New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Reilly can play nuts, too, and in a lower gear that reins Ferrell in. They're a great team.
  2. The Bridesmaid is fairly familiar Chabrol country, an exploration of the psychological undercurrent of the bourgeoisie, with heavy helpings of black comedy.
  3. Hard to watch but important to see.
  4. A natural crowd-pleaser, this year's big Sundance award winner is both overly familiar and surprisingly fresh.
  5. While Seidelman deserves considerable credit for making the rare romantic comedy about seniors, it's a shame the movie itself is as bland as a low-sodium diet.
  6. The cruelty of the law has been better demonstrated with news stories, and unless you're a Californian with two strikes against you, I don't know why you'd want to do this movie to yourself.
  7. Miami Vice is the last of the predicted summer blockbusters, and it delivers a reasonable amount of popcorn excitement. But if nostalgia for the TV show is the source of your interest, expect some disappointment.
  8. To see Allen, now 70, trying to reclaim the persona he's been handing off is like watching Willie Mays fall down trying to hit a slow curve during his last season. Woody may go on to direct many great films, but it's time for him to retire Alvy Singer.
  9. Every woman falls for the wrong guy at least once in her life. This week, it's Betty Thomas' turn.
  10. While "Cars" may have the most elaborate CGI effects of the season, and "Monster House?" the most original character (the house), The Ant Bully can lay claim to the most entertaining story and most rewarding ending.
  11. The resulting jolts add up to one unforgettably surreal nightmare. Just be sure your heart can handle any surprises headed your way.
  12. This is a very tender portrayal of young people caught up in a blisteringly fast and cynical world, and though their music is hideous, they are a compelling act.
  13. Anyone who laments the loss of an older, grittier New York ought to adore this affectionate portrait of Greenwich Village restaurant owner Kenny Shopsin.
  14. A charmer, a comedy with drama -- or vice versa.
  15. An invaluable chapter in the story of our city.
  16. If he earns no other accolades for his directorial debut - a distinct likelihood - Lee Daniels deserves some kind of award just for assembling the most bizarrely random cast of this young century.
  17. Some of the banter is fun, like Randal's debate with Elias over the relative merits of "Star Wars" vs. "The Lord of the Rings." But most is just trash-talk as shoptalk.
  18. Lady, like all of Shyamalan's movies, is a slick production with consistently interesting visuals... But the story is so convoluted and ultimately preposterous that you're almost embarrassed by the earnestness of the actors trying to carry it off.
  19. A captivating piece of visual wizardry. The house, which eventually frees itself from its moorings and chases after our trio of tweener heroes, is a genuine original.
  20. As cool a summer lark as you'll find.
  21. It's a bad idea to get too fond of any character, no matter how worthy he (or she) may appear.
  22. Well, it was bound to happen: The Wayans brothers have made a movie that's even more two-dimensional than a cartoon.
  23. Though it is not nearly as funny as last summer's "Wedding Crashers," directing brothers Joe and Anthony Russo's You, Me and Dupree has plenty of chuckles and another sparkling, post-adolescent surfer-dude performance from Owen Wilson.
  24. There isn't a flicker of chemistry between these old pros in Andre Techine's peculiar melodrama.
  25. The Groomsmen captures a single, specific moment, when responsibilities await but adulthood is still unwelcome. If their predicament strikes a chord, you may want to join Burns' boys for their final hurrah.
  26. This is a pitch-black sendup of a classic femme fatale, a teenage version of the husband-killers in "Double Indemnity" and "The Postman Always Rings Twice," without the saving grace of passion.
  27. Posey is as over-the-top as a drunk in a game of charades, while DeVito wears the sunny, slavering grin of an old coot hoping to get lucky at Jack Nicholson's pool party. If it still sounds like fun, good luck. Don't blame me if you leave frustrated.
  28. From the beginning, Edmond is too self-absorbed for us to care much about his fate, but like the proverbial train wreck, you can't tear your eyes - or your ears - away from the spectacle.
  29. Chereau keeps us locked inside their suffocatingly unhappy home, making for an intensely theatrical chamber piece.
  30. Though made 31 years after D-Day, the dramatic scenes have the period look of a '40s movie, which links them perfectly with the stunning archival footage.

Top Trailers