New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. What most interests the directors is the way young minds are shaped by adults with clear moral and political agendas.
  2. The result is a charming, inventive, ambitious, surreal mess.
  3. With its halfhearted script, stiff performances and overlong running time, this is the kind of movie that's simultaneously dazzling to look at, and increasingly tough to sit through.
  4. The movie includes a postscript about her (McKinney's) loss, blaming it on more dirty tricks. That may be true, but it doesn't put the steam back in the film.
  5. Features some of the year's most beautiful scenery and two of its most wooden characters.
  6. In writer Josh Friedman and director Brian de Palma's attempts to condense the book's convulsively odd final chapters, they've created an even loonier melodrama.
  7. Whoever wanders into the theater should leave a winner.
  8. The Rock commits himself admirably to this trite tale, but by the end, even his enormous shoulders buckle under the weight of so many clichés.
  9. Paints itself into a corner from which it cannot escape. By the end, the movie is still in that corner, tossing out overlapping notes of hope and gloom and counting on viewers to write the ending they want. I'd leave the movie in the corner.
  10. The latest "Dawson's Creek" alumnus to break out of his WB bonds, Joshua Jackson proves himself all grown up in this sweetly scrappy indie.
  11. Like the average best-man toast, Debbie Isitt's amiable mockumentary has many funny moments, a few touching ones and some that fall just slightly flat.
  12. Like a mango rotting in the sun, Frank Flowers' squishy Caribbean thriller has been sitting on the shelf long enough to attract suspicion. Bite into it at your own risk.
  13. While there is nothing particularly new in the film, it is a stirring celebration of a man of enormous talent, humor and humanity, laid waste by an assassin in New York in 1980.
  14. A giddy black comedy about a homicidal housekeeper in rural England, is a hilarious reminder of that 1944 Frank Capra classic about two old maids whose cellar is cluttered with the bodies of would-be suitors.
  15. Humorist and liberal radio talk-show host Al Franken is a funny guy, and most of the people he attacks - Ann Coulter, Bill O'Reilly, Sean Hannity, Dick Cheney - are not. But the joke was on him when George Bush won re-election in 2004.
  16. It's a bit of a hodgepodge - unnecessarily complicated, clumsily structured, uncertainly directed and, as a whodunit, ultimately unsatisfying.
  17. While the story's silly, the stunts, choreographed by Jaa and popular Thai filmmaker Panna Rittikrai, are spectacular.
  18. Profoundly mediocre supernatural thriller.
  19. More vanity project than full-fledged film, Manu Boyer's modest chronicle is best left to diehard Kiefer Sutherland fans.
  20. The movie is full of freshman mistakes, but Maggie Gyllenhaal's performance in the title role is the gutsiest thing she's done since her breakout in "Secretary," and she succeeds despite serious contradictions in the writing of her character.
  21. On the surface, Le Petit Lieutenant is propelled by the search for two Russians somehow responsible for a pair of murders along the Seine. And though that's a pretty mundane setup for an urban drama, it serves nicely in allowing us to get to know the haunted Caroline and the impetuous Antoine.
  22. There's enough affection and insight here to make Lee's next movie worth watching for.
  23. Overly reverent but still immensely touching.
  24. Every movie's gotta have a gimmick, and Crank's is that it has an excellent shot at ending 2006 as the worst film of the year.
  25. So badly conceived and executed, its good intentions don't help.
  26. As an allegory of religious conflict, the '73 film is brilliantly constructed and ends with a punctuation mark that was shocking in its day. LaBute's movie attempts to shock, as well, and does: Given the names involved and the casting of Cage, it is shockingly bad.
  27. With a respectfully committed cast, gorgeous scenery and two sad-eyed leads that will break your heart (the kid and the dog are equally adorable), this is clearly not your typical family film. Which will make it that much more appealing to every member of your family.
  28. Offers moments of striking insight amid the inevitable self-indulgence.
  29. Andrew Bujalski's considerable gifts begin with his deep appreciation of the miserable, hilarious awkwardness of real life.
  30. Fascinating, amusing and ultimately disturbing.

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