "Breaking the Waves."
  2. Capturing family on film — the real rhythms of family, with all the annoyances, awkwardness and affection — is tough. Tougher still is wrestling a story around the murky emotional waters of Midwestern relatives. Yet one needn’t be cut from that cloth to see the hilarious beauty, and the beautiful honesty, in Nebraska.
  3. It is nearly impossible to look at this brilliantly executed movie without being moved to tears.
  4. A fascinating movie that explores grief from an emotionally truthful angle rarely seen in movies.
  5. I love this series; it's possibly the most exciting use of the documentary medium ever.
  6. Million Dollar Baby is a knockout. It is Clint Eastwood's baby in every respect — a movie that approaches the level of great boxing films, like "Raging Bull," by using sport as a metaphor for human nature.
  7. It's not his most satisfying, full-bodied work, though it does provide many of the Woo pleasures. [18 Jun 1993]
    • New York Daily News
  8. This fact-driven doc is eye-opening and at times thrilling. A sequence following a chopper pilot trying to get his family to an American aircraft carrier is like a short film unto itself.
  9. The suspense of the story is magnificently sustained throughout the film, which didn't surprise us, as maintaining suspense in a story has always been Director Hitchcock's forte
  10. So many horror films trade depth for a thrill. The Babadook has both. It dispenses with cheap scares and draws tension from a slowly enveloping dread. And when you think you know where it’s going, that’s when it goes in for the kill.
  11. Credit to Sachs and his co-screenwriter, Mauricio Zacharias, for creating a complex gentrification fight, along with cinematography by Óscar Durán and music by Dickon Hinchliffe that is both gritty and dreamy.
  12. Writer-director Paul Thomas Anderson has perfectly wedded form to function by filming Boogie Nights in a style suggesting the grainy texture of porn and the ambivalence of the era.
  13. Every scene has its highlights, from amusing observations about sex to poignant truths about parenting and partnerships. But what you'll remember most is the exquisitely lovely final scene, in which Cholodenko reminds us that all we need is a single moment of perfection -in a family, or even in a film - to believe that somehow, things will always be all right.
  14. If there is any justice in the world, Farnsworth will be remembered at Oscar time.
  15. Director Werner Herzog's latest cinematic mind trip blows you away with its beauty.
  16. Were there Richter scales for measuring the degree of terror induced by movies of this kind, De Palma's "Carrie" would register only 2.2 in terms of actual shock value, but it would score well on the laugh meter. This satiric examination of the American high schooler turns out to be scathingly funny.
    • 86 Metascore
    • 50 Critic Score
    The animated feature The Red Turtle is about as far as you can get from a typical cartoon movie musical. Except for a few tsunami crashes and howls, this lovely but tortoise-paced work from the celebrated Japanimation house Studio Ghibli is basically a silent film.
  17. David France's survey of AIDS advocacy should be invaluable to every frustrated movement, as both a road map and a reminder of how vital personal activism remains.
  18. It's a human drama, drawn in such careful emotional detail, its two acts of violence -- one shown, one not -- are almost incidental.
    • New York Daily News
  19. Quiet, soulful and wrenching.
  20. Arguably Lumet's best film in 20 years.
  21. The film adaptation of Robert E. Griffith’s and Harold S. Prince’s stage production of “West Side Story” retains all the vibrant qualities of the original work while added brilliance and originality have been brought to the screen presentation.
    • 86 Metascore
    • 80 Critic Score
    The movie is so entertaining it hardly seems right to say it's susceptible to holes being picked in it, but it is.
  22. Amy Berg's riveting documentary, tracks O'Grady's predatory trail from San Andreas, Calif., to Ireland, where he is now living on a church pension that was apparently meant to buy his silence.
  23. Sorrentino’s dazzling tribute to Roman indulgence is a bittersweet, slightly surreal epic.
  24. Argo is movie magic. Ben Affleck's third directorial outing, is an entertaining, real-life, race-the-clock thriller that nabs you at the start and never makes a wrong move.
  25. Borderline brilliant. Tackles the war on drugs from a kaleidoscope of perspectives.
  26. This quiet yet jolting meditation on love, obsession, loneliness, friendship and fate has the quality to entrance you through a first viewing, and compel you to take its themes and characters home with you for further consideration.
  27. Assayas and his cast hit so many perfect notes, you'll swear you've seen these characters and heard these conversations before - not in Chekhov's thematically similar "Cherry Orchard," which was an obvious influence, but in your own life.
  28. This superb, cerebral film about unchecked belief is a fictionalized and cutting drama hinging on the origins of Scientology. Scratch around a bit, though, and its wider indictments become clear.

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