New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Sauper captures a world in which life and death are treated with equal practicality - and disregard. His camera is unflinching; your gaze may not be quite so steady.
  2. Haneke's superb cast provide beautifully measured hints at the disconnect between the ribbon's symbolism and the entire town's unspoken atrocities.
  3. Clever as it is, Blood Simple is derivative and self-consciously stylized.
  4. Trier's voice and vision, are thrillingly unique. His ever-searching camera, which never stops moving, takes us into places we've never been, know too well and won't soon forget.
  5. Early on, it seems that The Witch is tapping a higher metaphor for coming of age...or religious intolerance...or man's uneasy balance with nature...or something. It doesn't take long into the film's hour and a half running time, however, to break that spell.
  6. Gordon-Levitt is flinty, and Willis, on his A-game, is fiery. Together, they take us on a helluva trip.
  7. The tale is layered and lovely, although talk about the real self, eternity and death will stun the adults in the audience.
  8. It's not the best of von Trier, but the movie is shot in an unforgettable, haunting style that evokes both Bergman and the silent era.
  9. Features some of the year's most beautiful scenery and two of its most wooden characters.
  10. A little miracle, Azazel Jacobs' lovely story of a life lost and found tackles big issues -love, maturity, fulfillment - in deceptively modest fashion.
  11. For a black comedy whose tangled sequence of events is completely improbable, Pedro Almodóvar's Volver feels absolutely authentic. So, think of everything as metaphor and enjoy one of the year's most delectably twisted treats.
  12. The historically essential document they’ve created here pulses with an immediacy that will leave you simultaneously enlightened and stunned.
  13. Payne's observational humor and attention to detail yield something emotionally epic. Everything from beachfront jogs to hospital confessions reveals layers of humanity and absurdity.
    • 84 Metascore
    • 75 Critic Score
    It's rather confusing. But in the context of this wildly imaginative movie, it's all, rather exciting, too.
  14. Long stretches go by without dialogue or discernible action. But there are significant rewards for those willing to accept the movie's deliberate pace.
  15. The film features plenty of elements that seem familiar from previous cinematic dystopian visions — class warfare, decrepit living, a feeling of terminal velocity — yet you can’t help but admire director Bong Joon-ho’s high-wire act.
  16. Is it possible to enjoy the company of the world's most irritating woman? Mike Leigh's surprisingly sunny dramedy makes a pretty good case that, in fact, it is.
  17. With a respectfully committed cast, gorgeous scenery and two sad-eyed leads that will break your heart (the kid and the dog are equally adorable), this is clearly not your typical family film. Which will make it that much more appealing to every member of your family.
  18. An adorable, infectious work of true sophistication.
  19. Once in a great while there's a movie that's so funny, infectious and welcoming - a movie that makes you feel so good about America and the people in it - you just want to climb inside the screen and live there. That's the case with Dave Chappelle's Block Party - part comedy, part concert film, part avant-garde experiment, and all of it a joy.
  20. This powerful, compact trilogy speaks volumes about women in Iran.
  21. The film is at its most compelling when the witnesses are telling their stories, and at its least in covering Pinochet's circuitous legal route to Britain's House of Lords.
  22. The movie adds nothing to the political dialogue, and the love story is mood-killingly sad. The lure of the exotic can be deceptive, it says. The moody, murky atmosphere leaves nothing clear except that mixed intentions will always yield mixed results.
    • 84 Metascore
    • 60 Critic Score
    It never ever falls into painting him as a victim of anything but his own hubris, neurosis and psycho-sexual issues. Never once do we hear Weiner complain about anything except how easy it is for headline writers to make fun of his name. He knows who got him into all this trouble — himself — which is also refreshing to watch.
  23. Visually arresting and deeply disheartening, James Longley's impressionistic documentary explores the pain of a shattered country by homing in on a few tiny shards.
  24. The white-knuckle center of the movie is Sean Penn, who gives an utterly raw performance as Jimmy, father of the dead girl. It's one of the few times that a parent's grief has felt real on the screen through all its ugly permutations.
  25. The new movie truly passes the torch by making the next generation of Resistance heroes — Rey (Daisy Ridley), Finn (John Boyega), Poe (Oscar Isaac) and new addition, Rose (Kelly Marie Tran) — every bit as compelling as the old guard. Even more surprising, Kylo Ren (Adam Driver) evolves from the whiny brat in “The Force Awakens” to a three-dimensional menace.
  26. Andrew Bujalski's considerable gifts begin with his deep appreciation of the miserable, hilarious awkwardness of real life.
  27. Funny gem.
  28. Wiseman films it all without comment, letting the rhythm of the place tell the story.

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