New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. A well-crafted indictment of the dark side of the modern work ethic.
    • New York Daily News
  2. Even those who've long noted Polley's intelligence on screen will be amazed by the perception she displays as a filmmaker.
  3. Ferguson doesn't aim to entertain; he wants answers, and talks to many of the enabling weasels.
    • 88 Metascore
    • 88 Critic Score
    Funny, even thrilling.
  4. Immensely moving and strikingly original, Kelly's story of a brilliant, disturbed teen (Jake Gyllenhaal) drowning in the cultural morass of the 1980s now feels bloated.
  5. Despite being about a royal family at a critical moment in history, The King's Speech doesn't shout about its many strengths. Rather, it urges you to lean in close, where its intelligence and heart come through loud and clear.
  6. The terrific Hell or High Water is like a gritty new retelling of the Frank and Jesse James story — only with getaway cars instead of horses, and assault rifles replacing six-shooters.
  7. Up
    While their latest achievement can't quite one-up "WALL-E," it offers soaring highs that are bound to enchant viewers of any age.
  8. It's part grim Beckett-like drama, part joyous picaresque, and all quite mesmerizing.
  9. Kids and parents alike are gonna dig this wonderful fantasy.
  10. With its agile, clever script and winning characters, Toy Story 2 is that rare thing -- an excellent children's movie with no upper age limit.
  11. Grumpy T'Challa may be on the throne, but it’s the women who rule. And Michael B. Jordan adds fire as Killmonger.
  12. Brilliant performances are to be credited to Alec Guinness, as the British colonel, who insists on sticking to the rules of the Geneva Conference governing prisoners of war, and Sessue Hayakawa as the stubborn, cruel, proud Japanese officer.
  13. Gradually the film turns its very specific story of one immigrant into a moving group portrait.
  14. Excellent, troubling social commentary based on a true story.
  15. The Two Towers moves faster, covers more ground, has more action and -- with the introduction of the marvelous character Gollum -- packs some much-appreciated laughs.
  16. Powerfully uplifting precisely because it's so horrifying.
  17. It’s undeniably thrilling to watch Gonzalez Iñárritu and Keaton aiming so high. Whenever they’re brave enough to leap into the unknown, Birdman soars.
  18. A sublimely uplifting movie.
  19. The direction is excellent. Frank Capra never lets his picture lag for a moment. It is never very exciting, but it moves along snappily and it is full of amusing situations.
  20. This chronicle is impossible not to watch.
  21. Amadeus is about as close to perfection as movies get. [2002 Director's Cut]
  22. A technical and visual tour-de-force.
  23. Exhibiting the same sort of patience as his sensible hero, Philibert has created an extraordinarily humane portrait of a partnership between one adult and his very fortunate charges.
  24. A love story told from the point of impact, at the heart, and no conventional resolution could be more profound.
  25. For film buffs and Lynch fans, this is a glorious high.
  26. It’s not just “Impossible,” it’s irresistible.
  27. If French film makers would consider the story they have to tell as paramount to the technique of telling it, I'm sure they would interest a wider audience than they do now. [05 Sep 1962, p.37]
    • New York Daily News
  28. Though some see Treadwell as an idealistic martyr who made the ultimate sacrifice for his passion, others vilify him as an arrogant fool who courted his own end.
  29. It's phenomenal! A rare case in film history that a series projecting the same character, with the same star, improves as it goes along. The James Bond movies do. The first, "Dr. No," was good; the second, "From Russia With Love," was better; the best and the wildest is Goldfinger, a fun galore thriller that is one of the brightest lights of the holiday offerings on screens of De Mille and Coronet Theatres.

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