New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Consistently compelling and required viewing for anyone remotely interested in pop culture.
  2. Among the cast, Chandrasekhar is easily the funniest of the Lizards, though in fairness, each has his moments. The movie does, too; just expect them to shrink exponentially depending on your level of sobriety.
  3. The soundtrack is a genre-hopping joy, and each musical number is cleverly staged and creatively choreographed. The problem is the noble mess of a movie that takes up so much space in between.
  4. Here's hoping its old-fashioned sensibility appeals to contemporary kids, because we could certainly use more movies as smart and sweet as this one.
  5. So yes, you'll roll your eyes when the coach defies Papale's naysayers by insisting that "he has heart." But if there's a single surprise on this familiar field, it's that the movie does, too.
  6. A screamingly bad melodrama whose message seems to be that people who think they're talking to a deaf person admit things they wouldn't admit to themselves. Silence, please.
  7. The movie is hindered by its weak script, but there's also a bigger problem to overcome: If we want to laugh at superficial celebrities, we already have plenty to choose from in real life.
  8. While the boys' fates do seem a little too predestined, that may well be Arslan's intention. When you're idling in no man's land, it's all too easy to get uprooted.
  9. The actresses create wonderfully rich characters, and Luis Callejo, as Caye's unknowing boyfriend Manuel, and Antonio Durán, as the sadistic civil servant, fill out the very strong cast.
  10. Hilariously funny, full of fang-popping scares, and guaranteed to increase travel by train.
  11. Like its underachieving protagonist, Steve Pink's teen comedy Accepted flashes just enough charm to get by but is too lazy to really make anything of itself.
  12. Eisenheim's storybook romance with aristocrat Sophie (Jessica Biel), the childhood sweetheart now expected to become Leopold's princess, is the most compelling thing about a film that should dazzle the eye as much as stir the heart. It does not dazzle.
  13. A superficial tween comedy that mocks celebutantes like the Olsen twins while simultaneously pushing stars Hilary and Haylie Duff as their replacements.
  14. Bukowski fans - and they are legion - may fill in the blanks from their own knowledge of the writer and find Factotum a more complete character study than it really is. For the rest of us, there are a few laughs - and a corking hangover.
    • New York Daily News
  15. Offers a passably entertaining bridge between empty-headed summer fare and fall awards hunting.
  16. At this late date, filmmakers who draw inspiration from the Mafia had better have a whole new angle to offer. Otherwise, they'll end up with a movie like 10th & Wolf.
  17. This brilliant documentary, which shows not only how Belgian King Leopold II made the huge and resource-rich central African Congo his own private reserve, but how his legacy of exploiting the land and brutalizing its people continues in modern times.
  18. After languishing unseen for years, Laurent Firode's long-delayed comedy is finally getting its day in the sun. Too bad there's such a heavy shadow hanging over it.
  19. Theirs is an affair not worth remembering.
  20. Hideously ugly to look at and not even worth following.
  21. Both Tatum and Dewan know how to move, and their co-stars (including musicians Mario and Drew Sidora) are equally gifted.
  22. If August has turned the children in your life into Bored Girl and Fidget Boy, you could find worse ways to keep them entertained.
  23. It is not easy to watch, yet beyond the traps that society and the urban culture have set up for Drey and the other kids, and the traps that Dan is falling into on his own, this is ultimately a hopeful story of common humanity.
  24. A Belgian "Deliverance," Calvaire (The Ordeal) not only treats us to a few good scares, it also teaches us that Europe has its own rednecks.
  25. This epic tale of survival, love and adjustment covers a 59-year period - from 1910, when a band of urban émigrés arrives to start a settlement, to 1969, when only one of them remains.
  26. As irritating as an ideological college student, this earnest debut from Zak Tucker is determined to teach us a lesson about right and wrong.
  27. It's as harrowing as moviegoing gets.
  28. This is one of the scariest movies featuring female heroines since the "Alien" series, and what makes it uniquely scary is where these women are -- in tunnels two miles under ground -- when they realize they are not alone.
  29. A bizarrely off-key animated comedy.
  30. Casting Williams in this thriller, adapted from Armistead Maupin's novel, was a bigger mistake than the actor's performance.

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